Showing results for "Edgar Allan Poe" in Genre Fiction

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Wenn das Licht des Tages stirbt und sich das Totenhemd der Nacht auf Pflastersteine und Asphaltstraßen herabsenkt, geht ein Raunen durch alte Ziegelmauern. Es ist die Zeit des Zwielichts, in welcher die Gebäude im Mondlicht zu träumen beginnen... Die schiefen Palazzi von Venedig flüstern einander längst vergessene Geheimnisse zu. In den verfallenen Häuserblocks von Berlin ertönt ein Wispern. Beide Städte erzählen dem Leser unheimliche Geschichten. Grotesk, bizarr, durchwoben von Schmerz und Angst.

This rousing sea adventure follows New England boy Pym, who stows away on a whaling ship with its captain’s son, Augustus. The two boys repeatedly find themselves on the brink of death or discovery and witness many terrifying events, including mutiny, cannibalism and frantic pursuits. Poe imbued this deliberately popular tale with such allegorical richness, biblical imagery and psychological insights that the tale has come to influence writers as various as Melville, James, Verne and Nabokov.

La Máscara de la Muerte Roja de Edgar Allan Poe es una escalofriante historia ambientada en un reino ficticio asolado por una plaga mortal conocida como la Muerte Roja. El príncipe Próspero, junto con un selecto grupo de nobles, se retira a su apartada abadía para evitar el contagio. Dentro de la abadía, Prospero organiza un lujoso baile de máscaras, donde los invitados se deleitan con la decadencia y el libertinaje. Sin embargo, en medio de las festividades, aparece una figura misteriosa vestida con una túnica manchada de sangre, que simboliza la inevitabilidad de la muerte.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Steffen Siegmund, Ensemblemitglied des Thalia-Theater Hamburg, liest Texte von Edgar Allan Poe, eingebettet in eine assoziative Geräuschkomposition von Sabine Kaufmann (Regie: Margit Kreß). Edgar Allan Poe wird häufig als Wegbereiter der modernen Horrorliteratur oder Begründer des Symbolismus bezeichnet. Es ging dem Autor in seinen Arbeiten jedoch nie darum, Horror zu verbreiten, sondern die weiten Gefilde menschlicher Psyche auszuloten.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

"The Murders in the Rue Morgue" is a short story written by Edgar Allan Poe in 1841. Poe referred to it as a "tale of ratiocination" featuring the brilliant deductions of C. Auguste Dupin; it is today regarded as one of the first detective stories and is almost certainly the first locked-room mystery. Auguste Dupin is a man in Paris who solves the mystery of the brutal murder of two women.

C. Auguste Dupin is a Frenchman who decides to solve the mysterious brutal murder of two women in Paris. Numerous witnesses are quoted in the newspaper as having heard a suspect, though the witnesses each think it was a different language. As the first true detective in fiction, the Dupin character established many literary devices which would be used in future fictional detectives including Sherlock Holmes and Hercule Poirot.

LIGEIA: In the shackles of an opium dream, a man struggles with the restless spirit of his deceased wife. ELEONORA: In the glory of young love, a valley blooms with life.

In this collection there are two featured short stories with an additional short story included as a bonus!

Enter the haunting world of Edgar Allan Poe's most famous poem, "The Raven," brought to life by the evocative narration of Anthony Pica. This timeless piece of gothic literature tells the story of a grief-stricken man visited by a mysterious raven in the dead of night. As the raven utters its ominous refrain, "Nevermore," the man descends deeper into despair, haunted by memories of his lost love, Lenore.

"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further distress the protagonist with its constant repetition of the word "Nevermore".

The Narrative of Arthur Gordon Pym of Nantucket, Poe's only full novel, is one of his most unusual works. A riveting story, toldl in the first person, it tells of a disastrous sea voyage involving storms, mutiny, starvation, thirst - and a mysterious conclusion. Jorge Luis Borges and Baudelaire were among those who rated it highly. This recording was timed to mark the 200th anniversary of Poe's birth.

Este es el relato de un marino occidental, que embarca en un navío mercante indio, como le era acostumbrado debido a su ocupación. He aquí que tras abandonar la infinita calma que reinaba en la costa, una terrible tormenta les aborda y el barco está a punto de irse a pique

"La Carta Robada" de Edgar Allan Poe es una historia de detectives clásica protagonizada por C. Auguste Dupin. La narrativa gira en torno al ingenioso robo y recuperación de una carta robada, demostrando el poder de la deducción y las verdades ocultas.

When the prefect of police comes to Dupin seeking help he explains how a letter has been stolen that could cause considerable discomfort to a certain powerful person. Strangely, they know who stole the letter, but arresting the culprit is not the issue; recovering this precious letter is the goal.

Many authors have been cited as inventing the detective genre. Perhaps the strongest claimant is the American Edgar Allan Poe. His creation of the Parisian sleuth C. Auguste Dupin with his quite astounding analysis and deductive powers allied to Poe’s great imagination and wit create a literary tour de force.