For this special bonus episode, we gathered everyone on the This Movie Changed Me team to talk about the role movies have played in our lives, and what we’ve learned from working on this podcast. We’re grateful to all the listeners and guests who have joined us across three seasons of this podcast and have shared their own stories of transformation through movies. Thank you, movie friends!

Eddie Gonzalez — is director of engagement at The On Being Project and is a journalist, teacher, and chaplain interested in story and its role in individual and social healing. He was born in Corpus Christi, Texas, and now lives and works in Queens, New York.

Chris Heagle — is a producer and technical Director for On Being Studios. He has long been a passionate listener and creator in the space where story and music combine to help us understand and embrace our shared humanity. When he’s not in front of a screen, he is learning about the world through his two teenage kids.

Liliana Maria (Lily) Percy Ruíz — is executive producer of On Being Studios and the host of This Movie Changed Me. She was born in Cali, Colombia, and immigrated to Miami with her family at the age of four. She proudly serves on the board of Centro Tyrone Guzman, the oldest and largest multi-service Latine organization in Minneapolis.

Gautam Srikishan — is a producer for On Being Studios, a composer, and a lover of all things creative. He was born in the United Arab Emirates, raised in Illinois, and now calls Queens, New York his home. He’s a proud first-generation Indian-American immigrant.

Lilian Vo — is an associate art director at The On Being Project. She thrives at the intersection of community building and collaborative design. With academic roots in international studies and anthropology, she seeks out projects that challenge and explore how to deepen human connection within and across communities.

Find the transcript for this show at onbeing.org.

Gina Prince-Bythewood’s Love & Basketball tells the story of two talented athletes who weave in and out of each other’s lives as they pursue big dreams. Monica Wright (played by Sanaa Lathan) and Quincy McCall (played by Omar Epps) are sometimes friends, enemies, lovers, and competitors. Writer Liara Tamani first saw the movie in 2000 when she was a reluctant student at Harvard Law School. She says Monica’s dedication to pursuing what she loved was a revelation for her. “When [Monica] turned around and looked at Quincy and their child, I almost felt like she was reaching through the screen, asking me, ‘So what you ’bout to do?’”

Liara Tamani is the author of the acclaimed Calling My Name, which was a 2018 PEN America Literary Award Finalist and SCBWI Golden Kite Finalist, and All the Things We Never Knew, which was a 2020 Kirkus Best YA Book of the Year. She holds an MFA in writing from Vermont College and lives in Houston.

Find the transcript for this show at onbeing.org.

Selena tells the true story of the iconic Tejano singer, played by Jennifer Lopez, who broke barriers in music and fashion until her untimely death at age 23. Like Selena the person, writer Shea Serrano is also a Mexican American from Texas. When he first saw the movie in 1997, he was captivated by all the things it got right about his world — the accents, dialogue, and intimate moments. When he watches it now, he finds new lessons on parenthood in the relationship between Selena and her father, played by Edward James Olmos.

Shea Serrano — is an author, journalist, and former teacher whose work has been featured in The Ringer and Grantland. He’s the author of The Rap Year Book, Basketball (and Other Things), and Movies (and Other Things).

Find the transcript for this show at onbeing.org.

Blockers tells the story of three teenage girls determined to lose their virginity on prom night; it’s also about their parents mourning the loss of their daughters, watching them grow up and learning to let them go. The 2018 movie, directed by Kay Cannon, has everything you’d expect in a sex comedy: vulgarity, ridiculous gags, and hilarious jokes. It also complicates notions of sexuality and gender in surprising ways. Emily VanDerWerff, a writer and critic-at-large for Vox, was deeply struck by the movie when she first saw it. She realized it was showing her something she never could have imagined: a life for herself as a woman.

Emily VanDerWerff is the critic-at-large for Vox. Her work has also appeared in the Los Angeles Times, Grantland, and The Baffler. She is the co-creator of the DiscoverPods-nominated fiction podcast Arden and the co-author of the book Monsters of the Week: The Complete Critical Companion to The X-Files.

Find the transcript for this show at onbeing.org.

David Cronenberg’s The Fly tells the story of one man’s quest to develop teleportation — and everything that goes wrong along the way. The 1986 sci-fi horror movie stars Jeff Goldblum as Seth, the genius scientist, and Geena Davis as Ronnie, a journalist who falls in love with him. After an experiment goes awry, Seth begins a grisly transformation into a human-fly hybrid. Tony Banout, who works in interfaith dialogue, says he saw the movie as a cautionary tale about the dangers of an unchecked ego — and took lessons from it about grappling with death, decay, and grief. 

Tony Banout — is the senior vice president of Interfaith Youth Core. He holds a PhD from the University of Chicago, where he studied at the Divinity School and was a Martin Marty Center and Provost fellow.

Find the transcript for this show at onbeing.org.

Real Women Have Curves tells the story of a young Mexican American woman walking between two worlds, trying to please her immigrant family and be true to herself. Ana, played by America Ferrera, dreams of leaving Los Angeles and going to college. But even as she wants out, she yearns for her family’s blessing and acceptance. This in-betweenness — and Ana’s radical acceptance of her body as it is — was powerful to Virgie Tovar, a writer and body image activist. She says the movie showed her that she could ask for what her body needs, no matter its size.

Virgie Tovar is an author, activist, and one of the nation's leading experts and lecturers on weight-based discrimination and body image. She is the author of You Have the Right to Remain Fat and The Self-Love Revolution, and hosts the podcast Rebel Eaters Club.

Find the transcript for this show at onbeing.org.

The Way We Were is a quintessential breakup movie. Told across decades, it stars Barbra Streisand and Robert Redford as two wildly different people growing together before eventually growing apart. Writer Sophie Krueger says the 1973 movie has resonated differently over time. As a child, she idolized Streisand and loved her portrayal of an independent woman charting her own course. As an adult, she recognized the stakes of any romantic relationship — and how the differences that excite you initially can become irreconcilable. 

PS (Movie friends — We’re hosting a live virtual event, and you’re invited! Join us for ‘Yentl’ Changed Me on Sunday, February 28th at 12 p.m. ET. Free tickets are available now.)

Sophie Krueger — is a writer and pop culture-obsessor from Chicago. She co-hosts Girls Like Us, a weekly podcast about young adult literature. Follow her on Twitter (@kruegrrl).

Find the transcript for this show at onbeing.org.

The Color Purple is about the traumas and triumphs of a Black woman named Celie. Set in the Jim Crow South, the story radically centers complicated relationships between Black people, even as whiteness and racism loom in the background. Directed by Steven Spielberg, the movie adaptation of Alice Walker’s classic novel was released in 1985. Both tellings have been beloved companions to Danez Smith, a queer writer and performer. Smith says Walker’s story helped them embrace the messiness of life; “to let life exist best within that brilliant complication that lives somewhere between the joy and pain of a single experience.”

Danez Smith is a Black, queer, HIV-positive writer and performer from St. Paul, Minnesota. They are the author of Homie and Don’t Call Us Dead, which was a finalist for the National Book Award.

Find the transcript for this show at onbeing.org.