Showing titles in Drama

V dome pojeta i kritika Iespersena idet podgotovka k torzhestvu po sluchaju prem'ery ego p'esy. Sam Iespersen v jeto vremja gotovit hvalebnuju recenziju, kotoruju nazavtra opublikujut v gazete. Vernuvshis' domoj, on zastaet tam svoego starinnogo druga, propavshego mnogo let tomu nazad, doktora Vendelja.

The dramatic story of "Ivan the Terrible" was created by Alexey Tolstoy, in the thirties of the XX century, during the mass repression in the USSR. In this period, Stalin, wanting to get a historical confirmation of the necessity of lawlessness, cruelty and tyranny that prevailed in the country, gave the command to unbridled glorification of Ivan IV and his entourage in the first place Malyuta Skuratov. And in this work the author was forced to retreat from historical truth, trying to exalt and to rehabilitate the image of the brutal autocrat.

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theatergoer as well as to the scholar and student.

This is a full-cast, unabridged performance with comprehensive commentary and analysis, enabling any student to fully understand and appreciate the play. Peel away the layers of Priestley's complex drama to appreciate his powerful warning, wrapped up in the genre of a gripping detective story, to truly understand that "We don't live alone. We are members of one body."

The action of this, the most famous play of the great English poet and playwright William Shakespeare, takes place in Elsinore, shortly after the death of the King of Denmark. Heartbroken, Hamlet, Prince of Denmark, suffers greatly over the death of his beloved father and the sudden remarriage of his mother, Queen Gertrude. A terrible ghost of his father, in full military dress, tells him a terrible secret: that the king did not die a natural death, but was killed by the hand of his brother Claudius, who became the current king.

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

After helping to murder Becket, King Henry II is haunted by memories of their passionate friendship. Appointing Becket as Archbishop was the King's greatest mistake, for Becket finds his allegiance shifting from king and country to God and Church.

In London England, an exact replica of the 17th century William Shakespeare’s Globe Theatre opened in 1995. Audio journalist, Lee Daley is exploring the Globe Theatre with actress and docent, Kitty Grimes. Ms Grimes tells us how the new Globe Theatre began while we walk through the scrim and into a Shakespeare past.

A splash of the sea and the salt in the ocean air signals the beginning of the greatest whaling adventure of all time. This is literature's great voyage. The challenge of a man against the wonders of nature's ocean, of a man against his own weakness and strengths, and of a man against a demon, or perhaps his God, as he searches for his nemesis, the great white whale.

A comedy of manners in five acts, The Rivals was Sheridan's second commercially produced play. The play is set in Bath in the 18th century, a town legendary for conspicuous consumption and fashion at the time. Wealthy, fashionable people went there to "take the waters", which were believed to have healing properties. Bath was much less exclusive than London, and provides an ideal setting for the characters.

Eugene O’Neill’s tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons dissaprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.

Part wolf, part Husky, he was born to the wilderness and carried his burden among men stoically. He had known starvation, bitter cold, overwork and suffering at the cruel hand of man. He was a giant among his kind and as fearless as the men who drove him mercilessly through the perils of a frozen world. And now, through the uncertain hand of fate, he is free...he is called Kazan, the Wild Dog. But his journey has just begun and survival against the unforgiving wilderness with his blind mate, Grey Wolf, is a personal challenge. He had never known fear...until now!

The play is set in a small town, located on the banks of the Volga. Romantic beauty Larisa Ogudalova, daughter of an impoverished widow noblewoman and, of course, dowry, is madly in love with Sergei Sergeyevich Paratov, owner and elegant gentleman, unprincipled and calculating man who is ready for his own whim to gamble not only his, but also someone else's life.

The second part of the award winning stage perfomance of Shakespeare's greatest work by Sir John Gielgud.

Written by Susan Glaspell in 1916, Trifles is a one-act play about a woman accused of strangling her husband. Based on an actual murder case reported by Glaspell for the Des Moines News, the play represented an early exploration of gender relationships in a time when women often were considered to be mere trifles. A groundbreaking feminist play, Trifles is often included in anthologies of drama and literature.

There's a legend in this valley about a ghostly horseman that rides by night. There are many such legends and for schoolteacher Ichabod Crane the darkness of night holds a special fascination...and fear. For often there is truth in stories, especially ghost stories. And one fated night, Ichabod Crane will discover that the horseman of the legend is indeed... headless!

Leonato, governor of Messina sun that in Sicily, welcomes in his house Don Pedro, Prince of Aragon, who had arrived in the city accompanied by a retinue after the victorious conclusion of the war. Prince thanks for the hospitality and is Leonato two friends, two brave officers, young and noble Florentine Claudio and Signior Benedick of Padua.

Razor-sharp wit inflames a competitive game of survival in the salons of 17th century France where, in this world of "finest appearances," one man's blunt honesty shatters his society's delicate web of manners. Often considered to be Moliere's Hamlet, this is a wickedly scathing satire.

The Montagues and the Capulets, two families of Verona, have been feuding for generations. Young Romeo Montague intends to cause trouble at a Capulet gathering, but while there he sees the Capulet's daughter, Juliet, and falls hopelessly in love. Albert Finney, Claire Bloom, Edith Evans, and Hilton Edwards perform an unabridged version of Shakespeare's tragedy about the two young lovers, whose deaths unite their warring families.

In this biting comedy of errors, the hapless Arnolphe is undone by his own double dealing and double standards. The School for Wives was first performed at the Palais Royal theatre on December 26, 1662, and is considered by many to be Moliere's masterpiece. Richard Wilbur's subtle verse translation illuminates the great master of comedy at his wittiest.