Showing results by author "George Shaw" in All Categories

Familiarize-se com três grandes artistas do século XX através de uma cuidadosa selecção de 300 citações, introduzindo as suas ideias e delineando com clareza a estrutura do seu trabalho. Descubra novos aspectos ou aprofunde-se nos pensamentos de Bruce Lee, George Bernard Shaw, Groucho Marx, para expandir a sua mente e conhecimento sobre a nossa cultura.

George Bernard Shaw é um crítico de música irlandês, dramaturgo, ensaísta, dramaturgo e argumentista. Acerboso e provocador, pacifista e anticonformista, foi galardoado com o Prémio Nobel da Literatura em 1925. Estas 100 citações visam dar acesso à sua obra monumental através de uma selecção dos seus pensamentos mais marcantes, num formato acessível a todos.

George Bernard Shaw embraced the concept of what he called creative evolution. In 1982, after having witnessed the horrors of the First World War, Shaw started work on Back to Methuselah, a large-scale presentation of the story of human development, starting from the Garden of Eden and extended far into the future. The first performance was held in New York in 1922. The five plays included are "In the Beginning", "The Gospel of the Brothers Barnabus", "The Thing Happens", "Tragedy of an Elderly Gentleman", and "As Far As Thought Can Reach".

Henry Higgins, a phonetician, agrees to coach and groom Eliza Doolittle, a Cockney flower girl and transform her into a socially acceptable person, no less than a duchess - in just six months! Timeless themes of equality and social class are explored in a lighthearted, comical manner, raising many questions such as: Can Eliza "I'm a good girl I am!" live up to their expectations? What will become of her afterwards?

Intelligens och skicklighet är aldrig tråkigt. Vi har valt 500 citat från de skickligaste författarna någonsin, från Oscar Wilde till Groucho Marx, George Bernard Shaw, Albert Einstein med hjälp av Woody Allen. Njut av dessa humorpärlor för att lysa upp din dag med ett gott skratt, upptäck ovärderliga kommentarer och skämt att överraska dina vänner och fiender med och skaka hand med de största sinnen. Dessa 500 citat är bland de roligaste och djupaste, från smarta kommentarer till otroligt eleganta ordlekar; låt dem inspirera dig, och kan du komma med många fler.

George Bernard Shaw är en musikkritiker, dramatiker, essäist, spelar irländsk författare och manusförfattare. Destruktiva och provocerande, pacifist och frireligiösa vann han Nobelpriset i litteratur 1925. Detta 100 citat syftar till att öka tillgången till hans monumentala verk av ett urval av hans viktigaste tankar i ett format som erbjuder tillgängliga för alla. Ett citat är ett utdrag ur ett sätt, kan detta vara en anledning, en sammanfattning av en komplex idé, ett pass, en öppning till en djupare reflektion.

George Bernard Shaw is een muziekcriticus, toneelschrijver, essayist, speelt Ierse auteur en scenarist. Vernietigende en provocerend, pacifist en non-conformistische, won hij de Nobelprijs voor de Literatuur in 1925. Deze 100 citaties doel om de toegang tot zijn monumentale werk van een selectie van zijn belangrijkste gedachten in een formaat dat voor iedereen toegankelijk te bieden.

George Bernard Shaw est un critique musical, dramaturge, essayiste, auteur de pièces de théâtre et scénariste irlandais. Acerbe et provocateur, pacifiste et anticonformiste, il obtient le prix Nobel de littérature en 1925. Ces 100 citations visent à donner accès à son œuvre monumentale par une sélection de ses pensées les plus marquantes, dans un format accessible à tous.

Queste 100 citazioni mirano a fornire l'accesso a un'opera o a una vita eccezionale, attraverso una selezione dei pensieri più eclatanti, in un formato accessibile a tutti. Una citazione è più di un estratto di un'affermazione, può essere un colpo di mente, una sintesi di un pensiero complesso, una massima, un'apertura a una riflessione più profonda.

Don Juan in Hell is an excerpt (Act 3, Scene 2) from George Bernard Shaw’s Man and Superman. It is often performed as a standalone play. In it, three characters from Mozart’s Don Giovanni (Don Juan, Dona Ana, and the statue of the Commendatore, Dona Ana’s father) meet in Hell and, joined by the Devil, have a philosophical debate on a variety of subjects, including Heaven and Hell, men, women and marriage. In the end, they all decide where they will spend eternity.

Arms and the Man is a comedy by George Bernard Shaw that takes place in 1885, during the Serbo-Bulgarian War. Raina Petkoff is engaged to the gallant Sergius Saranoff, hero of the recent Bulgarian victory over the Serbs. But she is distracted by the abrupt arrival of Captain Bluntschli, a Swiss mercenary who fought for the Serbian army. He takes refuge in her bedroom after the battle and although he is initially threatening, reveals that he carries chocolate creams instead of bullets. Will Raina marry the posturing Sergius or the chocolate cream soldier?

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.

Making his way to a tryst with his "dark lady" near the royal palace the young playwright William Shakespeare encounters a mysterious woman in a cloak. Mistaking her for his lady friend, he accosts her in a familiar fashion, only to discover, to his dismay, that she is in fact the queen. He overcomes his initial discomfort, and takes advantage of the situation to make a petition for royal support to establish a national theatre.

A timeless classic by George Bernard Shaw, Arms and the Man is a comedy about love, ideals, and romance. A young woman from a wealthy Bulgarian family is visited in her room by an enemy captain in his flight to evade capture, and this chance encounter threatens her engagement and her high-minded idealism.

When Vivie learns that her mother's harlotry is the origin of her financial support, nothing in her world can ever be the same. There are serious consequences for her suitor, her mother, and herself.

Shaw denkt Mozarts Oper weiter und läßt die Hauptfiguren aus "Don Giovanni" nach ihrem Tod in der Hölle über die Welt, das Leben und die Liebe diskutieren. Der Don-Juan-Mythos wird dabei, gemäß Shaw's These von der "life force", völlig umgekehrt, der Verfolger der Frauen wird nun selbst zum Verfolgten. Er wird als Denker gedeutet, der sich seiner Aufgabe, bei der Schaffung des Übermenschen mitzuwirken, entziehen will. Aber gerade durch das Wagnis, die Grundfragen des Lebens kraft seines Intellekts zu lösen, dient er (wie Shaw später auch in "Back to Methuselah" darzulegen versuchte) dem eigentlichen Ziel des Lebens: der Befreiung von den Fesseln der Materie und damit der Verwirklichung des Daseins, in dem die schöpferische Intelligenz sich voll entfalten kann.

You Never Can Tell was originally born out of a bet that Shaw couldn't write a "seaside comedy" (a popular theatrical genre at that time). The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy.