Episodes

  • Interview with Brenda Chapman – S. 10, Ep. 22
    Mar 23 2025
    My guest for this episode of the Crime Cafe podcast is crime writer Brenda Chapman. Brenda discusses her journey from writing for her daughters to becoming a published author, her inspiration for various protagonists, and her writing process. She also shares insights into her latest series, the Hunter and Tate Mysteries, set in Ottawa. Brenda emphasizes the importance of setting in her novels and offers advice for aspiring writers. Check out the interview for more about Brenda's career and her approach to crafting compelling crime fiction. You can download a copy of the transcript here. Debbi (00:52): Hi everyone. My guest today is a Canadian crime fiction author with 25 published novels as well as standalones and short stories. She writes various police procedurals and mystery series for adults as well as mysteries for middle grade readers, which I think is really cool. (01:19): She is currently working on her new mystery series in Ottawa, set in Ottawa called the Hunter and Tate Mysteries. The third book in the series, Fatal Harvest, comes out in April, came out in April 2024. Sorry, excuse me. Her work has been shortlisted for several awards, including the Crime Writers of Canada Awards of Excellence, so wow. Okay. So she was once the writer-editor, I have to note here of the Pest Management Regulatory Agency, which really intrigued me because I used to work at EPA, but we can talk about that later maybe. That stuff is fascinating to me. In any event, it's my pleasure to introduce crime writer Brenda Chapman. Hey Brenda, how are you doing? Brenda (02:10): Great, thanks, Debbi. Thanks for having me. Debbi (02:13): Oh, it's a pleasure, believe me. And finding out that you worked in pest management, wrote about pest management to me is just fascinating. Brenda (02:22): I was only one of a group of writer-editors. Debbi (02:25): Yeah. Well, very cool. Still, we'll have to talk about that at some point. Back when I was practicing law, I worked at the Office of General Counsel, Pesticides and Toxics Division, so I worked a lot on FIFRA, the Federal Insecticide, Fungicide and Rodenticide Act. What a mouthful, right? Brenda (02:49): Fiction is much more fun. Debbi (02:53): So anyway, when you first started writing fiction with serious Intent to be published, what inspired you to write for middle graders? Brenda (03:02): Well, my daughters were 12 and nine, and I was actually teaching at the time. I was teaching kids with special ed and reading with some of them, and I thought—one girl brought in a book to read aloud to me, and I thought I could do a better plot than this. And that got me spurred into trying it, and it was really just to see if I could do it. So I wrote the Jennifer Bannon Mysteries. The first one was called Running Scared, and I really wrote it for my daughters. And when I finished the manuscript and my youngest was reading it and she said, "Mummy, you write just like a real author." And I thought, wow, maybe I can get this published. So I spent my lunch hours trying to find a publisher and found one in Toronto. They took that first one and it turned into a four book series in the end. The first one was called Running Scared, and I really wrote it for my daughters. And when I finished the manuscript and my youngest was reading it and she said, "Mummy, you write just like a real author." Debbi (03:57): That's awesome. So you found one in Toronto then? That's great. Brenda (04:01): Yeah. Debbi (04:03): Fantastic. Is it a small press? Brenda (04:04): It was. They've been absorbed by Dundurn, which is a bigger middle press in Toronto, and they've taken over my books from that time and the Stonechild and Rouleau series, which is ... I went from writing for kids to writing for adults, and I did the Stonechild and Rouleau series, which is seven books set in Kingston with an indigenous lead detective, a woman, Kala Stonechild, and yeah, that series has done quite well,
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  • Interview with Carter Wilson – S. 10, Ep. 21
    Mar 9 2025
    My guest for this episode of the Crime Cafe podcast is crime writer Carter Wilson. Don't miss our discussion of his process for writing thrillers without outlining. You can download the transcript here. Debbi (00:53): Hi everyone. My guest today is not only the Publisher's Weekly and USA Today bestselling author of 10 award-winning psychological thrillers, but his work has been optioned for television and film, and his latest release, Tell Me What You Did, was a Barnes and Noble National Monthly pick. Awesome. He also hosts a podcast Making It Up, and is founder of the Unbound Writer Company, which provides coaching services, writing retreats, and online courses. So he is a busy man. He has also contributed short fiction to various publications and was featured in RL Stein's young adult anthology Scream and Scream Again. I'm pleased to have with me today Carter Wilson. Hi Carter. Thanks for being here! Carter (01:46): For having me here. Debbi great. Great to talk to you. Debbi (01:49): Oh, it's great to have you here. Thank you so much. Tell us a little about your latest book and what inspired you to write it. Carter (01:58): Well, I'll start with the inspiration. A few years ago, I have a buddy named Blake and he and I would always give each other podcast recommendations, and he came up to me one day and he's like, oh, you have to check out this podcast. Basically on this podcast, people can call in and leave a voicemail and leave an apology. And so I guess the conceit of the podcast is they would just play these apologies, and the human part of my brain thought that was pretty cool. The thriller writer part of my brain immediately thought, well, what if it wasn't a podcast? What if it was a confession? And so that was kind of the nugget of the idea for my book. And I don't outline, so I never know where my book's going, but ultimately, Tell Me What You Did follows the story of 30-year-old Poe Webb, who is the host of the nation's top true crime podcast called Tell Me What You Did. Basically on this podcast, people can call in and leave a voicemail and leave an apology. And so I guess the conceit of the podcast is they would just play these apologies, and the human part of my brain thought that was pretty cool. (02:51): And that's the conceit of the podcast. People call in and they can confess to crimes anonymously, and if Poe believes them, then they have a discussion about the criminal mind. And then one day she has this really creepy guest on who seems vaguely familiar to her, and his confession is that he murdered Poe's mother. Now, of course, Poe knows her mother was murdered. Poe actually witnessed her mother's murder when she was 13. But the thing that's sticking with her, she realizes this can't be the guy because Poe spent eight years of her life tracking down that murderer and killing him herself. So she's forced with the question, who is this guy? And if he is telling the truth, who did I kill? So that's kind of the setup for the book. Debbi (03:37): Wow, that's a very intriguing setup I have to say. I also, I just started it and the way you structure the beginning, it just pulls you right in. Carter (03:50): Oh, good. Debbi (03:51): It was so intriguing. It's basically like a podcast within a podcast. Carter (03:55): Yeah. There's interspersed throughout the chapters is kind of a cut up podcast transcript between these two individuals, and that ultimate conversation takes place at the end of the book, but you're seeing glimpses of that conversation throughout the story. Debbi (04:12): That sounds fantastic. So is this kind of a commentary on true crime podcasting? Do you have any feelings about why it is that people gravitate to true crime podcasts? Carter (04:29): I mean, I don't know if I would say it's so much of a commentary because when I kind of approach a book, I'm never thinking about what is my message here? I'm just thinking about, and again, because I'm not outlining,
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    23 mins
  • Interview with Priscilla Paton – S. 10, Ep. 20
    Feb 23 2025
    My guest for this episode of the Crime Cafe podcast is crime writer Priscilla Paton. Check out our discussion of her Twin Cities mysteries and the inspiration behind her dual detectives Eric Jansson and Deb Metzger. Download a copy of the interview in PDF. Debbi (00:51): Hi everyone. My guest today is originally from Maine, but now hails from the Minneapolis-St. Paul area, which invariably evokes images of Mary Tyler Moore tossing her hat in the air for me. If you're a person of a certain age, you'll understand. Anyway. Some of you may understand that reference. And in any case, she is a college professor from that area and she's now an author of the Twin Cities Mystery series. It's my pleasure to have with me today, Priscilla Paton. Hey, Priscilla, how you doing? Priscilla (01:29): Well, I'm doing really great. I'm actually in Arizona right now escaping some of those famous Midwest winters. Just for a very brief time though, I'll be getting back to the greater Twin Cities experience very quickly. I'm now retired from teaching, which gives me more time to make mischief and at least in my head, get into trouble. Debbi (01:56): I love it. Yes. Isn't it wonderful when we can write out these things on the page as opposed to actually committing crimes? Priscilla (02:05): Right. Debbi (02:07): Let's see. Tell us about your series. You have dual detectives, detective Eric Jansson and Deb Metzger. How was it that you came up with these two characters? Priscilla (02:20): Well, as you noted in your