Showing results for "the-body-artist" in Arts & Entertainment

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Cv/VAR Series 315 reviews Anatomy of Violence: Francis Bacon and the Human Body at the Royal Academy London. Includes Francis Bacon Seminar, a discussion of the artist, recorded at Kingston University and the Hayward Gallery, London, 1998.

Dustin Kiskaddon draws on his own apprenticeship with Matt, the owner of Oakland's Premium Tattoo, and takes us behind the scenes into the complex world of professional tattooers. We join people who must routinely manage a messy and carnal type of work. Blood and Lightning brings us through the tattoo shop, where the smell of sterilizing agents, the hum of machines, and the sound of music spill out onto the back patio.

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America". Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning.Their innovations, however, went beyond aesthetics.

It could easily be argued that body art is more popular than at any time in history. In days long gone by, sailors were the most heavily tattooed sector of society, but for decades now, that sector is the youth, which is a larger group than those who put to sea.

From the earliest times, human beings have found it difficult to represent their own bodies in a straightforward way. The rare painted images of humans in Paleolithic art are much less naturalistic than the images of animals created at the same epoch. At the dawn of art, representations of the nude body were simply vehicles for statement about the need for fertility if the human race was to survive successfully.

The first body art performer, as well as the first professional bodybuilder, was the showman Eugene Sandow (1867-1925). Though Sandow’s heyday occurred before the birth of the Modern Movement, there are compelling reasons for giving the primacy to him. Sandow, born Friedrich Wilhelm Müller in Prussia in 1867, left his native country in 1885 in order to avoid military service and first appeared on the London stage in 1885. His real celebrity began when the American impresario Florenz Ziegfield hired him to appear at the 1893 World’s Columbian Exhibition in Chicago.

The first thing to be said about the new exhibition at the British Museum, Defining Beauty: The Body in Ancient Greek Art, is that it is genuinely spectacular and deserves the hosannas it has already been greeted with in the press. The second thing is that it is highly political. It is political in all sorts of ways. The most obvious of these can be found in the fact that it plucks a number of the so-called "Elgin marbles".