Showing results by publisher "Phoenix Books" in Media Studies

In Behold a Pale Horse, William Cooper reveals classified information kept in secret government files since the 1940s. In this eye-opening work — read by the author — Cooper explores the assassination of John F. Kennedy, the war on drugs, the Secret Government, and UFOs. His lucid presentation of information transcends partisan affiliations as he addresses issues in a way that has a striking impact on listeners of all backgrounds and interests.

When Ted Turner started out in business, he owned a small billboard company in rural Georgia. Over the decades, he built a multi-billion empire that included CNN, Turner Classic Movies (TCM), MGM studios, and the Atlanta Braves. Risk-taking, careful planning, and steely determination are the hallmarks of this brash, outspoken, and wildly successful media mogul. On the other side of the world, his counterpart—Australian-born Rupert Murdoch—began with one small newspaper and parlayed it into more than 100 newspapers and magazines around the globe.

Michael Levine shows how to get media exposure without hiring an expensive publicist. In clear, concise, and practical language, he explains the procedures he uses every day to get press for major stars. He tells how his techniques can be adapted to fit a small budget and be effective for any kind of company seeking publicity.

A volume in a series called The Library of Contemporary Thought—which provides top opinion makers a forum to explore the most provocative, fascinating, and relevant issues of the day—News Is a Verb focuses on contemporary journalism and its evolving readership.

As the public appetite for intimate details about celebrities has grown, Lysa Moskowitz-Mateu and David LaFontaine have traveled the continent in search of headline stories for the Star, National Enquirer, and Globe. Invading the privacy of others has become their way of life. By their own account, tabloid reporters are the "vermin media" whose outrageous quests for the inside scoop know no bounds.

Media and law enforcement work at cross-purposes. Law enforcement want to solve a case as fast as possible and put the guilty behind bars. The media want a case to drag on as long as humanly possible and do all they can to extricate every last bit of drama, drop by bloody drop, in order to hold the attention of the millions of viewers who have gotten hooked. Law enforcement must abide by rules. The media make their own rules, and even then break them or find ways to work loopholes into them.