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New Books in Canadian Studies

By: New Books Network
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  • Summary

  • Interviews with scholars of Canada about their new books
    New Books Network
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Episodes
  • Bayley J. Marquez, "Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space" (U California Press, 2024)

    Bayley J. Marquez, "Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space" (U California Press, 2024)
    Jun 30 2024
    Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space (U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures. Bayley J. Marquez is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park. Max Jacobs is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the History of Education Society. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 15 mins
  • Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024)

    Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024)
    Jun 24 2024
    For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    52 mins
  • M. Girard Dorsey, "Holding Their Breath: How the Allies Confronted the Threat of Chemical Warfare in World War II" (Cornell UP, 2023)

    M. Girard Dorsey, "Holding Their Breath: How the Allies Confronted the Threat of Chemical Warfare in World War II" (Cornell UP, 2023)
    Jun 21 2024
    In Holding Their Breath: How the Allies Confronted the Threat of Chemical Warfare in World War II (Cornell UP, 2023), M. Girard Dorsey uncovers just how close Britain, the United States, and Canada came to crossing the red line that restrained poison gas during World War II. Unlike in World War I, belligerents did not release poison gas regularly during the Second World War. Yet, the looming threat of chemical warfare significantly affected the actions and attitudes of these three nations as they prepared their populations for war, mediated their diplomatic and military alliances, and attempted to defend their national identities and sovereignty. The story of chemical weapons and World War II begins in the interwar period as politicians and citizens alike advocated to ban, to resist, and eventually to prepare for gas use in the next war. Molly Dorsey reveals, through extensive research in multinational archives and historical literature, that although poison gas was rarely released on the battlefield in World War II, experts as well as lay people dedicated significant time and energy to the weapon's potential use; they did not view chemical warfare as obsolete or taboo. Poison gas was an influential weapon in World War II, even if not deployed in a traditional way, and arms control, for various reasons, worked. Thus, what did not happen is just as important as what did. Holding Their Breath provides insight into these potentialities by untangling World War II diplomacy and chemical weapons use in a new way. Andrew O. Pace is a historian of the US in the world who specializes in the moral fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on a book about the reversal in US foreign policy from victory at all costs in World War II to peace at any price in the Vietnam War. He can be reached at andrew.pace@usm.edu or via andrewopace.com. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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    57 mins
Art World Literary History & Criticism Social Sciences Science
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