Episodes

  • John Cage: Echoes of the Anechoic
    Mar 10 2025
    Today we explore the mythology around John Cage’s visit to the anechoic chamber. The chamber was designed to completely eliminate echoes. Ironically, the tale of Cage’s experience in that space has echoed through history, affecting our understanding of silence, sound, and the self. But what do we really know about what happened there? And what could we ever know about such an event? In this audio essay, based on a piece that first appeared in the Australian Humanities Review, Mack Hagood explores the relationship between sound, self, and meaning-making. To use a term Cage loved, the truth is indeterminate. For our Patreon members we have bonus content: Mack’s “What’s Good” segment. Join at patreon.com/phantompower. Writing and media content featured in this episode: Mack’s essay “Cage’s Echoes of the Anechoic,” in AHR Issue 70 (2022). Nam June Paik’s 1973 video Global Groove John Cage’s 1959 album with David Tudor, Indeterminacy John Cage’s book Silence (Wesleyan, 1961). The video Can Silence Actually Drive you Crazy by Veritasium Terry Gross’s 2014 Fresh Air interview with Trevor Cox The album Naxi Live by Jang San and the Dayan Naxi orchestra Shani Diluka’s performance of “Glassworks: Opening” by Philip Glass Amit Pinchevsky’s book Echo (MIT, 2022) Helen Rees’ book Echoes of History: Naxi Music in Modern China (Oxford, 2011) Today’s show was written and edited by Mack Hagood. Original music and sound design by Mack Hagood. Special thanks to Monique Rooney and Australian Humanities Review Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    29 mins
  • Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024)
    Mar 8 2025
    Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice. O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18. Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights. Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career. The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey. Ariane Sherine’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    51 mins
  • Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024)
    Mar 7 2025
    Few towns in America are as famous as Woodstock, New York—although Woodstock may be most famous for an event that happened many miles away! Long before the 1969 Woodstock festival put the town on the map, it had been a center for artists and free thinkers who found refuge in its rural setting. Longtime citizens were often shocked by the arrival of these newcomers who brought new values and attitudes to their once-isolated village. From the transformative arrival of artists in the early twentieth century to the influx of musicians and young people in the 1960s, Woodstockers worked and struggled to balance everyday life in a small, rural community with the attention and notoriety the outside world brought to it. Presented chronologically, Woodstock: From World War to Culture Wars (SUNY Press, 2024) examines the nature of change within Woodstock's uncommon story as it emerges from the Great Depression, confronts the realty of World War II, moves through the 1950s and into an unimagined and unintended future with the arrival of the Sixties through today. At its core, this is a story of how Woodstock's cultural and political institutions, its citizens, and its physical landscape met the ever-changing challenges of changing times. It is a story of community, resilience, conflict, and transition into a world its early settlers could not have imagined. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    27 mins
  • Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)
    Mar 5 2025
    The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London’s most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences’. Prince Albert’s overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms’, cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall’s building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto’ of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire’s metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    1 hr
  • Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024)
    Mar 5 2025
    George M. Cohan was one of those rare Broadway figures who was a composer, lyricist, playwright, performer, director, theater owner, and star actor. He could, quite literally, do it all. In his day, he was famous as the "Yankee Doodle Boy" from his hit song and as the "Man Who Owned Broadway" from his musical of the same name. Cohan's songs and shows captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. Elizabeth Craft’s Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Oxford University Press, 2024) is not a conventional biography. Each chapter explores a different aspect of his life and career including Cohan’s approach to American nationalism, Irish American identity, celebrity, and the entertainment business along with defining what made Cohan’s shows unique. Craft finds songs and shows that serve as exemplars for each theme she highlights. The book ends with an examination of the 1942 biopic on Cohan and his enduring legacy. Yankee Doodle Dandy offers not only a fuller understanding of Cohan’s shows and career, but also new perspectives on fundamental debates about American identity and the performing arts in the early twentieth-century United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    50 mins
  • Paul Lisicky, "Song So Wild and Blue: A Life with the Music of Joni Mitchell" (HarperOne, 2025)
    Mar 4 2025
    Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master’s in creative fiction and working in the world of professional writing. He continued to follow Joni’s career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell. Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master’s degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers’ Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later, The Narrow Door, and Lawn Boy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly. He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    23 mins
  • Sonic AI
    Mar 3 2025
    Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What’s Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She’s one of Mack’s go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph’s research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He’s a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today’s show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    38 mins
  • Tiziano Manca, "Before Sound: Re-Composing Material, Time, and Bodies in Music" (Transcript Verlag, 2023)
    Feb 28 2025
    In Before Sound: Re-Composing Material, Time, and Bodies in Music (Transcript Verlag, 2023), composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    23 mins