In this episode of The Writing Life, writer, poetry programmer, and NCW Academy mentor Julia Bird shares her insights into developing your creative practice.

Julia Bird is a highly experienced poetry programmer who has worked for organisations including the Poetry School and The Poetry Society. As a freelancer, she’s worked for literary development agencies, festivals, publishers and magazines, and in arts, university and healthcare settings. Through her company Jaybird Live Literature she has produced eight Arts Council England-funded touring poetry shows; and she is the author or co-author of six poetry collections.

She sits down with NCW Programme Officer Ellie to discuss practical advice for those looking to pursue a creative career. Together, they explore how structured mentoring can help writers to develop their practice, guidance for bringing out the vibrancy of your ideas in funding applications, and the barriers writers and creatives may face along the way.

If you're interested in learning more from Julia, go to nationalcentreforwriting.org.uk/mentoring/ to book a mentoring session with her now.

In this episode of The Writing Life, writer Chloe Dalton shares her insights into writing about nature and landscape.

Chloe Dalton is a foreign policy specialist and writer. She spent over a decade working in the UK Parliament and the Foreign and Commonwealth Office, as a special adviser and speechwriter. She now works as a consultant on international political and humanitarian issues. Raising Hare is her debut book.

She sits down with NCW Head of Programmes & Creative Engagement Holly to discuss her debut nature book Raising Hare, which tells the story of the unusual experience of raising a leveret to adulthood and beyond. Together, they explore the importance of nature writing and its ability to educate and entertain readers, the art of observation and noticing, and the power of research when writing about nature, wildlife and the environment.

In this episode of The Writing Life, YA writer Abiola Bello shares her insights into writing festive novels.

Abiola Bello is a Nigerian-British, prize-winning children’s/YA author who was born and raised in London. She is an advocate for diversity in books for young people. Her debut YA, 'Love in Winter Wonderland', was published in winter 2022. It was an Amazon Number 1 bestseller, The Bookseller One To Watch, Amazon Editor's Choice for Black History Month 2022, featured in The Guardian Children's & Teens Best New Novels and was on an Amazon Billboard for Black History Month in Leicester Square. Her latest book 'Only For the Holidays' was published autumn 2023.

She sits down with NCW Communications Assistant Caitlin to discuss her festive YA books 'Love in Winter Wonderland' and 'Only for the Holidays'. Together, they explore Abiola's advice for creating the perfect festive setting, her decision to write dual perspective books, and the importance of diversity in media set at Christmas.

In this episode of The Writing Life podcast, cultural writer and editor Josh Baines is joined by narrative non-fiction writer Aniefiok Ekpoudom to discuss writing about the music industry.

Aniefiok ‘Neef’ Ekpoudom is a writer and storyteller from South London whose work documents community and culture in contemporary Britain. His debut book Where We Come From: Rap Home and Hope in Modern Britain is a social history of British Rap. It was released via Faber & Faber in January 2024.

Together, Josh and Aniefiok discuss Neef's route into journalism, and why he decided to write about music in his debut book. They also touch on writing national and landmark stories, how to turn real life events into fully immersive and colourful storytelling, and the process of interviewing and reporting for narrative non-fiction.

In this episode of The Writing Life, NCW Chief Executive Peggy is joined by bestselling author Peter James to discuss researching for crime novels.

Peter James is a UK No.1 bestselling author, best known for his Detective Superintendent Roy Grace series, now a hit ITV drama starring John Simm as the troubled Brighton copper.

Much loved by crime and thriller fans for his fast-paced page-turners full of unexpected plot twists, sinister characters, and accurate portrayal of modern day policing, he has won over 40 awards for his work including the WHSmith Best Crime Author of All Time Award and Crime Writers’ Association Diamond Dagger.

Together, Peter and Peggy discuss the practical implications of his research for his thriller novels. They also touch on the start of his writing career, his advice for keeping readers glued to the page, and his process for writing and developing the characters for his crime thriller series.

In this podcast, NCW Communications & Participation Assistant Ruby is joined by S G Bell to discuss routes into writing.

S G Bell is a writer working from his rural home in Norfolk. The Epilogue Event is the first instalment in the AI Aftermath series. In his fiction, he explores ideas intercepted at the boundaries of his professional and academic experience – most specifically, speculations about the vulnerability of social groups, and the existential challenges emerging from the internet and artificial intelligence.

Together, Simon and Ruby discuss his debut novel The Epilogue Event, and the circumstances that led to him becoming a novelist. They also touch on the benefits of uniting with a community of emerging writers, the idea of ‘failing forward’, and the benefits of continued learning.

Simon is a graduate of our Develop Your Fiction course. If you’re considering signing up for an online tutored course, go to our website and click NCW Academy now to find out more about our course programme, read more success stories like Simon’s, and discover why you should learn with us.

In this podcast, NCW Head of Programme & Creative Engagement Holly is joined by author Ferdia Lennon to discuss writing dialect in fiction.

Ferdia Lennon was born and raised in Dublin. He holds a BA in History and Classics from University College Dublin and an MA in Prose Fiction from the University of East Anglia. His short stories have appeared in publications such as The Irish Times and The Stinging Fly. In 2019 and 2021, he received Literature Bursary Awards from the Arts Council of Ireland. Glorious Exploits is his first novel. A Sunday Times bestseller, it was broadcast on BBC Radio 4 as a Book at Bedtime and was the winner of the Waterstones Debut Fiction Prize 2024.

Together, Holly and Ferdia discuss his debut novel Glorious Exploits, and his decision to represent contemporary Dublin-Irish dialect through his writing. They also touch on writing a story within a story, how language and dialect can make historical fiction more accessible, and the important decision of whose voice and delivery should lead the story.

In this episode of The Writing Life, poets Rebecca Goss and Heidi Williamson discuss using place as a vessel to write about difficult subjects and memories in poetry.

Rebecca Goss is a poet, tutor and mentor, living in Suffolk. Her poems have appeared in many literary journals, anthologies and have been broadcast on BBC Radio 4 and BBC Arts online. Her third full-length collection, Girl, was published with Carcanet/Northern House in 2019 and was shortlisted in the East Anglian Book Awards 2019. Her fourth full-length collection, Latch, was published in 2023.

Heidi Williamson’s first collection Electric Shadow was a Poetry Book Society Recommendation and shortlisted for the Seamus Heaney Centre for Poetry Prize. Heidi works with poets worldwide by Skype as a Poetry Surgeon for The Poetry Society, teaches for The Poetry School, and mentors writers through the National Centre for Writing.

In this podcast, Rebecca and Heidi discuss the moments they knew they were ready to write about their past experiences, and the power that comes from giving yourself permission to feel the happiness alongside the pain when writing about difficult moments in their lives. They also explore the importance of drawing from memories of landscape and place, the power of quietness in poetry, and how researching for writing may initially feel inauthentic but is actually a powerful tool for building depth.