introduction, I've been transplanted to the Midwest. I'm been married to a Midwester for decades, and I'm both an insider and outsider there to some extent. Eric Jansson represents the Scandinavian Midwest as I've come to know it. He does have dark hair, but he still has blue eyes and the dark hair goes back to the Sámi people in northern Norway. So I got to play with his experience, his immersion in that Scandinavian-American culture, and I came up with him first. He was still a bit of a stoic. Scandinavians and New Englanders both are. So he was stoic. He wasn't that given to free and open expression, though he may have had a lot of renegade thoughts running through his head. He's kind of a rural bender, and I started writing, exploring what I could do with that character, and I found it was a little too quiet, a little too internalized. Eric Jansson represents the Scandinavian Midwest as I've come to know it. He does have dark hair, but he still has blue eyes and the dark hair goes back to the Sámi people in northern Norway. (03:30): Though he is physically active, he's athletic, and I put him aside for a minute and started writing about a woman who finds a PI type, who finds her cases by looking at the boards and coffee shops. As I was coming up with her, I was sitting in a coffee shop looking at a board, and I think that idea lasted as long as my cup of coffee and I went and then sort of like Athena bursting out of Zeus's head, Deb Metzger came to me. She ... as somebody who would rile Eric. Not necessarily be, not that they would necessarily hate each other, they don't by any means, but someone who would push him. In fact, in one of the novels that their chief joked something about, she says something about Eric being so quiet. He says, that's a good job for you. Draw him out. In a way she does it by annoying him. So it's sort of a vinegar and oil couple. But I tried to give them slightly different skill sets as usually happens when you have partners in real life and in fiction. So Eric is a little bit more the puzzle solver, a little bit more. (04:46): A couple of times, once he played, pretended he was a waiter. He is a little more on the edge of, I don't know if I want to say deceit, but he can be a little cagey here where Deb is more forthright and she is tall. She's about six feet in shoes or boots. She has kind of spiky blonde hair. She's lesbian. She can't hide easily.
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    30 mins
  • Interview with Michael Kaufman – S. 10, Ep. 19
    Feb 9 2025
    My guest for this episode of the Crime Cafe podcast is educator and crime writer Michael Kaufman. Check out our discussion of his Jen Lu series, featuring a brain implant character named Chandler. What would Philip Marlowe make of that? :) The one question I forgot to ask! You can download the transcript here. Debbi (00:52): Hi everyone. Today I have a somewhat unusual guest in that he's better known for his work in gender studies and his nonfiction books than for his crime fiction. However, along with his work as a lecturer and advisor, he co-founded The White Ribbon Campaign, a worldwide effort by men to end violence against women. And somewhere along the line, he decided to write crime fiction, mysteries. So it's my pleasure to introduce my guest today, Michael Kaufman. Hi Michael. How you doing? Michael (01:27): Great to be here with you today. Debbi (01:29): Fantastic. Good to have you on. Great to have you on. Tell us about how you went from lecturing non-governmental organizations and other huge bodies of people and starting a worldwide movement to fiction writing and to your mystery series in particular. Michael (01:51): Yeah, I think there's a couple of answers to that. One is that it reflects what I read many decades ago. Now I was an academic, so I read all that stuff and over the years, just increasingly, I've just focused, most of my reading has been in my first love, which is fiction, and a good chunk of that has been crime fiction and mysteries combined with the classics and all of that. The other answer to that I've always written fiction. My first novel, not a crime novel, but a straight ahead novel was published by Penguin Random House back a couple decades ago now. And so I've always had that interest. But here's the final answer to that. A lot of the work I've done in the United Nations system around the world, different governments, companies, you talk to people during a break over lunch or whatever, and I'd be there to talk about gender equality and inclusion and violence against women and transforming our workplaces and better lives for men and parenting, all sorts of things like that. (03:02): You sit down with a couple of colleagues and you'd expect the discussion would be really sort of super highbrow and I'm reading the latest whatever philosopher. People say, yeah, I'm reading this great mystery. And one of the things that's true is that for all of us, no matter what we do, the world of fiction and in the case for many of us crime fiction, it's a combination of both a wonderful escape, a wonderful entertainment, but also a wonderful way to engage with the world. Good crime novels, the page-turning plot. And we all try to do that, but they also delve into characters. You think of some of your favorite crime writers over the years, you might say, yeah, I loved his or her plotting or their plotting, but you also love the characters they create. You love the worlds. And also in the case of these, some writers, you love the issues that they explore. So for me, this is what I decide to spend more of my energy on is my writing, my fiction writing in particular, and to use that as a vehicle, both to be blunt, to entertain and to give people something that'd be really fun to read and enjoyable and exciting, page-turning, but also to explore different social, cultural, environmental, and political issues. So there's a multifaceted answer to your straightforward question. Debbi (04:51): Well, I'm with you a hundred percent on that. I have really tried to do that in some of my books. Yes, I've tried. Anyway, let's see. Tell us about Jen Lu, Is it? Michael (05:05): Yeah. Debbi (05:06): So what was it that inspired you to write about her? Michael (05:10): So my first mystery series, I'll just weigh them here. My Jen Lu series, The Last Exit and The Last Resort. I wanted to probably just came out of, I was visiting a friend in Washington DC. I'm affiliated there with a research center,
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  • Interview with Gregg Hurwitz – S. 10, Ep. 18
    Feb 2 2025
    My guest for this episode of the Crime Cafe podcast is internationally bestselling crime writer Gregg Hurwitz. Check out our discussion of his Orphan X series and his other projects. Download a copy of the transcript here. Debbi: Hi everyone. It's my pleasure to have with me today. The New York Times number one internationally best-selling author of 24 thrillers, including the Orphan X Series. His novels have won numerous literary awards and been published in 33 languages. He's also written screenplays, television scripts, comics, and poetry. He is actively working against polarization in politics and culture, which I think is wonderful, by writing op-eds for the Wall Street Journal, The Guardian and other publications. My guest today is Gregg Hurwitz. Hi, Gregg. So happy to see you here. Gregg: Hi. Good to see you too. Thank you for having me on. Debbi: It's my pleasure, believe me. So, tell us about the Orphan X series and your tenth book in particular, Nemesis. What inspired you to write this series? Gregg: Well, I have a lot of friends who were in the special operations community, and over the years hanging out with them, I did a lot of research with them through the early books, sneaking onto demolition ranges with Navy SEALs to blow up cars, getting on all these different kinds of weapons, and I was always intrigued when they talked about black operations and how they were funded and how they worked. And I had this moment one time of just thinking how amazing would it be if there was a government program that took kids who were unwanted out of foster homes and took them off the radar completely and raised them up and trained them in silos separate from everybody else to be assassins who could do things that America can't do, who are essentially expendable. And so, that's what happens to my lead character when he's 12. I have a lot of friends who were in the special operations community, and over the years hanging out with them, I did a lot of research with them through the early books ... His name is Evan Smoak. He's taken out of a foster home in East Baltimore, and he's raised by a handler, who in fact becomes his father figure and actually loves this kid. His name is Jack Johns. And he tells Evan, "The hard part is not going to be making you a killer. The hard part will be keeping you human." And so Evan, basically, those are two directives on a collision course. And at some point, those things explode before the series even starts and Evan goes off on his own, flees the program, and basically becomes someone who helps people. He's like an assassin, a pro bono assassin. He helps people in desperate need who have nowhere else to turn who can call an encrypted phone number, 18552 nowhere, that you can call and you can see who answers. And he picks up the phone and says, "Do you need my help?" And if they need his help, he will go anywhere and do anything to help and protect them. Debbi: Wow. In some ways it reminds me of the old show, The Saint. He's a rich person. I don't know about Evan, but this person is rich, and he uses his wealth to help