Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America’s divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.

Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.

Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Great Power Diplomacy. The Skill of Statecraft from Attila the Hun to Kissinger (Princeton UP, 2025) is a captivating history of diplomacy—and an urgent reminder of why we need to revive its lost arts to survive in a dangerous era of great power competition. From the beginning of time, human societies have found themselves confronted by enemies too numerous or ferocious to defeat solely by force of arms. In these dramatic moments, wise leaders have turned to diplomacy to rearrange the gameboard in their favor and stymie seemingly unstoppable foes. In Great Power Diplomacy, American historian and diplomat A. Wess Mitchell recounts the forgotten story of how history’s most legendary empires have used diplomacy as a tool of grand strategy to outwit, outmaneuver, and outlast militarily superior opponents. Through fifteen centuries of history, Great Power Diplomacy recreates the perilous junctures, colorful personalities, and intricate statecraft that led to some of history’s most stunning diplomatic achievements—and greatest disasters. The protagonists include giants like Richelieu, Metternich, Bismarck, and Kissinger, but also a lesser-known cast of scoundrels, eunuchs, drunkards, and fools. At every turn, fortune favored those great powers with the foresight and dexterity to build winning alliances, splinter enemy coalitions, and, when necessary, make peace with their bitterest foes. Diplomacy of this kind has become a lost art in recent years as Western elites embraced the illusion that globalization and the spread of democracy would create a borderless world where nations would live in harmony and war would be abolished from the human story. But, as Great Power Diplomacy reveals, we will need to rediscover the secrets of skillful statecraft as the world enters an unstable new era in which continent-sized great powers compete for territory, resources, and prestige. By recalling diplomacy’s rich past, we can equip ourselves for a more dangerous future.

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With the advent of print in the fifteenth century, Europe’s cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo—a “little studio”—and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul.

Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo’s influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco.

Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2026) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today.

Andrew Hui is associate professor of humanities at the National University of Singapore. He is the author of A Theory of the Aphorism: From Confucius to Twitter (Princeton) and The Poetics of Ruins in Renaissance Literature.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. 

YouTube Channel: here 

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The United States is an exceptionally violent country, increasingly unable or unwilling to stem violence in its many forms. A growing corporate crime wave has gone unprosecuted and unpunished, with those in the C-suites largely escaping accountability. Meanwhile, the country has doubled down on pursuing people accused of street and drug crimes and immigration offenses. Corporate impunity, the financialization of the economy, militarized policing, the burgeoning carceral state, and the forever wars in Afghanistan, Iraq, and elsewhere all have fostered corporate, economic, and state violence in America. In Crime and No Punishment: Wealth, Power, and Violence in America (Princeton UP, 2026), Marie Gottschalk argues that these developments have undermined the legitimacy of American political and economic institutions.

Gottschalk analyzes how the concentration of economic, political, and military power has siphoned off vital resources, preying on the most vulnerable communities and normalizing violence and death. It has kept America from attacking the root causes of violent street crime and curtailing “deaths of despair” from suicide, alcoholism, drug overdoses, and chronic diseases. The United States continues to incarcerate more of its people than nearly every other country even as it decriminalizes or turns a blind eye to elite-level corporate crime. Public and scholarly attention, however, remains fixated on violent street crime—although corporate and white-collar crime and state and economic violence directly and indirectly hurt far more people in the United States. Gottschalk contends that the US failure to protect its people from these harms has increased the fragility of democracy in America.

Professor Marie Gottschalk is the Edmund J. Kahn Distinguished Professor of Political Science at the University of Pennsylvania. Dr. Gottschalk specializes in American politics, with a focus on criminal justice, health policy, race, the development of the welfare state, and business-labor relations.

Her latest book is Caught: The Prison State and the Lockdown of American Politics (Princeton University Press, 2014). She is also the author of The Prison and the Gallows: The Politics of Mass Incarceration in America (Cambridge University Press, 2006), which won the 2007 Ellis W. Hawley Prize from the Organization of American Historians, and The Shadow Welfare State: Labor, Business, and the Politics of Health Care in the United States (Cornell University Press, 2000).

Professor Gottschalk is a former editor and journalist and was a university lecturer for two years in the People’s Republic of China. She was a visiting scholar at the Russell Sage Foundation in New York and was named a Distinguished Lecturer in Japan by the Fulbright Program. She served on the American Academy of Arts and Sciences National Task Force on Mass Incarceration and was a member of the National Academy of Sciences Committee on the Causes and Consequences of High Rates of Incarceration. She is a contributor to the Academy's final report, The Growth of Incarceration in the United States: Exploring Causes and Consequences (National Academies Press, 2014).

