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Did you know that the French short film 'The Red Balloon' won an Oscar, and 'To Live' was banned in China upon its release?

In this episode we explore the fascinating world of foreign films and its impact in cinematic history. Troy discusses 1956 French film 'The Red Balloon' by Albert Lamorisse. While special guest Melissa Fisher discusses China's 1994's 'To Live' by Zhang Yimou.

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In this episode of the Flipside, host Troy is joined by Timmy Gleason, one of the hosts of the podcast Slumber Party Massacre. Together, they delve into the horror movie genre.

Troy begins by analyzing the classic film Psycho (1960), directed by Alfred Hitchcock and based on Robert Bloch's novel. He highlights the film's plot, key moments, and its groundbreaking status in cinematic history. Tim contributes his insights, leading to a discussion about another film, The Slumber Party Massacre (1982), directed by Amy Holden Jones and written by Rita Mae Brown.

Throughout the episode, Troy and Tim explore the evolution of the horror genre, reflecting on its past while contemplating its future. They compare and contrast the two films, examining their significance within the horror niche and the impact they have had on the genre overall.

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In this episode of The Flipside, host Troy is joined by filmmaker Jason Monroe to dive into the timeless appeal of the Western genre. Troy reflects on his childhood fascination with cowboys and the rugged American West, setting the stage for a discussion on two iconic Western films: Shane (1953) and Unforgiven (1992).

Jason shares insights into Shane, directed by George Stevens, emphasizing the film’s cinematography and its moral complexities. The conversation touches on how the film subverts typical Western tropes, focusing on a young boy’s hero worship and lessons about violence and restraint.

Troy’s pick, Unforgiven, directed by Clint Eastwood, explores similar themes of redemption, justice, and the burden of violence. The hosts discuss how Unforgiven offers a gritty, introspective take on the Western, with Eastwood’s character grappling with his violent past.

Together, they analyze the flawed, yet deeply human characters that define these films and how the Western genre speaks to the enduring hope for redemption.