people out in all sorts of terrible situations, using all sorts of means. Gregg: There is an aspect like that of Evan. He has a bunch of money still from when he was in the program because he was given a lot of resources that were stashed in non-reporting countries. And so when he fled the program, he had all this hidden cash put away and he can use that, his resources and his highly unusual skill set to help people. Debbi: Wow. That's really a remarkable concept. I love it. As I understand it, the series has kind of an overarching plot to it in terms of an arc. Do you have a plan for how many books you're going to write, and do you have a series Bible? Gregg: I don't have a concrete plan, but Nemesis is the tenth. And as much as if you read the books and you're a series reader, you'll find all sorts of, I hope,
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  • Interview with Melissa Yi – S. 10, Ep. 17
    Jan 26 2025
    My guest for this episode of the Crime Cafe podcast is award-winning author of crime fiction and work in other genres, Melissa Yi. Check out our discussion about her plans for the Hope Sze medical thriller series, as well as her young adult, romance, and fantasy writing, along with her experiences with Kickstarter. And get to know a bit more about Cthulhu. You can download a copy of the transcript here. Debbi: Hi everyone, this is the Crime Cafe, your podcasting source of great crime, suspense, and thriller writing. I'm your host, Debbi Mack. My guest today is an author who follows the maxim, write what you know. She's an emergency doctor who writes a medical crime series. She also has been nominated for the Arthur Ellis and Derringer awards for her work. She's also written in a wide variety of genres, including young adult, romance, science fiction, and fantasy. It's my great pleasure to have with me today, Melissa Yi. Hi Melissa, how are you doing today? Melissa: I’m so good, Debbi. I just want to tell you that I did end up winning the Derringer Award. Debbi: Oh, that's awesome. Excellent. Way to go. Melissa: Thank you. One year nominated, one year win, you know, these things come and go, but when you win, you should take it. Debbi: Oh, yeah, yeah. I didn't know that. So I'm glad you mentioned that. Yeah, definitely mention it. So about your latest book, it's a young adult novel, isn't it? Melissa: Yeah, I'll see if I can get it to stay in frame. Okay, great. I love it. The Red Rock Killer. Debbi: Yes. Yes. Tell us about it. What inspired you to write this book? Melissa: Okay, well, did you know that the International Thriller Writers every year they have the Best First Sentence Contest? And I look, yes, and it's free to enter. I think you have to be a member though. And membership is free too. And so then they have all these bestsellers who will go through and then pick out their favorite sentence. And I looked at some of the sentences and I was like, okay, I'm going to write one, too. So I wrote, just trying to remember correctly. “The summer I turned 14, my mother told me I could do whatever I wanted. So I decided to find the Red Rock Serial Killer.” And after I sent it in, I was just like, what a strange sentence. So I wrote, just trying to remember correctly. “The summer I turned 14, my mother told me I could do whatever I wanted. So I decided to find the Red Rock Serial Killer.” And after I sent it in, I was just like, what a strange sentence. Like, really? Why would a 13 year old be looking for a serial killer? I mean, okay, if it's for a podcast or something, but in real life, like, it's just sort of odd. But I kept writing it a bit. And I was like, you know, obviously, she wants to do this. She has a mother like, I just kept writing. And then that sentence won the best first sentence from Allison Brennan, who's a New York Times bestseller. So I was like, awesome. Yeah, this is amazing. And then shortly after that, they had a contest where R.L. Stein and some other judges were going to pick the best middle grade crime novel that was written by a Black, Indigenous or person of color. And the prize was to come to Thriller Fest in New York and $1,000. So I was like, oh, I already have this book that I started, kind of out of nowhere. So I'm just going to keep going with it. And as I was writing, I was like, okay, her name is Edan, which is a name that means fire and it's spelled E-D-A-N. And her mother thought that this was a good name for somebody who was born in the desert, because when I looked it up, I didn't even know where the Red Rocks were. But my choices were, oh, you could basically be in Quebec, Canada, or you could be in Las Vegas. And I already have a series that’s set in Quebec. So I was like, we're going to Las Vegas. And that was fun for me, like, you know, it's a different country and because I'm Canadian and stuff. And she had two best friends.