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For as long as human societies have been telling stories, the patriarchy has felt threatened by women. In this book, Eleanor Johnson provides an engaging cultural history of a figure she calls the “monstrous bitch,” the notorious female who has haunted the patriarchal imagination for centuries, feared for her sexual promiscuity, her exercise of reproductive agency and control, and her outspoken way of contesting patriarchal power.

In a narrative brimming with insight, Johnson traces the origins of female monstrosity to the demoness Lamashtu of ancient Mesopotamia, showing how this infanticidal, hypersexual, loudmouthed monster appears in different guises throughout history. In classical Greece, she reemerges as the sorceress Medea, the child-devouring monster Lamia, and the vengeful Furies. In the medieval and early modern periods, she is an oversexed, baby-slaying, spellcasting witch; in the Romantic and Victorian eras, a vampiress; and in the modern age of psychoanalysis, a mental patient. After this longue durée history, Johnson shows how monstrous bitchery has been challenged and reinterpreted in contemporary cinematic popular culture, becoming an expression of heroism and resistance in films like Ginger Snaps, Jennifer’s Body, and The Witch. She demonstrates how deeply embedded the roots of misogyny have become, and why it is more critical today than ever that we expose and address them.

An irreverent look at a pervasive trope that runs through four thousand years of Western culture, Monstrous Bitch: A History of Terrifying Women (Princeton UP, 2026) reveals that while representations of the powerful woman have evolved over time, the fear and demonization of her remains the same.

Eleanor Johnson is professor of English and comparative literature at Columbia University. Her books include Scream with Me: Horror Films and the Rise of American Feminism (1968–1980); Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England; Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama; and Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Beneath the Wage: Tips, Tasks, and Gigs in the Age of Service Work (Princeton UP, 2026) retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated Today, 80 percent of U.S. workers do service work, from delivering takeout to mopping floors to teaching. Each time we are handed a bag of groceries or a cup of coffee, call for a cab or have our homework graded, we confront both the enormity and the intimacy of the contemporary service sector. Do these jobs have anything in common? Who is doing this work? And what kind of labor politics does it generate? If service work has often been treated as a footnote to modern capitalism, Beneath the Wage reveals it as crucial to understanding how exploitation functions today. Uncovering a history that runs from eighteenth-century servants to present-day gig workers, Annie McClanahan retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated. Assembling a diverse set of sources for understanding and reimagining service work—from reality television and conceptual poetry to novels and workers’ own descriptions of what they do—McClanahan explores three paradigmatic types of contemporary service labor: superexploited tipwork, deskilled clerical microwork, and informalized gigwork. She shows how work done “beneath the wage” depends on racialized and gendered forms of economic domination, is often excluded from labor organizing and regulation, and yet has begun to generate a new politics of social reproduction and solidarity.

Annie McClanahan is Associate Professor of English at UC Irvine. Her first book, Dead Pledges: Debt, Crisis, and 21st Century Culture explores how U.S. culture responded to the collapse of the financialized consumer credit economy in 2008. She has published on topics like the rise of microeconomics and methodological individualism, the cultural history of economic stagnation, so-called “neoliberalism” and the history of the university, and the politics and theory of sexwork.

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In popular accounts of the Glorious Revolution of 1688, the autocratic Catholic King James II was ousted by his subjects and replaced by his Protestant daughter Mary Stuart, wife of James’s nephew, the Dutch William III of Orange. Devoted to her husband, Mary would not accept the crown alone, and so William and Mary were crowned together, securing a smooth dynastic succession. The Last Invasion of England: 1688 and the Dutch Armada (Princeton UP, 2026) recounts the forgotten campaign that carried William and his army to English shores and led directly to James’s fall, bringing a revolutionary age vividly to life—and rewriting the history of Britain, Europe and the transatlantic world more widely.

In this bold work of revisionist history, Dr. Arthur der Weduwen tells the momentous story of the Dutch Armada, describing the immense risks and near failures of the last seaborne invasion of England—which occurred exactly one hundred years after the defeat of the Spanish Armada. The sixteen thousand Dutch troops who accompanied William were not on hand for moral support. They came with sword, musket and cannon. Dr. der Weduwen argues that the political revolution in Britain could not have been achieved without the willpower, might and resources of William and the Dutch nation, and explains why the Dutch Republic, a small state that celebrated peace and commerce above all else, would dare to undertake a reckless preemptive military strike on its more powerful neighbour.

Transforming our understanding of the Glorious Revolution and Britain’s ascendancy as a global powerhouse, The Last Invasion of England relies entirely on contemporary sources, many from leading protagonists who prepared and executed the invasion, evoking the historical realities of the women and men who lived during turbulent and uncertain times.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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