Showing titles in Renaissance

History is rarely kind to women of power, but few have had their reputations quite so brutally shredded as Catherine de’ Medici, Italian-born queen of France and influential mother of three successive French kings during that country’s long sequence of sectarian wars in the second half of the sixteenth century.

Ten remarkable women. One remarkable era. In the Tudor period, 1485 to 1603, a host of fascinating women sat on the English throne. The dramatic events of their lives are told in The Turbulent Crown: The Story of the Tudor Queens.

Great castles are invaluable historical artifacts, that give us an incredible window into the medieval world. Castles were part of the very fabric of medieval society, and profoundly influenced the political, economic, demographic, and social evolution of Europe. In the 24 compelling lectures of Great Castles of Europe, Professor Victoria L. McAlister, of Towson University guides you through the Middle Ages and into the Renaissance, highlighting outstanding and historically significant castles of these extraordinary times.

Some ladies who served at the Tudor court are only faceless silhouettes lost to the sands of time, but there are those who dedicated their lives to please their royal mistresses and left documentation, allowing us to piece their life stories together and link them to the stories of Tudor queens. These female attendants saw their queens and princesses up close and often used their intimate bonds to their own benefit. Some were beloved, others hated. This is the story of the ladies of the Tudor court like you've never heard it before.

In this engaging, accessible account, Nadine Akkerman and Pete Langman explore the methods spies actually used in the period, including disguises, invisible inks, and even poisons. Drawing on a vast array of archival sources, they show how understanding the tricks and tools of espionage allows us to reimagine well-known stories such as the Babington and Gunpowder plots.

Between the birth of Dante in 1265 and the death of Galileo in 1642 something happened that transformed the entire culture of Western civilisation. Painting, sculpture and architecture would all visibly change in such a striking fashion that there could be no going back on what had taken place. Likewise, the thought and self-conception of humanity would take on a completely new aspect. Sciences would be born or emerge in an entirely new guise. The ideas that broke this mould largely began, and continued to flourish, in the city of Florence in the province of Tuscany.

In 1474, a 23-year-old woman ascended the throne of Castile, the largest and strongest kingdom in Spain. Ahead of her lay the considerable challenge not only of being a young female ruler in an overwhelmingly male-dominated world but also of reforming a major European kingdom that was riddled with crime, corruption, and violent political factionism. Her pivotal reign was long and transformative, uniting Spain and setting the stage for its golden era of global dominance.

From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth, the Renaissance.

Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes or filled with bean bags and children's drawings - the history of the library is rich, varied and stuffed full of incident. In this, the first major history of its kind, Andrew Pettegree and Arthur der Weduwen explore the contested and dramatic history of the library

Born in the midst of the Wars of the Roses, Margaret Beaufort became the greatest heiress of her time. She survived a turbulent life, marrying four times and enduring imprisonment before passing her claim to the crown of England to her son, Henry VII, the first of the Tudor monarchs.

In this landmark study of Italy from the 14th through the early 16th centuries, Swiss historian Jacob Burckhardt chronicles the rise of Florence and Venice as powerful city-states, the breakup of the medieval worldview that came with the rediscovery of Greek and Roman culture, and the new emphasis on the role of the individual. All these, Burckhardt explains, went hand in hand with the explorations of science and the more naturalistic depiction of the world in art and literature.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

On 9th September 1560 Amy Robsart, the wife of Queen Elizabeth’s favourite courtier, Robert Dudley, was found lying dead at the foot of a staircase. It was a death that scandalised Tudor England. Was it an accident, suicide or murder? Robert Dudley’s open flirtation with the young Queen Elizabeth only fuelled rumours that he had orchestrated his own wife’s death. With Dudley now conveniently widowed, perhaps the queen had found her consort at last.

During the Age of Discovery a little-known public servant in the Venetian government, Giovambattista Ramusio, anonymously assembled and edited three volumes—over two million words—that revealed our world as never before. It was, to use a current expression, the biggest Wikileak of the Renaissance. In an enthralling narrative, Andrea di Robilant brings to vivid life the man who used all his political skill, along with the help of conniving diplomats and spies, to ferret out a remarkable collection of journals, private letters and classified government reports.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

At the heart of the extraordinary ferment of the High Renaissance stood a distinctive, strange and beguiling figure: the magus. An unstable mix of scientist, bibliophile, engineer, fabulist and fraud, the magus ushered in modern physics and chemistry while also working on everything from secret codes to siege engines to magic tricks. Anthony Grafton's wonderfully original book discusses the careers of men who somehow managed to be both figures of startling genius and - by some measures - credulous or worse.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

The first of Henry VIII's wives was Catherine of Aragon, the pious Catholic princess who suffered years of miscarriages and still births and yet failed to produce a male heir.

By the summer of 1704, Louis XIV's vast armies dominated Europe. France defeated every alliance formed against her and Louis was poised to extend his frontier to the Rhine and install a French prince on the throne of Spain. Two men saved Europe from French military domination: the Duke of Marlborough and Prince Eugene of Savoy. Marlborough masterminded a brilliant campaign, working with Eugene to surprise the French invaders inside Germany.

Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty? Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.