Showing results for "Sean Russell" in Crime Fiction

The first woman had her lungs ripped out. When the same gruesome ritualistic method was used again, it was clear that the same killer was responsible. But there is no precise evidence to link the two cases, except for a tantalising email. Kriminalhauptkommissar Jan Fabel (half-Scottish, half-German) is a man of conscience and imagination. In his desperate attempt to solve the case before more victims are discovered, he gradually uncovers layer upon layer of intrigue.

As Jan Fabel, of the Hamburg murder squad, interprets this twisted imagery at a crime scene, it becomes clear that each new crime is a grisly reference to folk stories collected by the Brothers Grimm. The hunt is on for a serial killer who is exploring the darkest, most fundamental fears hidden in ancient fairy tales.

A Cologne detective asks Jan Fabel for his help in tracking down the Carnival Cannibal, a terrifying serial killer who kills at the start of the world-famous annual Carnival. Unknown to anyone, Fabel's deputy, Maria Klee, also heads for Cologne to hunt down a different, even more dangerous killer - one with whom she has a score to settle. Taras Buslenko, a Ukrainian special-forces commander, prepares his undercover unit for a "black" operation into Cologne.

Jan Fabel is a troubled man. His relationships with the women in his life are becoming increasingly complicated. If that weren’t bad enough, after a gap of ten years, a female serial killer – the Angel of St Pauli – again makes the headlines when an English pop star is found in Hamburg’s red-light district, dying of savage knife wounds.

Just as a major environmental summit is about to start in Hamburg, a massive storm hits the city. When the flood waters recede, a headless torso is found washed up. Initially, Jan Fabel fears it may be another victim of a serial rapist and murderer who stalks his victims, then dumps their bodies in waterways around the city. But the truth of the situation is far more complex. Fabel’s investigations lead him to a secretive environmental Doomsday cult called “Pharos”, the brainchild of a reclusive, crippled billionaire.

Lennox liked Quiet Tommy Quaid. Perhaps it's odd for a private detective to like - even admire - a career thief, but Quiet Tommy Quaid was the sort of man everyone liked. Amiable, easygoing, well dressed, with no vices to speak of - well, aside from his excessive drinking and womanising, but then, in 1950s Glasgow those were practically virtues. And besides, throughout his many exploits outside the law, Quiet Tommy never once used violence.

Two high profile victims - a former left-wing radical turned environmental campaigner and a geneticist researching the possibility of inherited memory - are found murdered within 24 hours of each other. Both men have been scalped. Jan Fabel and his murder team have nothing to go on other than a single red hair left as a signature at each scene - each hair cut from the same head at least 20 years previously. Connections begin to appear: a long disbanded terrorist group; a mummified body; and a killer....