Art that reflects a lived experience is more vital than ever. Beyond allowing us an opportunity to learn about others, it also gives us the chance to have something to believe in. I find it very important to have people that I can believe in when it comes to life, and today’s guest is someone I deeply believe in; the amazing Lana Lubany. She’s a Palestinian-American pop artist who makes some of the most compelling music I’ve heard in years, and her latest EP is a shimmering example of that. It’s called YAFA, and features Lana questioning her place in the world. How the internal turmoil of having to ask oneself “Where do I belong?” can be so intense and specific to one’s journey, and yet, also starkly universal. Throughout this last bonus episode of the season, I chat with Lana about each song off YAFA and the ways they reflect where she’s been, where she’s at, and where she’s going.

There’ll be a more in-depth announcement in December, but this is a good time to share that throughout the upcoming winter months, I’ll be releasing a special mini-season of the podcast. That season will contain conversations between me and a good friend of mine who’s a journalist covering the events at the West Bank. This is going to be a very different iteration of the podcast and I’m very much looking forward to you hearing it. Be sure to follow me on Instagram at @kenamiphoto and that you’re also following the podcast wherever you stream podcasts do you don’t miss out.

I mention it within the intro for this, but holy f*cking sh*t, Jamila Woods is on my podcast. If you’re unfamiliar with her, Jamila is a supremely talented singer, writer, poet, and activist. Musically she creates these worlds where you can safely pour your emotions into. Socially, she strives for a similar feeling with how she uses her voice, her platform, and the spaces that she commands. She’s an artist that feels one of a kind on so many levels, and we’re witnessing the growth of her artistry in real time. Her latest album, Water Made Us, is that deeply personal exploration that all artists have to make but the way Jamila’s gone about it is truly next level. Throughout our conversation, we discuss the universal themes of the album, the way relationships shape all of our lives, and one of my favourite topics: celebrating the messiness of life.

It’s been a while since I’ve had a fellow photographer on the podcast, and it does bring a massive smile on my face to finally introduce you to my friend Jennifer McCord. This bonus chat with Jenny is essentially a part 2 of the Half Moon Run pod that dropped earlier this week. Jenny is a photographer primarily based in London that takes the kind of photos that makes us go “damn, I wish I took that.” She has a signature perspective and approach to her work, which is conveyed by how she captures people in stark moments of emotional intimacy. A Jennifer McCord photo is the kind of photo where you can see someone bare, but never weak. Where you can see a person conveying conviction without ever feeling forced or contrived. Throughout her career, Jenny’s toured with incredible musicians has photographed numerous celebrities in portraiture, and has become the photographer for our recent guests, Half Moon Run, where she beautifully provided creative direction for their Salt album. We chat about all that and more on this very special bonus episode of the podcast, enjoy.

If this is your first time listening to the podcast, then know I’m very excited to hear that. In many ways this chat I had with Connor and Dylan of Canadian indie band Half Moon Run feels like how I want every episode of this podcast to feel: lovers of art talking about how life influences art. Don’t get me wrong, we tend to achieve that across our episodes, but Half Moon Run is unique in how those contemplations of art and life became very do-or-die for the band. Their most recent album, Salt, is the sound of three people fully surrendering themselves to pursuing creativity. Does that sound pretentious? Fuck yeah, it does, but the end result of them doing that is an album that’s both fun to listen to and massively transcendent. It’s easily their most complete body of work, and this episode centers around that journey; particularly how it was a transformative experience for the band.

Also a heads up, later this week there’ll be a bonus episode dropping with Jennifer McCord, my dear friend and the bands photographer. Be sure to be following the podcast so you don’t miss out on that release.

Stop me if you’ve heard this one before: three friends in Germany get together to essentially create their own world. The focal point is their aim to celebrate and progress hip-hop, along with integrating fashion, filmmaking, and photography in a way that has a unique impact. No, you’re not having a fever dream, this is indeed real and it’s the story of KITSCHKRIEG, a trio of German creatives who have their sights firmly set on the wider world. That word ‘unique’ feels constant when it comes to their prolific output, and yet to hear Fizzle and Fuji Kris discuss it; KITSCHKRIEG has simply become a way of life.

I was keen to have them on the podcast way back in season six and it’s a massive privilege getting to have them on now. Across our chat we explore the three pillars that led them to where they are today: 1) Building a world around their music, 2) Branching out of their comfort zones, and 3) The vitality of their phrase ‘LAPTOP-LAPTOP-LENS. Welcome to the world of KITSCHKRIEG.

They will be dropping their next body of work, German Engineering ZWEI on November 15th. The lead single is a belter called Slow Down featuring Future, Mariah the Scientist and Fridayy.

There aren’t any shortages of the narrative that life brings about the unexpected. That said, there are still times in which we need to be reminded of the beauty of that; which is very much what happens with this conversation I had with Jason Aalon Butler. Jason is a frontman that’s largely existed in the world of hardcore music, though to say that almost feels reductive because of Jason’s overall approach to his art. You see, Jason has always strived to buck against the conventions of the world, including the hardcore punk world he holds dear. In doing so, he’s someone who’s aggressively gone by the beat of his drum and that’s been a total mainstay of his life thus far; across both his career and personal life.

I’ve known him for many years now and have seen all those aspects of his character, but one thing about Jason that’s very crucial is how so much of the music that he makes is reflective of his lived experience. It’s literally second nature for Jason to sing about what he’s thinking, what he’s feeling and doing so in a way that doesn’t leave many questions to be asked….except for, what is that like? What is it like for someone to be so open about how they’re feeling, how they’re thinking and to do so in a way that’s extremely direct? That’s largely what we talked about across this episode, along with the new music of his band, Fever 333.

The band just dropped a new album called Darker White, a body of work that’s beyond timely. Be sure to check it out.

(ByLwansta chat starts at 3:37 and Dope Saint Jude chat starts at 60:47). This next bonus episode is a very special one, especially since you’re essentially getting two chats for the price of one. Last year, we had a very different season of the podcast called The Passport Season, which featured us highlighting six countries across six episodes. One of those episodes was South Africa, a place that’s grown to mean a lot to me over the years due to the lovely South Africans I’ve met throughout my life. It was from doing that episode (and its playlist) that I came across today’s guests and it was from there that I immediately knew they had to be on the podcast. Those artists are JoBurg based rapper/producer/creative director ByLwansta and Cape Town based rapper/singer/producer/overall badass Dope Saint Jude.

Both of them are supremely talented artists who’re aggressively carving out their own paths, which let’s be honest; is practically a prerequisite to be on this series. But what’s incredible about the both of them is how much they live by their rhymes; and how much their art reflects the lives they’re actively living. Across both chats, they shared with me what drove them to create and how the most meaningful thing they could achieve was creating a new kind of sound in their native South Africa.

Something tells me that after the first few minutes of this episode, the last thing you’ll call today’s guest is “modest.” But something I grew to learn from talking to London-based artist Master Peace, was just how much that confidence has been earned. I could already tell from his stellar debut album, How to Make a Master Peace, an album full of danceable bangers that’ll remind you why you love indie sleaze so much. Actually, it does something better, where if you’re unfamiliar with the indie sound of the early 00’s, the album acts as a perfect doorway to that sound; while also being a colossal step forward. Peace isn’t shy about this being his mission, he says it on this episode that he hopes to make this sound mainstream, to reach the heights that bands like Bloc Party and LCD Soundsystem (unjustly) never did. It's a tall order indeed, but something tells me he’s just the guy for the job. Together we chat about why and how music means so much to him, being driven to make eclectic music, and the joys of collaborating with Wale.