Showing results by narrator "Anthony Rey Perez" in All Categories

A year has passed since Pete Fernandez’s latest, closest brush with death. After months of recovery, the newly sober Pete has managed to rebuild his life, contentedly running a small Miami bookstore and steering clear of the dangers of private eye work. So when an aging Cuban mobster asks Pete to find out who killed his drug-addicted jazz-pianist son and to locate his missing daughter-in-law, Pete balks. Until another victim suggests that the murder of the gangster’s son may be connected to the people who nearly ended Pete’s life.

Pete Fernandez has settled into an easy, if somewhat boring life as a PI. The days of chasing murderous killers are behind him. Or are they? When his sometimes partner Kathy Bentley approaches him with a potential new client, Pete balks. Not because he doesn’t need the money, but because the case involves Gaspar Varela, a former Miami police officer serving a life sentence for the murder of his wife—one of the most infamous crimes in Miami history. The client? None other than Varela’s daughter, Maya, who’s doggedly supported her father’s claims of innocence.

Pete Fernandez is a mess. He’s on the brink of being fired from his middle-management newspaper job. His fiancée has up and left him. Now, after the sudden death of his father, he’s back in his hometown of Miami, slowly drinking himself into oblivion. But when a coworker he barely knows asks Pete to locate a missing daughter, Pete finds himself dragged into a tale of murder, drugs, double-crosses, and memories bursting from the black heart of the Miami underworld - and, shockingly, his father’s past.

Pete Fernandez should be dead. His life—professional and personal—is in ruins. His best friend is dead. His newspaper career is past tense. His ex is staying with him as her own marriage crumbles. On top of that, the former journalist finds himself in the eye of a dangerous storm; investigating a missing girl with an unexpected partner and inching closer and closer to a vicious, calculating killer cutting a swath of blood across Miami—while at the same time battling his own personal demons that refuse to be silenced.

Startling new evidence in a cold case that's haunted Pete drags the exiled PI back to his hometown of Miami. But as Pete and his partner, Kathy Bentley, delve deeper into the unsolved murder, they become entangled in Miami’s obsession with a charismatic and dangerous cult leader and his even more menacing followers. At the same time, the detectives find themselves at odds with a Florida politician’s fixation on wealth, fame, and power. It all converges in the heart of the Magic City, and Pete is left scrambling to pick up the pieces—or die trying.

When the failed Bay of Pigs invasion in 1961 solidifies Castro’s power in Cuba, 12-year-old Cumba’s family makes the difficult decision to send him to Florida alone. Faced with the prospect of living in another country by himself, he tries to remember the sound of his father’s clarinet, the smell of his mother’s lavender perfume.

When the failed Bay of Pigs invasion in 1961 solidifies Castro’s power in Cuba, 12-year-old Cumba’s family makes the difficult decision to send him to Florida alone. Faced with the prospect of living in another country by himself, he tries to remember the sound of his father’s clarinet, the smell of his mother’s lavender perfume. Life in the United States presents a whole new set of challenges. Lost in a sea of English speakers, Cumba has to navigate a new city, a new school, and new freedom all on his own.

After the violent, shadowy events surrounding his father's disappearance and his siblings' disbandment, Martín flees Mexico City with his wife, newborn son, and dog. Isolated and homesick in Madrid, Martín awakes one sticky, hot morning, quietly overwhelmed by the circumstances - his growing aversion to his son, the dog's sudden illness, and the vague unresolved danger from his abandoned homeland.

Margaret Millar's husband, Kenneth, who wrote under the name of Ross Macdonald, received more attention for his Lew Archer books, but her equally noteworthy mysteries are among the best of the genre. This story of love and greed among the rich and eccentric citizens of a California city - very much like the Millars' beloved Santa Barbara - is full of the things that make her work memorable - a wickedly twisted plot, sly observations on all social levels, and a writing style that welcomes you to the party like an old friend.

All Nestor Lopez wants is to live in one place for more than a few months and have dinner with his dad. When he and his mother move to a new town to live with his grandmother after his dad’s latest deployment, Nestor plans to lay low. He definitely doesn’t want anyone to find out his deepest secret: that he can talk to animals. But when the animals in his new town start disappearing, Nestor's grandmother becomes the prime suspect.

Compared to other industrialized nations, the United States is losing ground across nearly every indicator of social health. Its race problem, argues Eduardo Porter, is largely to blame. In American Poison, the New York Times veteran shows how racial animus has stunted the development of nearly every institution crucial for a healthy society, including organized labor, public education, and the social safety net. The consequences are profound and are only growing graver with time.

Efrén Nava’s Amá is his Superwoman - or Soperwoman, named after the delicious Mexican sopes his mother often prepares. Both Amá and Apá work hard all day to provide for the family, making sure Efrén and his younger siblings Max and Mía feel safe and loved. But Efrén worries about his parents; although he's American-born, his parents are undocumented. His worst nightmare comes true one day when Amá doesn't return from work and is deported across the border to Tijuana, México.

Rafa would rather live in the world of The Forgotten Age, his favorite role-playing game, than face his father’s increasing restrictions and his mother’s fading presence. But when Rafa and his friends decide to take the game out into the real world and steal their school cafeteria's slushie machine, his dad concocts a punishment Rafa never could’ve imagined—a month working on a ranch in New Mexico, far away from his friends, their game, and his mom’s quesitos in Miami.

Claire Walker has always had her life in perfect order, including her high-powered job at one of Manhattan's top corporate law firms. Yet the one thing she cannot seem to find is a perfect love to complete it, until fate pushes Matías de León into her path. Matías is a Spanish artist who is everything that Claire is not: free-spirited and creative, chaos to her order. She falls for him, hard—and he for her. A year later, however, Claire begins to question everything about their relationship. How can they possibly work long-term when they're so different? Might it be best to end it?

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.