Showing results by narrator "Dana" in All Categories

In Perfectly Abnormal, Chris Morris tears down the erroneous and misinformed beliefs surrounding chronic illness. From the unique standpoint of being both a parent of a special needs daughter and having a seizure disorder himself, Chris guides listeners through difficult terrain as he shreds the eight most common myths the chronic illness community faces. Then he begins the conversation of developing a better theology of illness.

What did 19th-century cities smell like? And how did odors matter in the formation of a modern environmental consciousness? Smell Detectives follows the 19th-century Americans who used their noses to make sense of the sanitary challenges caused by rapid urban and industrial growth.

Stand-up comedy album

When Green Mountain College in Poultney, Vermont, announced that two oxen called Bill and Lou would be killed and turned into hamburgers despite their years of service as unofficial college and town mascots, Pattrice Jones and her colleagues at nearby VINE Sanctuary offered an alternative scenario: to allow the elderly bovines to retire to the sanctuary. What transpired after this simple offer was a catastrophe of miscommunication, misdirection, and misinterpretations, as the college dug in its heels, activists piled on, and social media erupted. Part true-crime mystery, part on-the-ground reportage, and part sociocultural critique, The Oxen at the Intersection is a brilliant unearthing of the assumptions, preconceptions, and biases that led all concerned with the lives and deaths of these two animals to fail to achieve their ends.

Following the success of the comedic fairytale, Shadoe, this newest audio version of Eclecentric offers a unique feature: Not just a collection of poetry and prose, this audio version includes a capella singing as well as music samples from lyrics off of E. Hyland Maze's first 2 albums. Co-narrator, Dana R Ramirez, offers an inspirational and entertaining element to the selections. If you just want to listen to an eclectic arrangement of poetry (some, in song), or, enjoy short rantings and ravings about such subjects as a better way to elect the President to heavenly-minded enlightenment to answers to questions regarding non-corporeal existence, and to the tongue-in-cheek wisdom of growing old, this book will prove to meet your listening pleasure.

Felicity is on route to Beau to marry the Duke. However, when she arrives, Alistair, the prince, and heir to the throne catches her eye. His late night disappearances and roguish attitude send Felicity down a mysterious and strange path. When her best friend, the beautiful Anne, comes to town, everything takes a strange turn. Felicity must decide between love or power - before it's too late. The beggar who cursed the beast had a bigger story than anyone could have imagined.

Alice Liddell, sweetly dignified, the inspiration for the heroine of Alice in Wonderland, is posed and identified as Pomona, goddess of abundance, in a marvelous 1872 photograph by the irrepressible Julia Margaret Cameron; appropriately she is the cover girl for this lavish standalone publication, which also acted as the catalogue accompanying the recent exhibition of the same title at the National Gallery of Art, Washington, (October 31 2010-January 30 2011), and the Museé d'Orsay Paris, March 6 - May 29, 2011).

Linnaeus Tripe? Shades of a minor character in Dickens or Trollope, but in fact the resoundingly named Tripe (1822-1902), army officer and photographer, was the sixth son and ninth child of a professional middle-class family from Devonport, his father a surgeon in the Royal Navy. He joined, as so many of his background did - younger son, but of a certain social status - the East India Company's army (the 12th Madras Native Infantry) aged only 17, the third Tripe son to do so.

EM Forster's famous dictum "Only connect!" is often quoted out of context but it is a resoundingly emotive phrase which might also be taken as the motto for the first major excursion by the National Gallery, London, into the history, portent and meaning of photography as a medium. Before Seduced by Art: Photography Past and Present, the National Gallery has only exhibited the work of a contemporary photographer on one occasion.

Marina Vaizey reviews the work of Julia Margaret Cameron, Victorian photographer, exhibited at the Victoria and Albert, and Science Museum London.

