Showing results for "the widow" in Literary Fiction

In 1800 France, twenty-year-old Barbe-Nicole inherits her great-grandfather's uncanny sense of smell and uses it to make great champagne, despite the Code prohibiting women from owning a business. When tragedy strikes and she becomes a Veuve (widow), she must grapple with a domineering partner, the complexities of making champagne, and the aftermath of six Napoleon wars. When she falls in love with her sales manager, Louis Bohne, she must choose between losing her winery to her husband to obey the Napoleon Code, or losing Louis.

Number one New York Times best-selling author Daniel Silva delivers another stunning thriller in his latest action-packed tale of high stakes international intrigue featuring the inimitable Gabriel Allon. Legendary spy and art restorer Gabriel Allon is poised to become the chief of Israel's secret intelligence service. But on the eve of his promotion, events conspire to lure him into the field for one final operation.

It was summer 1970 – a long, hot summer. In a castle in Italy, half a dozen young lives are afloat on the sea of change, trapped inside the history of the sexual revolution. The girls are acting like boys, and the boys are going on acting like boys, and Keith Nearing – twenty years old, a literature student all clogged up with the English novel – is struggling to twist feminism and the rise of women towards his own ends.

When a body is found in one of London's poorest districts, the coroner's report identifies the victim as young, black and female, but impossibly anonymous. One thing is clear to Detective Chief Inspector Jane Tennison about this victim - that news of her murder will tear apart a city already cracking with racial tensions, hurling Scotland Yard and Tennison herself into a maelstrom of shocking accusations and sudden, wrenching violence.

Hannelore, Clotilde, and Frau Schnadelhuber are tired of living in a world that does not allow old women to be seen or heard. Determined to prove their worth to a society devoted to youth, the three women set out to undertake a dangerous stunt that's not to be ignored. With the assistance of Cleopatra Maria, the 26-year-old genius granddaughter of Hannelore and grandniece of Clotilde, the four women steal the barrel from a travelling show and drive it across Canada with a plan to ride it over the Niagara Falls.

Paula Spencer begins on the eve of Paula's 48th birthday. She hasn't had a drink for four months and five days. Her youngest children, Jack and Leanne, are still living with her. They're grand kids, but she worries about Leanne.

Phoebe has loved Jake Pierce since childhood, and that love continues without hesitation while she watches him create a financial dynasty. But when Phoebe learns that her husband's triumphs are the result of an elaborate Ponzi scheme, her world unravels. Lies underpin her life and marriage. And as Jake's crime is uncovered, the world obsesses over her. Did she know her gilded life was fabricated by fraud?

For thirty years Liz has perfectly played the part of Mrs. Thomas Lightsey, exemplary pastor’s wife and mother. But maintaining appearances for the congregation and catering to her demanding husband takes a toll, and she’s lost herself in meeting the expectations of others. When Thomas suddenly dies, Liz feels shock, grief, and, to her surprise, the siren song of freedom. Dare she dream of a life to call her own?

It’s the summer of 1981. Newly widowed Bessie Halstone is fleeing Belfast with her young son, Herkie. She’s wrongly suspected of pocketing £10,000, the loot from a heist carried out by Packie, her late (and unmourned) husband. Bessie has plans. She longs to make a fresh start. But first she must reach the safety of her sister’s home, in County Sligo, to borrow money for the trip.

Liverpool, 1940. Journalist Ruth Holt is struggling in the terror of the Blitz when her young son is suddenly snatched away in broad daylight. Soon after, the kidnappers’ demands arrive. They are working with the Nazis, and she has no choice but to co-operate, or the authorities will learn that she is harbouring secrets of her own. Ruth’s job gives her access to critical information, and if she does not share it with Britain’s enemies, her child will face the consequences. Desperate, she falsifies information, lying to everyone: her employers, her family and her lover.

A man climbs over the railings and plunges into Niagara Falls. A newlywed, he has left behind his wife, Ariah Erskine, in the honeymoon suite the morning after their wedding. "The Widow Bride of The Falls", as Ariah comes to be known, begins a relentless, seven-day vigil in the mist, waiting for his body to be found.

Set on Cape Ann in the early 1800s, The Last Days of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and "witches". Nearly a decade ago, Diamant found an account of an abandoned rural backwater near the Massachusetts coastline at the turn of the nineteenth century. That pamphlet inspired a stunning novel about a small group of eccentrics and misfits, struggling in a harsh, isolated landscape only fifty miles north of Boston, yet a world away.

It is New York, 1904, and Dulcy Remfrey, despite an idiosyncratic, traveling childhood, faces the predictable life of a woman of the time. But all that changes when her eccentric father returns from his expedition to Africa without any of the proceeds from the sale of a gold mine. It seems he's lost his mind along with the money, and Dulcy's obsessive ex-fiancé (and her father's business partner) insists she come to Seattle to decipher her father's cryptic notebooks, which may hold clues to the missing funds.

Broadstairs, Kent, 1851. Once a sleepy fishing village, now a select sea-bathing resort, this is a place where people come to take the air and where they come to hide.... Delphine and her cousin, Julia, have come to the seaside with a secret, one they have been running from for years. The clean air and quiet outlook of Broadstairs appeal to them, and they think this is a place they can hide from the darkness for just a little longer.

The Widow and the Tree features a 500-year-old Ghosthead Oak, whose stately presence has borne witness to the rise and fall of generations, to the hopes and dreams of untold lives, and to the births and deaths of innumerable residents alongcoastal Alabama. So why would a widow enter a biker bar and hire a man to chainsaw the cherished landmark?

A newly-widowed woman has done a runner. She just jumped in her car, abandoned her house in London and kept on driving until she reached the Norfolk coast. Now she’s rented a tiny cottage and holed herself away there. She’s not quite sure, but thinks she may be having a bit of a breakdown. All she knows is that she can’t sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect.

Martha’s Vineyard, 1898. In her first life, Ida Russell had been a painter. Five years ago, she had confidently walked the halls of Boston’s renowned Museum School, enrolling in art courses that were once deemed “unthinkable” for women to take and showing a budding talent for watercolors. But no more. Ida Russell is now Ida Pease, resident of a seaside farm on Vineyard Haven and wife to Ezra, a once-charming man who has become an inattentive and altogether unreliable husband.

Victorian England, 1846: A gripping and powerful story about one woman's incredible courage in the face of heartbreak, and a secret that – if revealed – could destroy everything. Six years ago, Bella Farrow lost everything. Desperate and starving, she made a terrible mistake that forced her to abandon her home, her livelihood and her family. And when the only person she trusted – her beloved, steadfast husband – was killed in a tragic accident, Bella was left alone. She had to make her own way, while keeping her past hidden upon risk of imprisonment, or worse.

No Recife dos anos 1990, essa é a história de duas viúvas, vizinhas e inimigas, cujos maridos mataram um ao outro em um grotesco duelo sem sentido. Fragmentos de memória (e também de invenção) da narradora (que reescreve fatos que testemunhou na infância) revelam ao ouvinte as personagens, que poderiam comungar suas dores, mas decidem enfrentá-las com vingança.

The Widow (La Viuda) is 92 years old. She lives in a house filled with photos and coins, jewels, and a sable coat. Aware that her memory is failing, but burning with desire to record the story of her life on paper, she hires Gabriela, a 19-year-old Mixteca from Mexico. Gabriela is one of the few survivors of a massacre and treacherous journey to El Norte. Gabriela and the Widow is a story of chaos, revenge, and change: death and love, love and sex, and sex and death.