Showing results by narrator "Sean Barrett" in All Categories

"I heard, with an unpleasant surprise, close to me, a voice that was drawling, and, I fancied, sneering, repeat the words: 'Food for worms, dead and rotten; God over all.' There was a small window in the wall, here very thick, which had been built up, and in the dark recess of this, deep in the shadow, I now saw a sharp-featured man, sitting with his feet dangling. His keen eyes were fixed on me, and he was smiling cynically...."

Henry Fielding’s riotous tale of innocents in a corrupt world was one of the earliest English novels, blending bawdy slapstick, philosophical musing, and pointed social satire to create a work of moral complexity and generous, life-affirming humanity. Published in 1742, it tells the story of the chaste servant Joseph Andrews who, after being sacked for spurning the advances of the lascivious Lady Booby, takes to the road, accompanied by his beloved Fanny Goodwill and the absent-minded, much put-upon Parson Adams.

The Chuzzlewits are a family divided by money and selfishness; even young Martin, the eponymous hero, is arrogant and self-centered. He offends his grandfather by falling in love with the latter’s ward, Mary, and sets out to make his own fortune in life, travelling as far as America – which produces from Dickens a savage satire on a new world tainted with the vices of the old. Martin’s nature slowly changes through his bitter experience of life and his enduring love for Mary.

Escaping the guillotine, Victor Frankenstein is now posing as Doctor Stein, altruistic patron of the hospital for the poor. But in a secret basement laboratory he is harvesting body parts from his helpless patients, using them in his twisted experiments in a bid to create the perfect man. And this time he has help from a would-be pupil. His pupil seeks knowledge, but Frankenstein desires vengeance against all those who have tried to stop his terrifying work. The first time he tried, it ended in bloody mayhem, but now he is determined that nothing will go wrong.

Pleasures of the Garden begins in ancient China and ends on the Isle of Man; it admires both stately landscaped parks and a soap box full of red geraniums on a fire-escape. It shows that gardening is for everybody, whatever their resources.

A wolf howls through the forests of Transylvania, the murky graveyards of H.P. Lovecraft, the mythic marshes of Count Stenbock and the ghostly vaults of English cathedrals in these timeless stories read by award-winning actors from The Story Circle company.

It is in Semana Santa - Holy Week - in Southern Spain, and the heat is building up in the city. When a hideous double murder is discovered on the first day, the men of the force - and a visiting female academic, Maria Gutierrez - know they are in for a long week.

Arthur C Clarke is the world's foremost writer of science fiction and accessible science; his predictions have been coming true since he invented the idea of communications satellites in the 1940s. In Holiday on the Moon, teen Daphne Martin travels to the moon to visit her astronomer father.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 4 we bring you the classics 'The Eve of St Agnes' by John Keats; 'Flodden' by Sir Walter Scott; 'The Ballad of Agincourt' by Michael Drayton; 'Tam O'Shanter' by Robert Burns; and 'The Pied Piper of Hamelin' by Robert Browning.

The Royal British Legion was founded in 1921. It is now the country’s leading charity providing financial, social and emotional support to those who have served or who are currently serving in the British Armed Forces and their dependants. The RBL is behind the annual Poppy Appeal, the highest profile charity appeal in Britain.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 2 we bring you the classics 'Sohrab and Rustum' by Matthew Arnold, 'The Prisoner of Chillon' by Lord Byron, and 'Faithless Sally Brown' by Thomas Hood. They are read for you by the renowned actors Sean Barrett and David Shaw-Parker.

When we think of Oscar Wilde we think of his wonderful wit and of course his plays and short stories. We rarely think of his poetry. We should. His work brings new insights into both his view of the world and how we can view him.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry it has widespread roots through almost every culture. In Volume 1 we bring you 'The Ballad of Reading Gaol' - Oscar Wilde; 'The Highwayman' - Alfred Noyes; and 'The Rime of the Ancient Mariner' - Samuel Taylor Coleridge.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 3 we bring you the classics 'Goblin Market' by Christina Rosseti; 'The Wreck of the Hesperus' by Henry Wadsworth Longfellow; 'The Raven' by Edgar Allan Poe; 'Morte D'Arthur' by Alfred Lord Tennyson; and from 'Horatius' by Thomas Babington Maculay.

Paganini – showman, womaniser, dazzling virtuoso – is one of the most fascinating characters in the history of classical music. His violin is now kept in Genoa, where it is played once every two years by the winner of an international competition. This year, an unsavoury art dealer is found dead in his hotel room the day after the concert. Clutched in his fist is a scrap of sheet music torn off a page that belongs to the competition winner. But how did the dead man get hold of it? And why?

At three p.m. on a Saturday afternoon in 1911, Oskar Johansson is caught in a blast in an industrial accident. The local newspaper reports him dead, but they are mistaken. Because Oskar Johansson is a born survivor. Though crippled, Oskar finds the strength to go on living and working. The Rock Blaster charts his long professional life - his hopes and dreams, sorrows and joys. His relationship with the woman whose love saved him, with the labour movement that gave him a cause to believe in, and with his children, who do not share his ideals.

All over Britain, POW camps are filling up with defeated German soldiers. But only the most dangerous are sent to Camp 21 - 'black' prisoners - SS diehards who've sworn death before surrender. As one fanatic plots a mass breakout and glorious march on London, Max Hartmann dreams of the oath he pledged to the teenage bride he scarcely knows and the child he's never met. Where do his loyalties really lie?

The first ever collection of poems by the acclaimed author of the Aubrey/Maturin series of Napoleonic naval adventures. As we have stood with Jack and Stephen on the deck of the Surprise and other ships, listeners around the world have been transported to a place and time at once familiar and exotic, routine and dramatic. At all times, Patrick O’Brian’s deep knowledge of the period and profound empathy with the landscape of the sea has ensured there is always a firm hand on the tiller.

Twins Aaron and Clive have been estranged for 40 years. Aaron still lives in the empty, crumbling tower block on the riverside in Deptford where they grew up. Clive is a successful property developer, determined to turn the tower into luxury flats. But Aaron is blocking the plan, and their petty squabble becomes something much greater when two ghosts from the past - twins Annette and Christine - appear in the tower. At once, the desolate estate becomes a stage on which the events of one scorching summer are relived - a summer that shattered their lives and changed everything forever.

‘The sweetness of her glance—or rather, my evil star already in its ascendant and drawing me to my ruin—did not allow me to hesitate for a moment...’ So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early 18th-century Paris—with its theatres, assemblies, and gaming-houses—via prison and deportation to a tragic denouement in the treeless wastes of Louisiana. It is one of the great love stories, and also one of the most enigmatic.