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    32 mins
  • Interview with Matt Cost – S. 10, Ep. 16
    Jan 12 2025
    Join crime writer Matt Cost and me, as we discuss how Matt manages to write and publish three books a year, in various series. You can download a copy of the transcript here. Debbi (00:00:52): Hi, everyone. Happy New Year. Today is the third of the month, so it's still a pretty new year. Anyhow, my guest for this episode is the former owner of a video store, a mystery bookstore, and a gym. I assume that he formerly owned these. He's also taught history and coached just about every sport imaginable, in his words. So I'm trying to imagine some sports he might not have coached. Coming to us from Brunswick, Maine, it is my pleasure to introduce my guest, Matt Cost. (00:01:31): Hi, Matt. How are you doing today? Matt (00:01:33): I'm fantastic, Debbi. Thank you much for having me on. Debbi (00:01:37): Oh, it's my pleasure. Believe me. I always enjoy talking to people about their books and stuff. (00:01:43): So I read your guest post. My goodness, your life sounds exhausting. It sounds like you're constantly on the go. And you write three books a year and publish them? Matt (00:01:55): Yes. You know, I got my first book published in 2020 after a short 29 years of waiting to get it published because I wrote it in 1991, originally the first draft. So when I got that door open, I decided to just go straight for it. And so that's kind of what I do. I write seven days a week, 365 days a year and do all the other pieces that I put with that guest post on your blog. Debbi (00:02:24): Wow. Well, I'm impressed. I got to say, three books a year is really good, in my opinion. That's a fantastic output. Matt (00:02:35): The variety of things you do is pretty cool, though. You've got mysteries and thrillers and young adults and screenplays. So that's all very cool. Debbi (00:02:44): It's very cool. It may not be remunerative, but it's cool. I'm enjoying it, though.I do enjoy writing screenplays very much. (00:02:54): How do you organize your workflow? Do you keep a calendar of, say, short-term deadlines, things like that? Matt (00:03:03): Not so much. Like I said, I write every day because without writing, nothing else matters. And so I fall into a rhythm where it takes me three or four months to write a book, but then it takes me three or four months to edit a book and three or four months to market a book and then three or four months promoting a book. And I'm generally doing all four of those things at the same time for four different books. (00:03:31): So that's kind of how my time is managed, you know, I break it out and what I need to get done. But I always start the day with writing because none of the rest of it matters if you don't write. Debbi (00:03:43): Exactly. Exactly right. Yeah. And how do you manage the paperwork in terms of like, or the filing system, as it were, if it's an online filing system of your research and stuff, because you do a lot of historical research, don't you? Matt (00:04:02): Yeah, I've done three standalone historical fiction pieces. And then I also have started a series that's a historical PI mystery series set in 1920s Brooklyn, New York. Bushwick, not too far from Queens. And, so to answer the question, I start with a document where I'm taking notes on the research that I'm doing. Much more heavy for historical, but some of the mysteries, you know, like when I get into genome editing and my book Mouse Trap, that took a lot of research on my part to understand the science behind that, because that's not my forte, so to speak. And so I take all of those notes and then I develop character sketches. (00:04:52): And I usually pick a picture that corresponds with what I think, maybe some famous actor, maybe just some schmo off of the internet that fits the image of who I'm looking for. And then I create an outline, which has over time become a pretty exact science for me. It is, you know, 40 chapters long and there's three things in each chapter and a date and a word count.
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  • Philip Marlowe in ‘The Long Rope’ – S. 10, Ep. 15
    Dec 29 2024
    The Crime Cafe once again is pleased to bring another episode from the annals of radio! Yes, a radio program. With one of my favorite protagonists--Philip Marlowe! Bogie as Sam Spade! He was also great as Philip Marlowe! See what I mean? :) Also, check out these show notes from out of the past. :) Get it? Ha! And for your holiday viewing pleasure, one of my other favorite Philip Marlowes! Powers Boothe was awesome! I even did a tribute post when he died. So, I just had to include him in this, didn't I? :) Happy Noir New Year! :) Image by Brigitte Werner from Pixabay
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    Less than 1 minute