Ryan, Bec, Gurdip and Justin pile in for a round table discussion on Baz Luhrmann's EPiC. You don't need us to tell you it's worth seeing or that it's good - there's no shortage of other opinions you've heard affirm both, so we just dive right in. We discuss our perspectives on how the film presents Elvis and his creative process, major sequences of significance, any insights we picked up along the way, as well as the contexts of our viewing experiences (including the responses of guests we took with us, and anecdotal demographics), and our major takeaways from this remarkable cinematic remix, not simply of Elvis's words and performances, but of the work left behind by Denis Sanders, Pierre Adidge and Bob Abel.

Finally, Justin wraps the episode with a sort-of Song of the Week, discussing how Baz Luhrmann's "Everybody's Free (To Wear Sunscreen)" provided him with some illumination as the Elvis fandom comes to reckon with EPiC as a new collaborative reinterpretation, unpacking the mindblowing critical reappraisal of Elvis' 1970s era in the media reviews of the film, examining a few criticisms of Luhrmann's 2022 film and EPiC from certain corners of the fandom, and bringing the "art vs archive" arc that he and Bec had begun last September after the Toronto premiere (episode 376) to a conclusion.

This episode contains excerpts from Rolling Stone Australia/New Zealand's interview with Baz Luhrmann, which we highly recommend watching in full on their YouTube channel.

Gurdip, Justin and John quickly gathered last night to discuss initial impressions of the soundtrack album for EPiC which is now available on all major music platforms for purchase and streaming. At the time of recording, John's the only one to have seen the film, so we're judging it based on how it works as its own cohesive presentation, keeping in mind that like all Baz Luhrmann soundtracks, it's a companion piece, but also a standalone work.

There's plenty of hubbub in the Elvis community about the remixing and re-recording of some elements for the soundtrack, but we have exclusive insights on some of the creative choices made for the film and album from Jamieson Shaw, music producer and supervising music editor on EPiC. Shaw very kindly responded to some questions we asked him via email, which John reads aloud for us on this episode (though without attempting Jamieson's Australian accent).

We also break down plenty of the new mash-ups and discover the component elements from across Elvis's catalogue that were utilized in devising these more artful reinterpretations.

We recommend checking out the soundtrack for yourself on your preferred music platform or choice or available physically on CD/vinyl from Sony Music!

In Part 2 of our review of "Elvis: That's The Way It Is" the gang takes a look at our Patreon supporters's votes and comments on which version of the film is preferred, then debate the merits of the inclusion of interviews with fans and hotel staff in the original, as well as the producers' reasons for removing fan favorites such as "I Just Can't Help Believin'" and "Bridge Over Troubled Water' in favor of more well-known Elvis hits like "Don't Be Cruel" and "Hound Dog" for the Special Edition.

Justin challenges the commonly held belief that the Special Edition features substantially more time with Elvis than the theatrical cut, Elvis biographer Peter Guralnick's take on the film in "Careless Love" is contrasted with what we now know of Elvis's thoughts on the film, and the group looks forward to how both versions of the movie may influence Baz Luhrmann's EPiC.

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Finally tackling a subject as big as "That's The Way It Is" (right on time for EPiC's release) deserved as big of an episode, so the whole core crew is on board: Justin, Gurdip, Ryan, Bec and Olivia. After having revisited both the original 1970 theatrical version directed by Denis Sanders, and the beloved-by-fans 2001 Special Edition overseen by producers Rick Schmidlin and Ernst Jorgensen, the group gets together to compare notes, discuss the merits of each, as movies and as concert films, and explore ideas and themes raised by each... and of course, which version we prefer over the other!

Part 1 emphasizes the experience of rewatching the films, how the original 1970 came about, and whether either film depicts Elvis' personality authentically. Plus, Ryan recounts his recent trip to the Westgate and visiting the showroom!

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Bec got to attend a special preview screening of Baz Luhrmann's EPiC in Sydney over the weekend, so we wanted to share the overview of her early impressions of the movie with listeners! There are some minor spoilers on a few sequences but broadly most of the surprises will be retained if you only want to listen to this before seeing the film yourself.

For those who want all the meaty spoilers, we do have an extended discussion available over on our Patreon with almost a half hour more of Bec digging into many major sequences, themes she picked up on, and a couple minor quibbles that still couldn't put a damper on how much she loved the film. Plus, patrons get to hear Bec quizzing her friend, a non-fan who accompanied her to the preview, on what she thought of the film, thoughts on Elvis as a performer, and whether she'd recommend it to others.

Sony & Baz Luhrmann have officially unleashed the new, enhanced and overdubbed version of "Oh Happy Day" from EPiC out into the world - the full regular host team was already about to record so without having previously discussed it and only having heard it minutes before, hear our gut reactions to the new single!

"Oh Happy Day" (EPiC Version) is available on all major music platforms, and the EPiC soundtrack will be out at midnight EST on February 20, 2026.

Jamie Kelley of EAP Society joins Bec & Justin for an extensive (but not completionist) exploration of the history of Elvis accompanying himself as a musician, primarily on guitar and piano but also touching upon bass and percussion as well. What were his influences? Was he any good? Why did he mostly abandon the guitar on his recordings once it became the instrument he was considered famous for helping popularize as a rock instrument?

All those answers and more discussed in this deepest of deep dives - so deep, in fact, we didn't even have time for Song of the Week! The team also takes a moment to remember Jerome "Stump" Monroe, who as the drummer for the Sweet Inspirations, was part of Elvis's extended on-stage family and served as Elvis's backup drummer on a handful of occasions.

As Jamie talks about during the show, EAP Society is not currently available on YouTube but new episodes with him and John Michael Heath can be found on Spotify. You can also visit EAP Society's website for more information on their show.

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Bec's back for 2026 and as we're working up an exciting meaty topic we decided to take it a little lighter to start with (kind of!) as Justin & Bec react to the official theatrical trailer for EPiC, then take a look back at a UK-exclusive Camden released in 1975 entitled "The U.S. Male." Featuring a "greatest hits" of sorts from several other prior Camden compilations, this unusual release from within Elvis's lifetime was a gateway into Elvis's music for numerous Brits, but does it cohere and hold up? And can the duo come up with tracklists that better suit the "US Male" theme?

For Song of the Week, both hosts highlight gospel numbers, with Bec swinging in with "Somebody Bigger Than You and I" off the "How Great Thou Art Album" which overlaps Elvis's long affection for music originally by Bill Kenny & The Ink Spots and his love of spirituals. Then, Justin tells of the inspirations behind "Peace in the Valley," how Thomas A. Dorsey came to write it, and the world events which led to Elvis's performance of the song on the Ed Sullivan show (and subsequent recording) in 1957.

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.