Showing results by publisher "Phoenix Books" in Modern Detectives

Burt Reynolds reads three of Robert B. Parker's finest Spenser novels. Includes Chance, Hush Money, and Small Vices.

Hired by a wealthy family to locate their teenage daughter, Sunny Randall, a former cop turned Boston P.I., soon finds herself the bodyguard for a difficult teenager who refuses to return to her family. But before long, Sunny is facing greater problems than she ever imagined including a criminal conspiracy that reaches to the top of the state government.

Marlowe is back...and he's married to a rich, beautiful society lady who wants him to settle down in the posh desert community of Poodle Springs. Marlowe may have married rich, but old habits die hard: he's hired to recover a gambling debt and soon finds himself in a case involving bigamy, pornography and murder. The first four chapters of this final Marlowe mystery were written by noir master Raymond Chandler at the end of his life. Robert B. Parker was chosen by Chandler's estate to complete his last work.

Spenser is investigating the Port City Theater Company, where the director claims he's being stalked. When an actor is shot dead during a performance, all clues lead to the local Chinese Mafia, whose roots run deep in this drab waterfront city. With Hawk and ex mobster Vinnie assisting, Spenser eventually triumphs in one of his most compelling adventures.

Brad Sterling - former Harvard football player, ne¿er-do-well, and Susan Silverman's long out-of touch ex-husband, is by all appearances a successful businessman. But when, in the course of running a vast fundraiser called Galapalooza, he is charged with sexual harassment, he turns to Susan for help.

Ellis Alves is no angel. But his lawyer says he was framed for the murder of college student Melissa Henderson...and asks Spenser for help. From Boston's back streets to Manhattan's elite, Spenser and Hawk search for suspects, including Melissa's rich-kid, tennis-star boyfriend. But when a man with a .22 puts Spenser in a coma, the hope for justice may die with him.

When the bride of a Boston police detective vanishes, he hires Spenser to find her. His path leads from a New England college campus to glamorous L.A. sports clubs. When the trail turns to a world of prostitution, drug abuse, and self-destruction, Spenser must enter ghetto tenements to continue his search. Ultimately, Spenser must hire a Chicago hitman to help him free the girl from a sociopathic ex lover.

Ten years ago, Paul Giacomin's corrupt father and loose mother used the boys as a pawn in their violent race: Only Spenser could call them off and straighten out the misled teen—almost getting killed in the process. Paul is now 24 and reconciled to his mother's wanton ways. But when Patty Giacomin vanishes, Paul begs Spenser to help him rescue her from the clutches of her boyfriend, a shady character he's sure coerced his mother into running.

Spenser is forced by loyalty into an alien world where violence is a way of lie and outsiders enter at a lethal risk. When Spenser's cohort Hawk is hired by the tenants of a gang-plagued Boston housing project known as "Double Deuce," he enlists his friend's aid. A friend's girl and her infant daughter have been gunned down. Though the act at first appears to be an accidental drive-by shooting, it soon becomes clear that it was premeditated murder.

Hired by Loudon Tripp, an aggrieved Boston aristocrat who believes his late wife Olivia's brutal street slaying to be something other than random violence, Spencer immediately senses that his client's picture-perfect portrayal of his family life is false. For starters, the victim's reputation is too saintly, her house is as lived-in as a stage set, and her troubled children don't appear to be the product of a happy home.

Matthew Scudder is finally leading a comfortable life—and then all hell breaks loose. Scudder discovers he's living in a world where the past is a minefield, the present a war zone—and that he's not so respectable after all.

Jonas Piedmont Beaumont has had a hard life and learned at a young age how hard life can be. Two marriages, a treacherous battle with the bottle, assorted midlife and moral dilemmas, and a few decades as a homicide detective haven't convinced him otherwise. When Beau and his new partner Sue Danielson are assigned the murder of an elderly woman torched to death in her bed, Beau finds himself distracted by Sue's difficulties at home.

Big-time Boston hoodlum Julius Ventura wants to find his only daughter's missing husband—at least that's how he puts it to Spenser and Hawk, even though its pretty clear that Julius isn't telling the whole truth. Or maybe not any part of the truth. Something about the case appeals to Spenser's passion for justice, and he launches an odyssey that takes the tough-but-tender duo with their penchant for literary allusions into the netherworld of organized crime.

The Sternwood family, immortalized in Raymond Chandler's The Big Sleep, is in trouble again. Lovely Vivian's psychotic sister, Carmen, has disappeared from the sanitarium, and Vivian herself has once again fallen into the clutches of the shady underworld character Eddie Mars. Enter Philip Marlowe, the original tough-but-tender private eye, resurrected by Robert B. Parker, creator of his own phenomenally popular Spenser mystery series. He saved the Sternwoods once before. The question is: Can he do it again?

When Robin Nevins, the son of Hawk's boyhood mentor, is denied at an exclusive university, Hawk asks Spenser to investigate. It seems the denial is tied to the suicide of a young gay activist, and as Spenser digs deeper he is nearly drowned in a multicultural swamp of politics: black, gay, academic, and feminist. At the same time, Spenser's inamorata, Susan, asks him to come to the aid of an old college friend, K.C. Roth, the victim of a stalker. Spenser solves the problem a bit too effectively when K.C. turns the tables and begins to stalk him.

When Robin Nevins, the son of Hawk's boyhood mentor, is denied at an exclusive university, Hawk asks Spenser to investigate. It seems the denial is tied to the suicide of a young gay activist, and as Spenser digs deeper, he is nearly drowned in a multicultural swamp of politics: black, gay, academic, and feminist. At the same time, Spenser's inamorata, Susan, asks him to come to the aid of an old college friend, K.C. Roth, the victim of a stalker. Spenser solves the problem a bit too effectively when K.C. turns the tables and begins to stalk him.

With the double murder of his wife and child, Jake Sands gave up his lucrative career as a "recoverer" of stolen or missing objects and people. Hoping to escape his past ties to Los Angeles, he has moved to Santa Barbara, spending his days trying to avoid past friends and future decisions. Jake, however, is not the sort of man who can stay retired for long. When Julie Price, a beach volleyball groupie, not to mention his favorite his favorite waitress, turns up dead, Jake ventures into the East Beach volleyball culture to get an inside at her friends and her life.