Showing titles in Death, Grief & Loss

We wake up and sip our morning cup. Appearances mean nothing because we are always hiding something. In this book (come take a look), you'll find the darkness in your mind is real. So to whom do you appeal?

Los poemas de este libro tienen que ver directamente con el amor, no como un pretexto sino como la materia central del poema. Son escenas interiores o exteriores, donde están presentes la ciudad, la naturaleza, el viaje, la fotografía y la pintura. El amor a veces está acompañado del erotismo, el humor, la infancia y la violencia que vive nuestro país. Por supuesto, el desamor y el duelo también tienen cabida, como la otra cara de la moneda.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

Conjure Volume 1 explores the allure of love tainted by darkness—relationships that straddle the line between pleasure and pain. Passion and enmity collide in this dark poetry collection, blurring the line between devotion and despair.

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction—as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons.

In pursuit of his brother, a man traverses the fantastical and grotesque landscape of Hell, pondering their now fractured relationship.

Quietly reflective, the beautifully written poems in this slim volume offer a welcome respite from the noisy insistence of modern life. The language, now simple and direct, now rich in associations, double-meanings, and imagery, has its own natural rhythm and appeal regardless of subject and rhyme.

This is a book of poetry to encourage people that have been through heartbreak, pain, grief and the ending of a relationship. It's honest, real talk about the feelings we have after experiencing this sort of death after losing someone we have deeply loved.

This book is a collection of poems written in early 2023 to help cope with the loss of both my parents, a girlfriend, and a job. They are written as requests, personal experiences, and observations. While a few are written about experiences with one particular person, they are written as an anthem for anyone that has loved and lost. Enjoy listening to these a few at a time and know that others experience what you may be going through at this time.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

As snappy as a dinner jacket’s red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser’s robust felicity is a balm in grim times. It’s also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new. The book unfolds like a five-act play, moving from chattier poems to dramatic denouements.

I wrote most of these poems when I was in a bad place, a dark state of mind that eased its hold when I wrote them down, and so these poems were created, they maybe disturbing for most and very intense, but if you have been in a dark place too, you may understand.

A Misguided Thought is a collection of poetry that shows the overall life experiences of a 21-year-old—from living a sheltered life writing about his hopes and dreams to struggling with mental disorders, heartache, and trying to find his way back to the light through faith itself. The words within these pages intend to bring solace and clarity in times of conviction, and Jaelyn has come to be one of this generation’s greatest poets.

c a r v e d, Kate Mapother's first collection of poetry, explores life and loss in its varied dimensions. At once gut-wrenching and hopeful, these poems take the listener by the hand and heart through themes of sexuality, God, love, grief, and family. The writing is rich in imagery and substance, leaving no doubt in the listener's mind about Mapother's ability to plumb the depths of hard emotion, then land you somewhere soft. These poems don't pretend to know. They simply witness.

Whatever happens, happens. Right? Whoever overthinks also overloves. Right? Just let it go. Right? Just stop doing it. Right? How? All these statements and no understanding of how to do it. It doesn't happen overnight, but does it even happen at all? Do I get too busy to remember? Do I become too numb to feel? How? How do I just stop? Just go, get over, and pretend? Everything happens for a reason. Right? Everything makes you stronger. Right? Wrong. I was weak. I was down. I was broken. I was lost. I made the choice to be stronger and rebuild again. I guess it is what it is. Right?

In these poems of holding and letting go, Mapother isn't afraid to plumb the depths. Just when you think you can't breathe, she breaks the surface, with you in her gentle hands. In her own words, each line is an homage to the scars that form us.

Wenn die erfolgreichen Kämpfe und schmerzhaften Niederlagen des Lebens (im Alter so um die 50 - drei links, drei rechts, drei fallen lassen) auf einander treffen, Scheidungen abgeschlossen wurden, große und kleine Kinder aus frühen oder mittleren Beziehungen ihre eigenen Wege gehen, mehrere Karrieren bereits weggearbeitet worden sind, und es eigentlich nichts mehr zu beweisen gibt, und dann ein ordentlicher Schluck Hormone dazu kommt.

El libro del Génesis habla de una escalera "apoyada en la tierra" cuyo "extremo toca el cielo" y de la cual suben y descienden los ángeles. Este subir de la tierra y bajar del cielo se le presenta al autor, tras la muerte repentina de su hijo, como una vía doble y simultánea para poder aliviar su dolor y acceder a la sabiduría. Paralelamente esta imagen le sugiere diferentes formas de pensar, una clara y sencilla, que poco a poco se va haciendo poesía, y otra, emocional, compleja e incierta, que se va convirtiendo en filosofía.

Who's Going to Love the Dying Girl? by Bree Rolfe is a revolutionary debut poetry collection touching on society, loss, illness, and learning to grasp with things that cannot be changed. Rolfe executes verse with precision and fierceness.