Showing titles in Dark Humour

After 30 years at St Oswald's Grammar in North Yorkshire, Latin master Roy Straitley has seen all kinds of boys come and go. Each class has its clowns, its rebels, its underdogs, its 'Brodie' boys who, whilst of course he doesn't have favourites, hold a special place in an old teacher's heart. But every so often there's a boy who doesn't fit the mould. A troublemaker. A boy with hidden shadows inside.

In his startling and singular new short story collection, David Foster Wallace nudges at the boundaries of fiction with inimitable wit and seductive intelligence. Among the stories are 'The Depressed Person', a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World', which reveals a woman's agonised consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men', a dark, hilarious series of portraits of men whose fear of women renders them grotesque.

Enid is many things: lesbian, serial dater, deaf in one ear, space obsessive, true crime fanatic. When she's not listening to grizzly murder podcasts, she's managing her crippling phobia of bald people and trying hard not to think about her mortifying teenage years—which is hard, when she's lost the password to her old YouTube account and the (many) vlogs that her teen self once uploaded. She's worried about herself, her depressive mother, and what the deal is with gender reveal parties.

When friends Louise and Irina find a dead body in the local park whilst walking their dogs, they are soon drawn into the mystery of who murdered local entrepreneur Phil Creasey. Phil used to be a member of their dog walking community – nicknamed The Pack – until the death of his cockapoo, and The Pack feel they owe it to Phil to investigate his death. With Louise and Irina leading the charge, they soon come up against local drug dealers, stolen cars and a disturbing incident of poisoned dog biscuits.

Alice: 30-something, IQ of 159 (almost a genius), only communicates with her mother in Morse code. Her imaginary friend is back. Erika: 15, daughter of hot ‘wealthugee’ who loves Russian literature, genuine genius, killer eyeliner and killer instincts. The climate is in crisis and wealthy immigrants are flocking to New Zealand for shelter, stealing land, driving up food prices and taking over. But Alice has far more important things to worry about – hating her best friend’s husband, getting free wine and quiet-quitting her dull day job. Until she meets Erika.

After one too many terrifying encounters, Millie Masters sets up a hotline for women who feel unsafe walking home alone at night: Message M. But very quickly she realises that there’s much more to be done to help the women who call in. Because the men just do it again the next night, and the next, and the next… And when her own sister is assaulted on a night out, the temptation to take the law into her own hands becomes too much to resist. Because M can also stand for murder.

A kid's book (that's not really for kids) to help you cope with the world's rapid descent into a dystopian societal collapse. Sleep well!

The Aurora management team are so close to their wildest dreams. Yes, there are tensions. Bitter grudges. Illicit affairs. But if they can just hold it together for a few days at a corporate retreat in Miami, the sale of the company will go through, and each of them will be set for life. But after one night out, they wake up to discover one of the group is missing. They knew they couldn’t trust each other. But they never suspected anyone might be capable of murder.

Paddy Buckley is a grieving widower who has worked for years for Gallagher's, a long-established - some say the best - funeral home in Dublin. One night, while driving home after an unexpected encounter with a client, Paddy hits a pedestrian crossing the street. He pulls over and gets out of his car, intending to do the right thing. As he bends over to help the man, he recognizes him. It's Donal Cullen, brother of one of the most notorious mobsters in Dublin. And he's dead.

A funny and heartwarming debut for fans of Celia Imrie and Dawn French. Evie Gallagher is regretting her hasty move into a care home. She may be 75 and recently widowed, but she’s absolutely not dead yet. And so, one morning, Evie walks out of Sheldon Lodge and sets off on a Great Adventure across Europe. But not everyone thinks Great Adventures are appropriate for women of Evie’s age, least of all her son, Brendan, and his wife, Maura, who follow a trail of puzzling text messages to bring her home.

Shortlisted for the Costa Book Awards, 2006

George Hall doesn't understand the modern obsession with talking about everything. 'The secret of contentment, George felt, lay in ignoring many things completely.' Some things in life, however, cannot be ignored. At 57, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels, listening to a bit of light jazz.

One ordinary morning, Laurie's husband, Mark, vanishes, leaving behind his phone and wallet. For weeks, she tells no one, carrying on her job as a cleaner at the local university, visiting her tricky, dementia-suffering father and holing up in her tower-block flat with a bottle to hand. When she finally reports Mark as missing, the police are suspicious. Why did she take so long? Wasn't she worried? It turns out there are many more mysteries in Laurie's account of events, though not just because she glosses over the facts.

A pretty but spiteful young actress with a talent for destroying men's lives is found dead in a college room just yards from the office of the unconventional Oxford don Gervase Fen. Anyone who knew the girl would gladly have shot her, but can Fen discover who did shoot her and why?

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist - an acerbic, mordantly witty, and clinically depressed writer - fully unravels. Propelled by stand-up comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of - or into - the depths of disconsolate loneliness and piercing grief.

A man with dark thoughts on his mind is racing along the remote snowy roads of Hurmevaara in Finland when there is flash in the sky and something crashes into the car. That something turns about to be a highly valuable meteorite. With euro signs lighting up the eyes of the locals, the unexpected treasure is temporarily placed in a neighbourhood museum, under the watchful eye of a priest named Joel.

Im Wald von Niederkaltenkirchen wird eine nackte Tote gefunden. Sie war erst kurz zuvor beim Simmerl in den ersten Stock gezogen und hat unter dem Namen "Mona" Stripshows im Internet angeboten. Der Eberhofer steht vor pikanten Ermittlungen, denn zum Kreis der Verdächtigen zählen ein paar ihrer Kunden, darunter der Leopold, der Simmerl und der Flötzinger. Harte Zeiten für den Franz, auch privat: Das Doppelhaus vom Leopold und der Susi wächst in dem Maße wie Franz' Unlust auf das traute Familienglück.

It's December 23rd and Clara Dunphy is running around Oxford Street like a blue-arsed fly trying to buy presents. She wants to make Christmas perfect: it's a lifelong ambition. And a challenging one at the best of times, even without taking her sixteen guests - sorry, "loved ones" - and their varying degrees of social dysfunction into account. Meanwhile, something weird has happened to her marriage, and the ho, ho, ho is thin on the ground. Why does Christmas have such an emotional hold over us? Why does family stuff hit the peak of its madness on December the 25th?

Meg Everman (Judy Greer) has spent her entire life putting herself second to everyone around her - and she’s over it.

In this follow-up to Austenland, Charlotte Kinder is eager to escape the numbness she feels after her divorce. Deciding to get away, she visits the Regency-themed Pembrook Park resort in England, where talented actors set the perfect scene. But with everyone playing a role, it’s hard to distinguish reality from fantasy. So when Charlotte’s heart stirs, she wonders if she’s simply caught up in the experience - or if her ability to feel is finally returning.

This is a collection of the second six short stories in the Caverns and Creatures series.