Episodes

  • Oil and Militancy in Nigeria: A Conversation with Noo Saro-Wiwa

    Oil and Militancy in Nigeria: A Conversation with Noo Saro-Wiwa
    Apr 26 2026
    Noo Saro-Wiwa is an author and journalist. Born in Port Harcourt, Nigeria, and raised in England, she attended King's College London and Columbia University in New York.​ Her first book, Looking for Transwonderland: Travels in Nigeria (Granta), was published to critical acclaim in 2012. It was selected as BBC Radio 4’s Book of the Week in 2012; named The Sunday Times Travel Book of the Year, 2012; shortlisted for the Author’s Club Dolman Travel Book of the Year in 2013; nominated by The Financial Times as one of the best travel books of 2012. Looking for Transwonderland has been translated into French and Italian, and was awarded the Albatros Travel Literature Prize in Italy in 2016. Noo's second book, Black Ghosts (Canongate, 2023) explores the African community in China and was named Edward Stanford Travel Book of the Year in 2025. Her latest publication, The Burning Ground: Oil and Militancy in Nigeria (Columbia Global Reports) examines the social and environmental effects of the insurgency that arose in the oil-rich Niger Delta after the death of her father, the environmental activist Ken Saro-Wiwa. In the report, Noo highlights the undervalued role of women and meets individuals who are working towards sustainable development. It will be published in the US on 14th April 2026, and in the UK on 28th May 2026. Noo has also contributed to the following anthologies: Go Girl 2: The Black Woman’s Book of Travel and Adventure (2024); An Unreliable Guide to London (Influx Press, 2016); A Place of Refuge (Unbound, 2016), an anthology of writing on asylum seekers; and La Felicità Degli Uomini Semplici, an Italian-language anthology based around football. ​​ Noo is a staff writer for Condé Nast Traveller magazine, and she has contributed book reviews, travel, opinion and analysis articles for various publications including The Guardian newspaper, The Financial Times, The Times Literary Supplement, City AM, and Chatham House. She lives in London and supports Liverpool FC. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    Less than 1 minute
  • Michael W. Tuck, "The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World" (Brill, 2026)

    Michael W. Tuck, "The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World" (Brill, 2026)
    Apr 8 2026
    In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck’s research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon. Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes. The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    1 hr and 4 mins
  • Bimbola Akinbola, "Transatlantic Disbelonging: Unruliness, Pleasure, and Play in Nigerian Diasporic Women's Art" (Duke UP, 2025)

    Bimbola Akinbola, "Transatlantic Disbelonging: Unruliness, Pleasure, and Play in Nigerian Diasporic Women's Art" (Duke UP, 2025)
    Apr 6 2026
    In Transatlantic Disbelonging: Unruliness, Pleasure and Play in Nigerian Diasporic Women's Art (Duke University Press, 2025), Bimbola Akinbola redirects the focus in diaspora studies from questions of loss and longing to acts of unapologetic self-definition through the study of Nigerian diasporic women artists navigating disparate geographies, allegiances, and identities. Drawing on the work of contemporary visual and performance artists, experimental filmmakers, and writers—including Wura-Natasha Ogunji, Njideka Akunyili Crosby, Zina Saro-Wiwa, ruby onyinyechi amanze, and Nnedi Okorafor—Akinbola articulates how these artists use their experiences as cultural outsiders to redefine home and national belonging on their own terms. Taking a capacious interdisciplinary approach, she explores how these women employ anti-respectability, taboo, the erotic, and play to challenge oppressive colonial legacies and expectations pertaining to gender and morality. For the artists in this book, their artmaking is a form of homemaking that embraces ambivalence and reinvents alienation as possibility. Theorizing these practices as acts of “disbelonging,” Akinbola radically reimagines diasporic identity formation, illustrating how artists use creative practices to enact and embody belonging and community in expansive ways. Bimbola Akinbola is Assistant Professor of Performance Studies at Northwestern University. Dr. Abigail E. Celis is an assistant professor of art history and museum studies at the Université de Montréal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    1 hr and 6 mins
  • Hilary Matfess, "After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions" (Stanford UP, 2026)

    Hilary Matfess, "After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions" (Stanford UP, 2026)
    Apr 5 2026
    War offers opportunities for women to liberate their communities and build a better life for themselves. When women join rebel groups, they often take on new roles, cultivate new social networks, and develop new skills. These rebel women often gain the respect of rebel leaders, their comrades-in-arms, and the communities they're fighting for. When the guns are silenced, however, women have struggled to maintain the progress and prestige that they gained during war. Hilary Matfess investigates the gendered legacies of conflict and considers why it is so difficult for female veterans to defend the gains they made during war. After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions (Stanford UP, 2026) by Dr. Hilary Matfess explores how both individual female veterans and former-rebel political parties balance the incentives to continue their wartime activities or moderate them to succeed in the postwar period. The particular balance struck—by party elites and by female veterans—shapes women's rights and representation after war. Drawing on cross-national statistics and in-depth qualitative case studies of rebel groups—from Ethiopia, Namibia, El Salvador, and Nepal—Dr. Matfess advances a theory to explain the postwar legacies of women's participation in rebellion at both the individual and the organizational levels. This book helps us understand why women that were once lauded as the backbone of the revolution are so frequently relegated to the backburner after war. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    52 mins
  • Stephen Onyango Ouma, "Africa Unbound: Decolonial Pathways to Sovereignty and Liberation" (Brill, 2026)

    Stephen Onyango Ouma, "Africa Unbound: Decolonial Pathways to Sovereignty and Liberation" (Brill, 2026)
    Apr 5 2026
    I had a substantive conversation with Dr. Stephen Onyango Ouma, author of Africa Unbound: Decolonial Pathways to Sovereignty and Liberation (Brill, 2026). He explained that, despite achieving political independence, African countries still experience significant colonial and neo-colonial influences in their economies, education systems, cultures, and political structures. The book argues that genuine liberation must include economic independence, epistemic freedom, cultural reclamation, and Pan-African unity. Dr Ouma highlights the importance of revitalising indigenous knowledge systems, strengthening regional cooperation, and addressing dependencies that limit Africa's ability to determine its own path. We discussed topics ranging from the lasting mental effects of colonialism to the potential of the AfCFTA, the rise of youth activism, and the key role African women play in liberation movements. It was a thoughtful look at what decolonisation should mean today. For those interested in African philosophy, global politics, or contemporary decolonial thought, this book and the accompanying interview offer valuable insights. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    1 hr and 7 mins
  • Jeanne-Marie Jackson, "The Letter of the Law in J. E. Casely Hayford's West Africa" (Princeton UP, 2026)

    Jeanne-Marie Jackson, "The Letter of the Law in J. E. Casely Hayford's West Africa" (Princeton UP, 2026)
    Mar 31 2026
    The African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In The Letter of the Law in J. E. Casely Hayford's West Africa (Princeton UP, 2026) Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure. Jeanne-Marie Jackson is a Professor of English at Johns Hopkins University and the Director of the Alexander Grass Humanities Institute. Elisa Prosperetti is an Assistant Professor of African and global history at NIE/NTU in Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    1 hr and 10 mins
  • Emmanuel Ofuasia, "Ìwà: the Process-Relational Dimension to African Metaphysics" (Springer, 2024)

    Emmanuel Ofuasia, "Ìwà: the Process-Relational Dimension to African Metaphysics" (Springer, 2024)
    Mar 29 2026
    Correction: In the interview, the host mistakenly mentioned that Prof. Ofuasia is teaching the University of Pretoria. In reality, Prof Ofuasia is currently a decoloniality research associate at the University of Pretoria, South Africa. Previously, he has taught at the National Open University of Nigeria, FCT Abuja. Ìwà: the Process-Relational Dimension to African Metaphysics (Springer, 2024) approaches the subject of African metaphysics historically as it connects Ancient Egypt to Yorùbá. It provides a history of African metaphysics from ancient Egypt or Kemet down to John Boakye Danquah and Placide Tempels in the 20th century and then Innocent Asouzu, Ada Agada, and Aribiah David Attoe, in the 21st century. As it surpasses the deductions of these previous works, it moves further to showcase African originality and approaches to studying reality, whilst resisting the temptation to deduce conclusions from Western philosophy. It is the first book in the history of African philosophy to use a process-relational approach to interrogate African metaphysics. It also serves to harmonize and engage prominent African scholars who have written on the subject of African metaphysics. The general scope of this book centers on engaging the history of distortion and misunderstanding of African metaphysics by providing a relevant and reliable process-relational background as well as an alternative trivalent logic system. Unless African metaphysical theories are understood from this perspective, they will remain powerless to overcome these misrepresentations. It appeals to students and researchers internationally actively working in the fields of African philosophy, Intercultural African studies as well as process studies. Online May 11-13, 2026 conference on Processual Philosophy, more information here. Two other books by Prof. Ofuasia on related topics 1. Panentheism and Concepts of God in African Traditional Religions: A Third-Wave Proposal, Springer 2026 2. An Exploration of the Parallels Between African and Process Metaphysics: Introducing the Metaphysics of Force and Becoming, Springer 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    1 hr and 32 mins
  • Michael Allan, "Cinema before the World: The Global Routes of the Lumière Brothers" (Fordham UP, 2026)

    Michael Allan, "Cinema before the World: The Global Routes of the Lumière Brothers" (Fordham UP, 2026)
    Mar 29 2026
    Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
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    36 mins