New Books in Art

By: Marshall Poe
  • Summary

  • Interviews with Scholars of Art about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
    New Books Network
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Episodes
  • Kirsten L. Scheid, "Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950" (Indiana UP, 2022)
    Mar 9 2025
    In Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950 (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon. Yasemin Ipek is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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    1 hr and 32 mins
  • Anna Lise Seastrand, "Body, History, Myth: Early Modern Murals in South India" (Princeton UP, 2024)
    Mar 6 2025
    An astonishing variety of murals greet visitors to the temples and palaces of southern India. Beautiful in execution and extensive in scope, murals painted on walls and ceilings adorn the most important spaces of early modern religious and political performance. Scene by scene, histories of holy sites, portraits that incorporate historical figures into mythic landscapes, and Tamil and Telugu inscriptions that evoke the imagined topographies of devotional poetry unfold before the mobile spectator. Body, History, Myth reconceives the relationship between art and devotion in South India by describing how the extraordinary sensory experience of a viewing body in motion unfurls a sacred narrative exquisitely designed to teach, impress, and inspire. Anna Lise Seastrand offers new insights into the arts of early modern southern India, bringing to life one of the most culturally vibrant yet least understood periods in Indian art. She shows how temple visitors become active participants in the paintings through their somatic engagement with visual stories and devotional landscapes. Seastrand highlights the significance of textuality in early modern South Asia by examining the status of professional scribes and the prominence given to authorship of religious literature and art. Her insights are presented alongside new translations of the texts that accompany mural paintings. Featuring a wealth of stunning images published here for the first time, Body, History, Myth: Early Modern Murals in South India (Princeton UP, 2024) provides a multidimensional reading of temple art that fundamentally reframes the artistic, intellectual, religious, and political histories of early modern India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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    44 mins
  • Hallie Franks, "Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy" (Bloomsbury, 2025)
    Mar 2 2025
    Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks. Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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    1 hr

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