Showing results for "Peter Ackroyd" in Historical Fiction

A superb collection of dramas guaranteed to thrill and entertain from best-selling author Peter Ackroyd. Set in the heart of London, these star-studded adaptations feature parallel investigations into killings across two centuries, black magic, haunted houses, holy ghosts and a stunning performance by Simon Callow as the magnificent Charles Dickens. Novelist, biographer and critic Peter Ackroyd has cemented his place at the heart of the culture and history of London. This fantastic collection is full of vitality from a world-class author and stellar cast.

Peter Ackroyd's Hawksmoor was first published in 1985. Alternating between the eighteenth century, when Nicholas Dyer, assistant to Christopher Wren, builds seven London churches that house a terrible secret, and the 1980s, when London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sight of certain old churches, Hawksmoor is a brilliant tale of darkness and shadow.

Three Brothers follows the fortunes of Harry, Daniel and Sam Hanway, born on a post-war council estate in Camden Town. Marked out from the start by curious coincidence, each boy is forced to make his own way in the world – a world of dodgy deals and big business, of criminal gangs and crooked landlords, of newspaper magnates, back-biters and petty thieves. London is the backdrop and the connecting fabric of these three lives, reinforcing Ackroyd’s grand theme that place and history create, surround and engulf us.

If your tastes run to Victorian mysteries and murder, you’ll enjoy Peter Ackroyd’s special blending of fact and fiction in this magnificent recreation of the bizarre murders that rocked Victorian England. Drawing on surviving police records and court transcripts, Ackroyd paints a fascinating portrait of a savage murderer, the terror that rippled across London, and the innocent woman charged with the crimes.

Sophia Chrysanthis is in her 20s when the celebrated German archaeologist, Herr Obermann, seeks her out; he wants a Greek bride who is able to read Homer. Sophia passes his test, and soon she is tying canvas sacking to her legs so that she can kneel on the hard ground in the trench. Obermann is very good in the art of archaeology - perhaps too good. Obsessive and intuitive, he is a romantic visionary.