Showing results by narrator "Maggie Ollerenshaw" in All Categories

During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life - all contribute to Margaret's shattering moment of truth.

Queenie is only 14 and has been deserted by her mother. Set in Liverpool and Wales at the outbreak of World War II, this story explores themes of female friendship and betrayal from the perspective of a group of women of widely different ages.

The First World War is almost over when nurse Olivia Jones meets dashing American soldier, Tom O'Hagan, and they propose to marry. But Tom is dead by the time Olivia finds herself pregnant. Just hours old, their daughter Ruby is brutally removed from Olivia by her disgusted father and secretly taken to be raised in a convent in north Wales. At fourteen, Ruby is beautiful, intelligent and wilful - and delighted to be chosen by the wealthy Emily Dangerfield, who lives in a grand house near Liverpool, as a companion.

The Wolves lie dead beside Rilpor’s soldiers, slaughtered at the hands of the Mireces and their fanatical army. The veil that once kept the Red Gods at bay has been left in tatters as the Dark Lady’s plans for the world come to fruition. Where the gods walk, blood is spilled on the earth. All that stands between the Mireces army and complete control of the Kingdom of Rilpor are the walls of its capital, Rilporin, and those besieged inside.

Five immaculate short stories dealing with the tentative-to-frantic strategies of isolated beings distanced from unresponsive societies.

Victoria Macara is 27 and lives alone in the old house on the corner that was once home to the family removal business. When the land is sold, she finds herself surrounded by a small estate of new properties called Victoria Square. The newcomers who move in around her bring with them their own dramas.

Liverpool, 1915. Martha Rossi lives in a tenement with her husband and their five children. Despite working all the hours she can, the family doesn't have much money. So when Martha’s 14-year-old son, Joe, proudly enlists to fight for his country just to earn his mother an extra shilling, Martha is horrified. Despite her pleas and protests, Joe is dispatched to France within weeks. Unbeknown to them all, Joe’s act of selfless heroism will have huge implications for Martha and all the family.

In the 17th century, a wall is built around the deer park of a great house. Wychwood is a world in itself, its ornamental lakes and majestic avenues planned by Mr Norris, a master of the new art of landscaping. A world where, after decades of civil war, everyone has something to hide or something to fear, where dissidents hide in the forest and Londoners fleeing the plague are at the gate.

The Prime children grew up in a bleak North Country farmhouse called the Beacon. Colin married and went to work on a neighbouring farm. Bernice married locally, too. May stayed behind at the Beacon, the spinster daughter looking after ageing parents. And then there was Frank, Frank who was always watching.Frank was the one who got away. He left for London and Fleet Street, but journalism was not enough. Frank wanted fame and money...

In 1955, former nightclub manageress Ruth Ellis shot dead her lover, David Blakely. Following a trial that lasted less than two days, she was found guilty and sentenced to death. She became the last woman to be hanged in Britain, and her execution is the most notorious of hangman Albert Pierrepoint's 'duties'. Despite Ruth's infamy, the story of her life has never been fully told. Often wilfully misinterpreted, the reality behind the headlines was buried by an avalanche of hearsay.

In these days of pandemic, war and political turbulence, hope can seem to be in short supply. But hope is one of the theological virtues, and it is far more profound than mere optimism. Teresa White in this Lent Book draws on inspiration from writers as diverse as Julian of Norwich and Karl Rahner, Elizabeth Barrett-Browning and Henri Nouwen, but throughout the audiobook there is strong scriptural underpinning that the author uses to great effect.

When Joan Bakewell, Labour Peer, author and famous champion of the older people's right to a good and fruitful life, decided that she could no longer remain in her old home, she had to confront what she calls 'the next segment of life'. Disposing of things accumulated during a long life, saying goodbye to her home and the memories of more than fifty years, thinking about what is needed for downsizing - all suddenly became urgent and emotional tasks. And then there was managing family expectations.

Rose has always been close to her father. Her mother died soon after she was born, so it’s been just the two of them for as long as she can remember. But a chance encounter days before she's due to get married leaves Rose questioning everything she has ever known. The man she trusts most in the world has been keeping a secret from her. And the truth will leave her with an impossible choice.

After just a year of close, loving marriage, Ruth has been widowed. Her beloved husband, Ben, has been killed in a tragic accident, and Ruth is left suddenly and totally bereft. Unable to share her sorrow and grief with Ben's family, who are dealing with their pain in their own way, Ruth becomes increasingly isolated, burying herself in her cottage in the countryside as the seasons change around her. Only Ben's young brother, Jo, is able to reach out beyond his own grief to offer Ruth the compassion which might reclaim her from her own devastating unhappiness.

In the Prince of Wales Hotel and the shabby terraces and tearooms of Westbourne, retired lives run their course - all, in their different ways, anticipating crisis.

Sixty is the new 40, we're constantly told. Or is it that 70 is the new 50? Either way, there's nothing middle of the road about middle age. From coping with bodies that are 'heading south' to rampant ageism in the workplace, this time in our lives, in the words of Bette Davis, is 'no place for sissies'.

Part social satire, part police procedural, Bill James returns with the stunning prequel to Tip Top - In the drug-ridden Whitsun and Temperate housing estates a connection, once made, is only ever one thing: trouble. Trouble for the journalist whose investigation into the estates leads to his murder; trouble for policewoman Esther Davidson, whose job it is to arrest the killer; and trouble for TV producer Larry Edgehill, who becomes more involved with a Romeo and Juliet-esque cross-estate romance than he ever would have wanted.

A rather mysterious old clergyman is dead, and his daughter, 16-year-old Athene is desolate. A beauty, she is also lonely and living a fantasy life. Athene’s mother dispatches her to spend the holidays with assorted friends and relatives. And for Athene that golden summer after the funeral becomes delicious fodder for her fantasy.

It is the heady 60s in Liverpool, and the Flowers, the Baileys, and the McDowds are three very different families bound together by music. The children are determined to be part of the glamour that surrounds the city, so when Sean, Lachlan, and Max form The Merseysiders and Jeannie and Rita become part of The Flower Girls, they put their hearts and souls into achieving success.

Everyone says 14-year-old Billie is nothing but trouble. A fighter. A danger to her family and friends. But her care worker sees someone different. Her classmate Rob is big, strong; he can take care of himself and his brother. But his violent stepdad sees someone to humiliate. And Chris is struggling at school; he just doesn't want to be there. But his dad sees a useless no-hoper. Billie, Rob and Chris each have a story to tell. But there are two sides to every story, and the question is... who do you believe?