Title: Pulling the Canoe to Shore: Healing, Mad Movements, and the Stories That Set Us Free
This episode brings together two very different voices connected by a single thread: what it means to reclaim your own story when the world has tried to define you.Randy Tate, Indigenous artist and healer from the Nisga'a and Gitxsan territories, shares the storytelling he offered at a Connection Salon Mad Pride event. At the centre of it is a teaching he carries everywhere: the canoe metaphor. When the river fills with debris and your canoe fills with tears, the elder's instruction is not to fight harder but to pull to shore, make a fire, eat, drink water, talk about your pain, and rest for however long it takes. Randy traces that teaching through 22 years of sobriety, through the intergenerational trauma of residential school that shaped his father, through the scars he saw on his father's back as a child without yet having words for what they meant, and through the ceremonies, cold showers, morning prayers, and art practice that make up his daily healing life. He talks about the inner child, the safety pin he carries to remind him of his grandmother's hands, the daughter he lost, and the life he did not expect to have but is grateful for.Matthew Jackman, international mad activist and doctoral researcher at the University of Sydney, is mapping something larger: the global mad movements, plural, that have grown from lived experience of psychiatric harm and collective resistance to it. His research interviews 44 people across a wide range of cultural and structural contexts, centering the global majority and global south, where the UN Convention on the Rights of Persons with Disabilities is a primary tool for fighting institutionalization, forced treatment, and the dehumanization that follows the label of madness. He walks through what the movements share across their differences: Sanism, rights violations, and the permission that dehumanization grants to do harm in the name of treatment. He also names what divides them, the tension between reform and abolition, between consumer identity and survivor identity and mad identity, each carrying different relationships to the system and different visions of what change looks like.Bernadine connects both conversations to why Rethreading Madness exists at all: to break the gatekeeping that kept mental health consumers from talking to each other, from accessing information that wasn't filtered through the industry that was supposed to be serving them.
Music by Sherry Ulrich, Tom O'Dell, and Fearless Soul
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