Showing titles in Death & Dying

Matthew noticed a number of friends dying without leaving much vital information. In some cases, they had not even made a Will. The family was left to pick up the pieces. Death is challenging enough - and something we will all face - but by having your affairs in order, it will make the process a whole lot easier and kinder.

Every year, more than a million women find themselves grappling with the devastating loss of a life partner—a loss that shatters their present and leaves their future in doubt. At 65, Margaret Mandell faces this heart-wrenching reality when she loses her husband of 45 years to a fast-moving disease. The bed is now half-empty, her body betrays her, and laughter seems elusive.

Through stories of survival, resilience, and even rebellion, Mueller and Abrutyn show how social environments can cause suicide and how they can be changed to help kids discover a life worth living. By revealing what it is like to live and die in one community, Life under Pressure offers tangible solutions to one of the twenty-first century's most tragic public health problems.

Пока человек жив, он мало задумывается над тем, ЧТО ожидает его, возможно, уже в следующую секунду: ведь сколько прекрасных строк оборвалось на полуслове и скольким добрым делам так и не суждено было исполниться лишь только потому, что люди в суете житейской всё самое лучшее и необходимое постоянно откладывали и продолжают откладывать «на потом», забывая о том, что в следующее мгновение этого «потом» у них уже может и не быть вовсе.

Mit 2020 Das Jahr, das die Welt veränderte legt Eric Klinenberg eine schonungslose ethnologische und soziologische Analyse vor, die eine Frage stellt: Wer hat überlebt, wer ist gestorben, und warum? Ein Muss für alle Leser:innen von Ethnographien und Sachbüchern, die nicht nur eine Pandemie, sondern auch eine veränderte Welt verstehen wollen.

Funeral homes are immediately recognizable features of the American landscape, and yet the history of how these spaces emerged remains largely untold. In Preserved, Dean Lampros uses the history of this uniquely American architectural icon to explore the twentieth century's expanding consumer landscape and reveal how buildings can help construct identities.

This book is about death: how we approach it, and how families, and those breathing their last, might deal with it. While the author has been surrounded by death for decades, putting these words to “paper” was the result of the impending death of a friend and colleague, a professor of political science and a fighter for social and economic justice. The book’s rationale is to assist the family of the dying human—and perhaps the dying person themselves—as they attempt to navigate our byzantine, inefficient, and, too often, inhumane health system.

Six hundred years ago, the author of this landmark work of history and religious thought—an esteemed judge, poet, and scholar in Cairo—survived the bubonic plague, which took the lives of three of his children, not to mention tens of millions of others throughout the medieval world.

Mary Artino is a medical social worker with a 15-year career in hospice. She feels that loss is a subject that isn't addressed often enough in American culture and that much more can be done to begin teaching children about loss and death. This book is a collection of short stories that begins with her own experiences with death and loss within her family. The author believes that death is one of our most profound teachers. In writing Lessons on Loss Not Taught, Mary hopes to demystify the end-of-life experience, making it less foreboding and more relatable.

Death in the United States is undergoing a quiet revolution. You can have your body frozen, dissected, composted, dissolved, or tanned. Your family can incorporate your remains into jewelry, shotgun shells, paperweights, and artwork. Cremations have more than doubled, and DIY home funerals and green burials are on the rise. American Afterlives is Shannon Lee Dawdy’s lyrical and compassionate account of changing death practices in America as people face their own mortality and search for a different kind of afterlife.

È vero che la morte è diventata tabù, che la società moderna la nega e la nasconde più di quelle premoderne, condannando all'isolamento chi sta per lasciare questo mondo? Ed è forse per questo che i medici mentono al malato, e gli nascondono le cattive notizie sulla sua salute? È vero che la medicina moderna è rivolta solo al prolungamento della vita e all'ostinazione terapeutica, mentre trascura le esigenze e le sofferenze dei malati terminali?

Death is a clear-cut objective moment, but the process of dying and the choices we make for our own death and others is a wholly different subject. Not becoming educated on your ability to influence your dying process is leaving that potentially long helpless period to fate. Raw and informative, this book explores the truth and asserts your right to knowledge and your right to say “No” to medical procedures that ultimately only prolong suffering once imminent and inevitable death arrives.      

When journalist Tom Morton suffered a heart attack in 2015, his close encounter with death led him on an extraordinary journey into the world of the dead. He decided to train to become the only independent funeral celebrant on the remote Shetland islands. Armed with a new black suit and a second-hand undertaker's coat, Tom quickly learned that death requires you to think on your feet, and often to take a magpie approach to faith and philosophy.

We are all part of the circle of life; however most of us just go round and round each year until we die and fall off. To discover what else is possible, we need to find the way. Join Adrian Gilbert as he explains the circle, how to prepare for the journey, and what to look for along the way.

Mourning: The Day After Loss offers practical advice and insight into the process of coping with grief and bereavement based on extensive experience and research. It leads the listener on a journey through the various stages of bereavement - from the death notification to the formal days of mourning, the burial, and the weeks and months following. 

What is death and how does it touch upon life? Twenty writers look for answers. Birth is not inevitable. Life certainly isn't. The sole inevitability of existence, the only sure consequence of being alive, is death. In these eloquent and surprising essays, 20 writers face this fact.

After the Interlude explores destiny, the sibling relationship, the impact on destiny of family of origin dynamics, where we were before we were born, where we’re going after we’ve left the planet, thin places, dreams, prayer, and the importance of unbending intent. The book tackles purpose and the most difficult personal question of all personal questions — why? After the Interlude converses with existence.

How do you continue on with your life as a widow and sole parent? Even if you had life all figured out before the loss of your husband, you now find yourself as the head of household and the only person responsible for your children after his passing. Having walked this journey, Michelle Hoffmann shares guidance on how to deal with the unthinkable like removing your wedding ring, adjusting your social media, and finding the right surrogate to represent at the father-daughter dance.

La tauromaquia se ha distanciado de la sociedad tanto como la sociedad se ha distanciado de la tauromaquia. Median entre la una y la otra toda suerte de malentendidos. Puede que el más polémico sea el político, porque se utilizan los toros como argumento de discordia en el caldero identitario. Y puede que el más insólito sea el medioambiental, pues no se explica la hostilidad del ecologismo cuando los toros representan un territorio de excepción y de conservación formidables. La crisis de la tauromaquia no es nueva.

Sieht man ein weißes Licht, wenn man stirbt? Kann mein Körper noch sprechen, wenn ich tot bin? Kann ich zusammen mit meinem Hamster bestattet werden? Kinder fragen klar, offen und ehrlich nach dem Tod. Und genauso muss man ihnen auch antworten. Das ist zumindest die Überzeugung von Caitlin Doughty. Die berühmteste Bestatterin der Welt beantwortet ganz ungeschminkt Fragen von Kindern, die Erwachsene nicht zu stellen wagen. In lustigem, aber immer respektvollem Ton gewährt die Bestatterin so nicht nur Kindern einen Blick hinter den schwarzen Vorhang aus Tabus rund um den Tod.