Showing titles in Canadian

Stella's world was one of misery and despair, wandering the streets of Victoria, BC, cold, wet and hungry. She had adapted to street-life, but on most days, she would rather be dead. Living amongst the nameless, faceless and placeless tribe of the homeless, Stella's very existence depended on the generosity of strangers. She never spoke of her past, determined to keep her life-story a secret. Faced with constant hunger, Stella begged and pushed her trolley filled with junk, trying to remain invisible as she moved from alcove to park bench and back again, clinging to anonymity.

Depois da publicação e aclamação, em terras canadianas, de The Scent of a Lie - livro de contos premiado internacionalmente - , o escritor luso-canadiano paulo da costa estreia-se na língua de Camões com o livro de poesia Notas de Rodapé.

Many authors have been accused of betraying their loved ones by turning them into fictional characters. In The Treacherous Imagination, Robert McGill examines the ethics of writing such stories. He argues that while fiction has long appealed to audiences with its narratives of private life, contemporary autobiographical fiction channels a widespread ambivalence about the value of telling all in a confessional age - an age in which fiction has an unprecedented power to leave people feeling libeled or exposed when they recognize themselves in it.

A collection of poems by a noted Canadian American poet on the subject of the creatures we nurture, kill, admire, eat, hate, abandon, fear, cage, breed, protect, slaughter, love, envy, emulate, domesticate, curse, and ignore: animals of all shapes, sizes, and dispositions. Some of these poems have appeared previously in various magazines. The remainder are original to this volume.

Découvrez, grâce à l'extraordinaire talent de Jean Faubert et de Ghislaine Paradis la richesse de l'expression de la langue des écrivains et poètes du Québec. Un trésor inoubliable de la Francophonie internationale. Lauréat du Grand Prix de l'Académie Charles Cros, en France, cet enregistrement vous touchera l'âme, à travers sa musique et sa poésie. Un petit bonheur à partager ou à garder pour soi.

Actor Matthew McConaughey descends into a surreal desert of the soul, an admirer of Miley Cyrus performs a 3,000-word sentence in defense of his passion, an aging porn star dons a dinosaur costume to film the sex scene of a lifetime, and Leonard Cohen shills for Subway: these mercurial and wildly varied stories explode the conventions of short fiction.

Like a series of Penthouse letters penned by Kathy Acker, Lie with Me recounts a woman's sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness. In The Way of the Whore, Mira, an introverted Jewish girl obsessed with Jean Genet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men.

A body is found on the side of a highway. Naked, throat slashed, no identification. It disappears from the back of a police van and begins a strange odyssey, making its way, over the course of one early winter night, all around the northern town of Sudbury and through the lives and dreams of eleven very different people.

The narrator pledges to donate 50% of his proceeds to The Royal British Legion Poppy Day Appeal - please support. "In Flanders Fields" is one of the most famous poems of The Great War, written by Lieutenant-Colonel John Alexander McCrae, MD, 1872-1918. It is believed that McCrae wrote the poem after presiding at the funeral of a friend killed during the second Battle of Ypres, in 1915. The poppy grew in abundance in the spoiled earth of the cemeteries and battlefields of Flanders, France.

Pascal Dennis offers a striking new perspective on global travel and business consulting with Reflections of a Business Nomad: Stories & Poems from the Road, a collection of prose, observations, and fragments of conversation heard over Dennis's many travels and unique experiences. Reflections of a Business Nomad invites the listener into the author s understanding of the world, providing opportunities to interact with the pieces and apply their insights. Business leaders, managers, and specialists at all levels will benefit from the unique perspective it offers.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

On a mangy beach in Key West, 16-year-old Myra meets Elijah, a Tanzanian musician twice her age. Trapped on a Spring Break family vacation, Myra longs to lose her virginity to Elijah, and is shocked to learn he lives with Gayl, a secretive, violent woman with a strange power over him. When Myra and her splitting-up family return home, she falls in with a pot-smoking anarchist crowd. But when Gayl and Elijah follow her north, she walks willingly into their world, engaging in more and more abject sexual games. As Myra enters unfamiliar worlds of sex, porn, race, and class, she explores territories unknown in herself.

Penned by one of Nichol’s numerous literary collaborators, this account reveals the close connections among the writer’s various activities, particularly how the autobiographical inquiries and Freudian dream theory linked with the young poet’s biographical self-awareness. The audiobook demonstrates how the subject’s main psychoanalytic client was his own writing, following Nichol as he explored its slips, accidental puns, and "unintended" meanings and implications for the communal future of the human species - both in high literature and comical prime time television.

Alexander's Bridge was Willa Cather's first novel and one of her best. Bartley Alexander was the world's leading bridge builder, something that was considered an awesome skill in the early 20th century. Alexander has the strength and regret that weave throughout Cather's male characters much as they do through those of her contemporary authors, Fitzgerald, Hemingway, Dreiser, Anderson, Lewis, and others.

The recipient of the Journey Prize and Edna Staebler Award, Heather Birrell made a splash in the literary world with her first collection, I Know You Are But What Am I? In Mad Hope, Birrell employs her keen insight into the human condition to present tales featuring a complex array of characters, including a gay man caring for a friend and a science teacher faced with a shocking request.

A seventeen-year-old boy, bullied and heartbroken, hangs himself. And although he felt terribly alone, his suicide changes everyone around him. His parents are devastated.

Hoping to erase her unhappy old life, Hazel jumps in her beat-up old car and speeds away. When she pulls up to the Evening and Morning Star Trailer Park, where nothing turns into even more of nothing, she decides it just might be the new life she's looking for. At the center of this new life is King, a motorcycle-riding, hard-drinking, guitar-playing kind of guy. Hazel loves him to death. He spends his days fixing cars, while Hazel spends hers working at the town’s thrift shop. Evenings they spend with Spiney and Sissy, playing cards or drinking at Old Joe’s.

Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Honest, irreverent, and sharply indifferent, this audiobook will "hogtie you with awe."

Reflecting cultural, political, and technological changes, this detailed exploration of Canadian book publishing displays trends of the industry from the last 50 years. Against the backdrop of historical highlights, the book dives into modern events in book publishing, focusing on the explosion of national book publishing in the 1970s and detailing the sparring match between the industry and government during the 1970s through the 1990s.

In 2010, Catherine Owen's 29-year-old spouse died of a drug addiction. A year later, she relocated to an apartment by the Fraser River in Vancouver, BC. As she moved beyond the initial shock, the river became her focus: a natural, damaged space that both intensifies emotion and symbolizes healing. In a sequence of aubades, or dawn poems, Owen records the practice of walking by or watching the river every morning, a routine that helps her engage in the tough work of mourning.