The dazzling exhibition of Horst at the Victoria and Albert is particularly apt: classically trained in avant garde design and architecture, Horst was involved as a precociously successful photographer for Condé Nast publications, not only with the leading fashion houses, but the social and artistic élite. And he took sustained inspiration from the isms of art - past and present. In the thirties he photographed costumes by Dali and used props from Giacometti furniture. Dali designed a set for a photograph for Horst to take for American Vogue, with dresses by Hattie Carnegie.

This ample exhibition - 150 or so photographs, and a small complementary display of well chosen magazines, showing a succinct number in published form - by Man Ray (1890-1976) is described as the first to concentrate exclusively on his portraits. He was born in Philadelphia as Michael Emmanuel Radnitzky, the eldest child of Russian Jewish immigrants (the father's classic occupation for someone of his ethnicity and class that of a tailor); the family moved to Brooklyn in 1897, the first of Man Ray's advantageous geographical relocations.

One of Shakespeare's most often quoted lines, from Hamlet, simply asserts that "There are more things in heaven and earth, Horatio, than are dreamt of in our philosophy." The current retrospective at Tate Britain of the art of Richard Long, the first in London since the Arts Council's Hayward Gallery show in 1991, has been titled Heaven and Earth by Long himself, a phrase he had earlier used for specific works of art.

The extraordinary exhibition of thousands of photographs ranging from cumbersome, beautifully detailed, sharply acute photographs of the aftermath of the 1860s American Civil War to mundane landscapes taken in 2013, are based on an enlivening, provocative, and even perhaps controversial organizing principle. What is novel is the unusual premise: eschewing more conventional and immediate reportage, or documentary series, the selection moving from gallery to gallery - and section by section in the catalogue - is defined by time.

Major discoveries can still be made in the field of visual art, but few perhaps are quite so surprising as the current first retrospective devoted to the French photographer Camille Silvy at the National Portrait Gallery, London (to October 24).

Several hundred photographs of varying scales, and most of them newly printed gelatin silver prints, in superb tones of greys, blacks, and whites, take us into a world that has been subliminally familiar to us for nearly 50 years. Stardust is the title given to this self-selected retrospective, three years in the making, the photographer his own curator, and the word neatly encapsulates the fascinating conundrum of photography itself. As Bailey himself puts it, "It's not the camera that takes the picture, it's the person," and these photographs are as much about Bailey as his subject.

Reviews events in the London Festival of the Cultural Olympiad. Writer Alexandra James visits a variety of exhibitions, music, and performances, staged through July 2012, witnessing a range of creative voices drawn from the international arena.

Stell dir vor, der mächtigste Mann der Welt wäre ein gefährlicher Egomane... Als die Bürger der USA einen unberechenbaren Demagogen zum Präsidenten wählen, hält die Welt den Atem an. Kaum jemand weiß: Bereits kurz nach Amtsantritt ordnet der Präsident fast einen Nuklearstreich an, nachdem ein Wortgefecht mit dem Machthaber von Nordkorea aus dem Ruder läuft. Eins ist den Mitwissern klar: Jemand muss etwas unternehmen, oder die Welt steht kurz vor einem dritten Weltkrieg.

Dead in Bed by Bailey Simms follows Ashley Young after a sexually transmitted plague breaks out in her small town. When the plague begins leaving its victims with bizarrely amplified libidos, Ashley has to be willing to do anything - no matter how difficult or morally questionable - in order to survive. Meanwhile, a meta-narrative follows Bailey Simms, teen author of Dead in Bed, while she's stuck writing at home with a rare medical condition.

Once upon a time in Düsseldorf, in the 1970s, there was an astonishing art academy, the Kunstakademie, with amazing teachers, and amazing students. Düsseldorf was a very proud art city, and even published at the time, a book of photographs called Düsseldorf City of Artists. The presence of that great, messianic leader, Joseph Beuys loomed large. Gerhard Richter, (and Gotthard Graubner among others), taught painting, and an outstanding couple, Bernd and Hilla Becher, taught photography.