Showing results for "Edmund de Waal" in Arts & Entertainment

Winner of the 2010 COSTA Biography Award. A total of 264 wood and ivory carvings, none of them larger than a matchbox: potter Edmund de Waal was entranced when he first encountered the collection in the Tokyo apartment of his Great Uncle Iggie. Later, when Edmund inherited the ‘netsuke’, they unlocked a story far larger than he could ever have imagined.…

Count Moïse de Camondo lived a few doors away from Edmund de Waal's forebears, the Ephrussi, first encountered in his best-selling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of Belle Epoque high society. They were also targets of anti-Semitism. Camondo created a spectacular house and filled it with the greatest private collection of French 18th-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France.

A handful of clay from a Chinese hillside carries a promise: that mixed with the right materials, it might survive the fire of the kiln and fuse into porcelain - translucent, luminous, white. Acclaimed writer and potter Edmund de Waal sets out on a quest - a journey that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain.

Un'elegante vetrina nella casa londinese di Edmund de Waal contiene 264 sculture giapponesi di avorio, o legno, non più grandi di una scatola di fiammiferi, raffiguranti divinità, personaggi di ogni tipo, animali, piante. La vetrina è aperta, e i piccoli figli di de Waal possono estrarre i netsuke - così si chiamano i minuscoli oggetti - e giocarci. Come facevano, ha scoperto l'autore, i piccoli figli di Viktor e Emmy von Ephrussi, suoi bisnonni, nel boudoir della madre, in un fastoso palazzo viennese della Ringstrasse, un secolo fa.