A breath may seem like the most insignificant detail in an audio story. But, actually, the opposite is true. For proof, all you have to do is listen to stories where the breaths are cut out. On this episode of Sound School, a primer on editing breaths. Perfect for people teaching audio storytelling.

"(An) unstoppable, one-of-a-kind reporter." That's how NPR reporter Elizabeth Arnold is described in her recent obituary. Hear what that means in a story she reported at the North Pole, where she says "Nature doesn't want you here.... Maybe that's part of the pull. You come to defy it." I'm pleased to honor Elizabeth on the latest episode of Sound School.

Nocturnal Worlds is certainly a curious podcast. A unique mix of science, nature, meditation, and lush soundscapes from Audiocraft, an Australian production company. Why mix science education and meditation? Olivia O'Flynn, the host and producer of Nocturnal Worlds, lays out the how and why of the show.

Cloe Axelson, a senior editor at WBUR, was feeling like the essays she produced that were written by listeners weren't sounding conversational enough -- until she deployed this one simple trick. It's a trick any producer could use to help narrators sound more like themselves.

How powerful can audio storytelling be? So powerful that distraught listeners stand-up, wave their arms, and yell "Turn it off! Turn it off!" That's how good the documentary we're featuring on Sound School is.

Jad Abumrad and FayFay Odudu, drop some valuable audio storytelling reporting and production insights on the latest episode of Sound School. Jad and FayFay recently earned a Peabody Award for "Fela Kuti: Fear No Man," the podcast about Fela, the Nigerian saxophone player and political activist. Jad and FayFay sat down with Lesedi Mogoathle in February for an online chat sponsored by Radio Workshop. It's a valuable conversation you'll want to hear.

Almost every reporting trip has its pitfalls. Andrew Leland's story for Radiolab in 2022 had more than most including nausea, flying in the equivalent of zero gravity, and his blindness. On this encore episode of Sound School, Andrew lays out how he navigated it all.