Showing results by narrator "Gerard Schwarz" in All Categories

Debussy was the first great composer of the twentieth century. He departed from previous musical practice to a greater extent than any previous composer. Though he completed his masterpieces Prelude to Afternoon of a Faun and the triptych Nocturnes before the turn of the century, it was not until 1902 that Debussy received widespread recognition.

By the time Mozart turned 20 he was already one of the most skilled composers of his day. His output included not only symphonies and concertos but piano pieces, serenades, arias, operas, and smaller species of musical theater, songs, and church music. Symphony No. 40 in G Minor forms the centerpiece of the "final trilogy".

Gerard Schwarz describes how Bela Bartok developed new rhythmic patterns modeled on Balkan and North African folk music and explored unusual instrumental colors and textures. During the 1920s and early 1930s, Bartok's innovative tendencies earned him a reputation as an uncompromising modernist, making him almost a musical anarchist who was unappreciated and largely unperformed, particularly in his native Hungary.

Beginning in the waning years of the 19th century, Spanish composers turned to the rich tradition of Spanish folk music for materials and inspiration, and in doing so imbued their compositions with a colorful national character. The most brilliant of those composers was Manuel de Falla.