Showing titles in Coming of Age

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.

My name is Connor Williams, and people say I’m crazy. But that’s not who I am. They also think I’m straight, mean, and dangerous. But that’s not who I am either. The stories people tell—all those legends they whisper at school—they don’t mean a thing. Only my mother and younger brother matter to me.

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the ‘wolves’ – prostitutes and slaves from every corner of the empire – conduct their business.

Anthony has decided to come out to his school in a big way and faces backlash, not just from his fellow students, but the principal as well. Cameron’s mom is still drinking and his dad remains absent. Can he turn to his boyfriend for support? Mindy has the hots for a guy who is most certainly taken, a predicament that intensifies when they're paired for a project. Silvia’s secrets are catching up with her, Keisha struggles to set aside her feelings for a girl she can’t have, and Omar’s dreams are about to crash and burn.

Mallory sees the woman for the first time at her college gym and is immediately transfixed. As a naturally reserved person who is now reeling from the loss of her mother, Mallory finds herself compelled by the woman's assurance and longs to know her better. Despite the discovery that she is a professor at the college, Mallory finds herself falling into a complicated love affair with the woman, the stakes of which she never quite understands.

In the Black Country in the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has moved to Britain with his wife to secure a brighter future for themselves and their children. At the turn of the millennium, Jesse seeks a fresh start in London - escaping from a broken immediate family, a repressive religious community and the desolate, disempowered Black Country - but finds himself at a loss for a new centre of gravity and turns to sex work to create new notions of love, fatherhood and spirituality.

Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. The concerns of those confined to land. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Stories that called sailors to their doom. Stories that dragged them down and drowned them.

The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows—almost—about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all.

I never thought I’d find love. I spent all of high school watching others pair up, my little gay heart slowly withering in despair… until the fateful summer night that I met Tim. His meaty muscles and smoldering silver eyes already haunt my dreams. And I know for a fact that he’s lonely like me. I’ve been taking care of Tim ever since he got into an accident that was technically my fault, but the healing he needs goes so much deeper than that. I need him too. With any luck, I’ll end senior year with the man of my dreams at my side.

Elsa is struggling. Her formative, exhilarating relationship – with an older couple – has abruptly ended, leaving her depressed and directionless in her childhood bedroom. In the relationship’s wake, Elsa scrolls aimlessly through the internet in search of meaning. Faithfully, her screen provides a new obsession: a charismatic young actor whose latest feature is a gay love story that illuminates Elsa’s crisis. And then, as if she had conjured him, the actor arrives in her hometown, with an entourage of fellow actors, writers, and directors, for the annual theatre festival.

London, 2014. Hal Lancaster – twenty-two, gay, Catholic, chops lines of cocaine with his myWaitrose card – is the reluctant heir of his father Henry, the sixteenth Duke of Lancaster. Henry is half tyrant, half martyr, with an investment in his eldest son that has grown into an obsession. While Hal floats between internships and drinking sessions, Henry keeps him in check with passive-aggression, religious guilt, and a cruelty that Hal sometimes confuses for tenderness.

Thirteen-year-old Byron needs to get away and doesn't care how. Sick of being beaten up by lads for 'talkin' like a poof' after school. Sick of dad - the weightlifting, womanising Gaz - and Mam, who selfishly pissed off to Turkey. Sick of the people who shuffle about Hucknall like the living dead, going on about kitchens they're too skint to do up and marriages they're too scared to leave. It's a new millennium, Madonna's Music is top of the charts and there's a whole world to explore - and Byron's happy to beg, steal and skank onto a rollercoaster ride of hedonism.

It's summer, 1984, in blue-collar Swaffham, Massachusetts. Mel is thirteen, drinking a Slush Puppie at the drugstore, when she hears a voice, ‘deep and movie-star dramatic, like Lauren Bacall': Sylvia. What follows is a story of transgender awakening. Sylvia's shameless swagger and tough-girl trans femininity is an affront to the Swaffham locals, and her presence triggers hatred and, ultimately, violence. But it is also a catalyst for Mel. Through her friendship with Sylvia, Mel comes to realize that not only is there a world beyond Swaffham, there are other ways of being.

At a meatpacking facility in Missouri, Dee-Dee and her coworkers kill and butcher 40,000 chickens in a single shift. The work is repetitive and brutal, with each stab and cut a punishment to her hands and joints, but Dee-Dee's more concerned with what is happening inside her body. After a series of devastating miscarriages, Dee-Dee has found herself pregnant, and she is determined to carry this child to term.

All This Could be Different introduces us to Sneha. A recent college graduate freshly arrived in Milwaukee, she occupies her days with rote, stressful work as a young consultant for a battery production corporation. She is, as her boss reminds her, a 'contractor, no benefits'. Her nights are spent ordering furniture off the internet, trying out the newfangled invention of dating apps and avoiding confrontation with the terrifying property manager who lives below her. But the rewards are bountiful.

Cassandra Edwards is a graduate student at Berkeley: gay, brilliant, nerve-racked, miserable. At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

Eighteen years old, pregnant and working as a pizza delivery girl, our dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father, avoiding her loving boyfriend and flagrantly ignoring her future. Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighbourhood, who comes to depend on weekly deliveries of pickle-covered pizzas for her son’s happiness.