Showing titles in Direction & Production

10 Tips for Setting Up Theatrical Screening for Your Film describes how to set up a series of screening after your initial premiere. It suggests doing these additional screenings to get more recognition for a film with broad appeal, and it describes how and where to select theaters in different cities. It indicates the kinds of costs to expect for showings in different types of theaters and recommends creating a marketing plan to guide you in doing these screenings to gain more recognition to help with the other types of distribution you do.

10 Keys for Doing Your Own Film Distribution describes the many advantages of doing your own distribution when you haven’t found a distributor, or to help you find a distributor. It also provides an overview of the many different platforms for distributing your film, from contacting retail channels, to setting up your own showings and selling off your website.

The YouTube money craze is on. Because of this wonderful innovation, ordinary individuals can now upload their own videos and monetize that through the number of viewers. But as more people join in the money tree, the competition has become very stiff. The explosion of videos taken by ordinary individuals has taken the world by storm and the formula for what would make the next YouTube viral video is on.

10 Ways to Find a Distributor for Your Film describes how to best pitch your script to distributors, starting with having a good script, writing an effective query letter, creating a short treatment or synopsis, and taking steps to make your script stand out. The audiobook is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

10 Legal Basics for Getting a Distribution Deal describes the different provisions that are commonly included in a contract for distributing a film. It details the rights you are licensing and the obligations you have in return for what the distributor will do in releasing your film. It lists the many documents you need to supply and suggestions on what you can’t or can negotiate, such as the cost of marketing fees, the term of the agreement, and the requirement for insurance on your film.

10 Legal Basics for Producing a Feature Film or Documentary describes the major legal documentaries you need to produce a feature-length film or documentary. It covers the basics of getting a fictitious name, filing for a copyright, obtaining E&O and other types of insurance, creating release forms for actors, interviewees, crew members, and other film participants, and much more.

10 Keys to Making a Low-Cost Documentary Feature describes a low-cost approach for producing a feature-length documentary with a budget under $50,000. It features an approach I have used that combines interviews with interviewees and experts along with B-roll shots of activities to use with voice-overs from the interviews. It also suggests ways to find interviewees, obtain funding for the film, and more.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.

A must listen for any bootstrapping creative or entrepreneur! 10,000 Miles to Go: An American Filmmaking Odyssey focuses on the making of an award winning contemporary feature film, which was successfully bootstrapped against monumental odds with near-zero funding, yet which made its way to numerous international sales and broadcasts and a place in the Museum of Modern Art (MoMA), NYC, films collection.

Una ácida crónica vital que el autor dedica a las dos pasiones que han marcado su vida: el fútbol y el teatro. Humor, vivencias, deporte y arte se dan la mano en este audiolibro inolvidable que, en última instancia, habla de todos nosotros.

I sine stærkt underholdende erindringer fortæller Woody Allen om et liv som instruktør, standupkomiker, forfatter, musiker og skuespiller - og som familiefar og ægtemand. Et ofte tumultarisk liv, der tager sin begyndelse i Brooklyn, New York. Allen giver et levende indblik i sin 60 år lange filmkarriere, fra klassikerne "Annie Hall", "Manhattan og Hannah og hendes søstre" og frem til nyere film som "Midnight in Paris" og "A Rainy Day in New York".

Geboren wurde er 1935 in Brooklyn: mit sechzehn begann Woody Allen seine lebenslange künstlerische Karriere, als Witzeschreiber für Zeitungen. Schreiben sollte er auch später: Drehbücher, Theaterstücke, Storys für den New Yorker. Dazu kam bald eine Karriere als Stand-up-Comedian, als Schauspieler und dann als einer der bedeutendsten Regisseure unserer Zeit. Seit sechs Jahrzehnten steht Woody Allen vor und hinter der Kamera, macht er Filme, mehr als fünfzig sind es geworden.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

Danny Plotnick showcases the history of Super 8 filmmaking in this must-listen audiobook. Super 8 offers a detailed look at the beloved medium - one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture. Filmmakers who got their start in Super 8 include Robert Zemeckis, Jim Jarmusch, Todd Haynes, Sam Raimi, Wes Anderson, and Alex Gibney.

Despite increasing corporate mergers and bottom-line thinking, the entertainment business will never function like a bank or an insurance company because it is an industry rooted in imagination. Rules are meant to be broken. The best work is often produced in an environment where plans change by the minute and nothing seems to make sense. To wit, those who choose this profession must alter preconceived notions of work itself, sometimes discovering that fantasy and horror describe both movie genres and life on the job.

Herman J. (1897-1953) and Joseph L. Mankiewicz (1909-1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture.

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed.

In the world of Fringe (or off-off-Broadway) theatre, a strong debate has been raging for years - when you're producing a low/no-budget production, how on earth can you make it happen and still treat everyone involved in an open, honest, and ethical manner? Open Book Theatre Management is the first audiobook ever to show you exactly how to mount a theatre production without losing either your integrity or your shirt.