Showing results for "David Edgar" in Anthologies & Short Stories

A fourth floor room, a door locked with the key inside, no way in, no way out. Edgar Allan Poe is the true grandfather of the murder mystery. Decades before Sherlock Holmes and Hercule Poirot, Poe gave us C. Auguste Dupin, a man able to solve mysteries through observation and deduction.

Actor David Ian Davies' telling of Poe's Gothic horror tale "The Tell-Tale Heart" captures this classic narrative of the unnamed murderer in all its exquisite vileness, its self-effacing insanity that poses rationality where none exists.

One Voice Recordings presents amazingly versatile voice actor David Ian Davies performing 10 of Edgar Allan Poe's most famous short stories: "The Cask of Amontillado", "The Sphinx", "The Descent into the Maelstrom", "Hop-Frog", "The Man of the Crowd", "Some Words With a Mummy", "The Murders in the Rue Morgue", "The System of Doctor Tarr and Professor Fether", "Shadow: A Parable", and "Silence: A Fable".

This selection includes tales: The Gold-Bug ; The Murders in the Rue Morgue ; The Fall of the Huse of Usher ; The Masque of the Red Death ; The Pit and the Pendulum ; The Tell-Tale Heart ; The Black Cat ; The Cask of Amontillado ; Hop-Frog ; The Facts in the Case of M. Valdemar.

Who's There? is a collection of three of Edgar Allan Poe's tales which take us into the evil and selfish minds of madmen. Teachers and students of American literature, as well as people who are new to the writings of Poe and even old fans, will find the text enriched and clarified by the audio, giving one a deeper understanding of this master's brilliant writing. This is much more than just another republishing of Poe's tales. It is a total experience.

The Tell-Tale Heart is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards. The story was first published in James Russell Lowell's The Pioneer in January 1843.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms.

The human race has been on the receiving end of many viral and bacterial diseases. And as medicine brings them to heel, eradicates their power, so Nature and Evolution brings others to the fore in a ceaseless march to weaken some, to strengthen others. And, as our race understands their mysteries, so we begin to weaponize them for our own malevolent use as biological weapons. Authors have always been drawn to this global scale and individual human response. In this collection virus and plague are given their head and the responses must see cure or capitulation within.

The narrator in this story vows revenge upon a man named Fortunato. He takes advantage of Fortunato's ego and lures him down into the recesses of an underground vault to taste a rare wine, a cask of Amontillado.

Prince Prospero invites several dozen of the local nobility to his castle for protection against an oncoming plague, the Red Death. Prospero orders his guests to attend a masked ball and, amidst a general atmosphere of debauchery and depravity, notices the entry of a mysterious hooded stranger dressed all in red.

Edgar Allan Poe's horrific short story is the account of a man's irreversible journey into madness as he awaits his execution by hanging the next morning. Fueled by bouts of alcoholism and what seems an inborn fatal streak of madness, his manic extremes of violence and guilt demand attacks upon the innocent to alay his own self-hatred.