Showing titles in African American Studies

A slew of harmful stereotypes continues to follow Black women. The second edition of this best seller debunks vicious misconceptions rooted in long-standing racism and shows that Black women are still all right. The latest edition of this best seller features new interviews with diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Alongside these authentic experiences and fresh voices, Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples.

Clyde W. Ford uses the lives of individual Black men and women as a lens to explore the role they have played in creating American institutions of power and wealth—in agriculture, politics, jurisprudence, law enforcement, culture, medicine, financial services, and many other fields—while not being allowed to fully participate or share in the rewards. Today, activists have taken the struggle for racial equity and justice to the streets.

Chief Carmen Best has spent the last 28 years as a member of a big-city police force, an institution where minorities and women have historically found it especially difficult to succeed. She defied the odds and became the first Black woman to lead the Seattle Police Department.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

The African American Guide to the Bible makes the case for the relevance of the Bible from the perspective of people of color. It presents a comprehensive biblical view of topics of interest to African Americans and clarifies racial issues for White people. 

In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune". Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation.

Across America, the pure love and popularity of barbecue cookery have gone through the roof. Prepared in one regional style or another, in the South and beyond, barbecue is one of the nation's most distinctive culinary arts. And people aren't just eating it; they're also reading books and articles and watching TV shows about it. But why is it, asks Adrian Miller - admitted 'cuehead and longtime certified barbecue judge - that in today's barbecue culture, African Americans don't get much love?

After a deadly pandemic, shocking incidents of police brutality, a racial justice crisis, and the fall of a dangerous demagogue, America remains more divided than at any time in decades. At the heart of this national crisis is the fear of a darkening America - a country in which there is no longer a predominant White majority. As the Republican Party has lost the popular vote in seven of the last eight presidential elections, its leaders have incited White Americans in a last-ditch race against time to stop the advance of a new, multiracial emerging majority.

When we hear of Jamaica or the Caribbean, we think of beautiful islands of paradise with sun, sea and sand, reggae music, cannabis, and "irie" people like Usain Bolt - people who are living out their best dreams, desires, and lives. But this book analyzes this motif, given the historical and current economic and political situation in Jamaica, the Caribbean, and the "Global South". In an attempt to escape the adverse realities of poverty, inequality, and injustice, the people of the Global South find themselves in north metropolises with very little agency.

In this new and expanded edition of Nelson George's classic cultural study, contemporary Black culture is chronicled through essays on music, film, sports, publishing, politics, and city life, both uptown and down. Buppies enter nearly every arena of the Black urban USA: roisterous rappers and legendary hoopsters, streetwise hustlers and influential filmmakers, unsung musicians and drug dealers at work.  

Miss America, can we really close a 100,000 dollar gap that has been driven by race? The better question is: How did our country get here? The sad question is: Did you even know this racially fed wealth gap existed? Time has been up; let's talk about it. This book dissects American history and explores biased laws and fundamentals that caused the racial wealth gap plaguing the economy and Black America. 

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities. 

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music. 

Nelson George's chronicle of Motown Records' rise and fall remains a classic account of an essential American music company and its dynamic founder, Berry Gordy Jr. Gordy's uncanny instinct for finding extraordinary talent - from performers and musicians to songwriters and producers - packed the label's roster with a who's who of historic artists and hitmakers. 

A master strategist and tireless activist, Bayard Rustin is best remembered as the organizer of the 1963 March on Washington, one of the largest nonviolent protests ever held in the United States. He brought Gandhi's protest techniques to the American civil rights movement and played a deeply influential role in the life of Martin Luther King, Jr., helping to mold him into an international symbol of nonviolence. 

This comparative case study utilized oral histories to illuminate the life stories of three Black men who navigated their way through trauma. The goal of the study was to better understand how they navigated education and life experiences to eventually earn doctoral degrees. The findings affirm and illuminate that despite their academic success, they suffer from residual unresolved emotional scars due to unhealed trauma.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, Hip Hop America is the definitive account of the society-altering collision between Black youth culture and the mass media. 

Author Susan E. Lindsey illuminates the trials and triumphs of building a new life in Liberia, where settlers were free, but struggled to acclimate themselves to an unfamiliar land, coexist with indigenous groups, and overcome disease and other dangers. Liberty Brought Us Here: The True Story of American Slaves Who Migrated to Liberia explores the motives and attitudes of colonization supporters and those who lived in the colony, offering perspectives beyond the standard narrative that colonization was driven solely by racism or forced exile.

An estimated one in four women and one in six men is abused by age 18, most often by someone they know. Most of these sexual assaults are never disclosed, much less reported to the police. No Secrets, No Lies demystifies the cultural taboos and social dynamics that keep Black families silent and enable abuse to continue for generations. Through compelling personal accounts from everyday people, Robin D. Stone, a sexual abuse survivor herself, illuminates the emotional, psychological and hidden consequences of remaining silent.

Ersula J. Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today. From the 1880s onward, lynchings, she finds, manifested a violent form of symbolic action that called a national public into existence, denoted citizenship, and upheld political community.