Presenting... Part 2 of my Filmmaker Roundtable at the Hampton International Film Festival.

In this episode, we talk to the filmmaking teams of four short films. We delve into the process of creating their films and their experience at the festival.

Including:

• Director Jack Kendrick and Producer Taylor Ervin for TORNADO: A struggling contractor risks his young sons’ wellbeing to cut a sweet deal.
• Director Geneva Peschka and Cinematographer Safiyah Chiniere for THE SOLACE OF SISTERHOOD: The Caramel Curves are an all-Black female biker crew in New Orleans that defies societal norms by embracing their multifaceted identities.
• Director Jenifer McShane for QUILTERS: The movie follows a men's quilting group inside a maximum security prison as they create personalized quilts for local foster children.
• Director Lily Ahree Siegel for EQUAL PLAY: The movie delves into the lives of disabled youth, uncovering the transformative power that sports can wield.

• Host:

  Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

  Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

  Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

  Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

  Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hampton Film Festival Filmmaker Roundtable - ADULT BEST FRIENDS, LOS FRIKIS, A MAN WITH SOLE: THE IMPACT OF KENNETH COLE (Part 1)

  ⁠⁠⁠TRIBECA SERIES: RESOURCES, PROGRAMS and AWARDS with Director of Artist Programs Bryce Norbitz⁠

Tom Nesher - Director & Writer

Born in Los Angeles in 1996, Tom Nesher is a graduate of the Jerusalem Sam Spiegel Film School. She directed four award winning shorts, and has created dozens of unique freeform documentary pieces as a journalist at one of Israel’s most prominent networks. Come Closer is Nesher’s debut feature film.

Logline:

When Eden’s beloved brother suddenly dies, she takes desperate measures to fill the void. Once she discovers he had a secret girlfriend, these measures assume a passionate and dangerous twist.

The 2024 Israeli film Come Closer won several awards, including Best Film at the Ophir Awards, and will represent Israel at the 97th Academy Awards.

Come Closer won the Viewpoints Award at the 2024 Tribeca Film Festival. It recognizes films that present "bold and exceptional voices" in independent cinema.

In this episode, we talk about:

• Her first feature film ‘Come Closer’ after directing three short films

• The 5 year filmmaking process which included 4 months of rehearsal

• Adapting the film as she processed her grief over the years

• Tom’s experience at Tribeca Film Festival

• Her unique process with her actors: they read it, they improvised the scenes, and then Tom rewrote it

• Her advice for filmmakers is to trust and listen to your crew and your team

Guest: IMDb Instagram

Host:

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

If you like this episode, check out TRIBECA: Tim Blake Nelson, Andrew Liner and Vincent Grashaw for "BANG BANG"

Cara Cusumano has been with Tribeca since 2008, during which time the festival has become a globally respected showcase for film and TV premieres, live music, talks, interdisciplinary events, and talent discovery. During her tenure as Festival Director, Tribeca has been called “an annual powerhouse” (Time Out), “reliably and inarguably excellent” (Village Voice), and “one of the most prestigious festivals of the new millennium” (Playlist). She has served on nominating committees for the Cinema Eye Honors, the International Documentary Association Awards, the Gotham Awards, and the Irish Film and Television Academy Awards, and festival juries including CPH:DOX, Los Cabos Film Festival, DOC NYC, Nordisk Panorama, Bogota Audiovisual Market (BAM), and the Nantucket Film Festival. She holds a degree in Film from Columbia University’s Barnard College, and an MA in Cinema Studies from New York University’s Tisch School of the Arts.

In this episode, we talk about:

• Internships and her first job as short film programmer at Brooklyn Film Festival

• The different programming teams involved in Tribeca and how she oversees them all

• Choosing films to be featured at Tribeca

• Typical day-to-day routine

• Networking at film festival and how do you get a seasonal job there

• Famous filmmakers/cast vs unknown first time filmmakers and films coming with distribution and film coming in without distribution

• Want a job at Tribeca or any festival? Cara’s recommendation for a starting position in the screening committee

• Advice for filmmakers who are hoping to get their film into a festival including in the pre-production and post-production stages of their films

• How to identify what films are “right” for Tribeca Festival

• Collaborations and partnerships with brands like Chanel, Mazda, Indeed, AT&T, and Canva

Guest:

Linkedin Instagram Tribeca Website

Host:

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠

Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out ⁠How I Got my Press Badge for Tribeca Festival - 4th Anniversary Solo Episode

TRIBECA SERIES: RESOURCES, PROGRAMS and AWARDS with Director of Artist Programs Bryce Norbitz

Bryan Smiley is President & Chief Content Officer of Hartbeat, the global multi-platform media company founded by Kevin Hart.

Named to Variety’s 2022 “New Leaders” and Hollywood Reporter’s 2018 ”Next Gen” and “Rising Executives 35 under 35” lists, Smiley oversees Hartbeat production, financing, and development, including the company’s 70+ projects in development and more than 20 projects released in 2022 across top tier partners including Netflix, Peacock, SiriusXM, Netflix, Audible and more.

In 2021, Smiley negotiated a first look deal with Netflix to produce feature films for the streamer, a strategic move that would allow Hartbeat to continue creating content during a global pandemic. Smiley was also instrumental in getting Fatherhood released on Netflix, which was watched by more than 91 million accounts globally, making it one of the most successful original dramatic movies on Netflix. Since then, Smiley oversaw and produced Me Time and True Story, which went to #1 on the Netflix charts, and produced the upcoming 2024 film Lift.

In this episode, we talk about:

• Working as an assistant story editor out of college and how networking helped him get to New Regency

• How his early assistant roles taught him about the business and how he identified where the company needed help and resources

• His work as Vice President of Creative Development & Production at Columbia Pictures, a Sony Pictures Entertainment company

• How the range of his individual companies that he co-founded (list them) help him in his role today

• Why he’s never had a fear of failure and the reality of starting a business

• How he transitioned to development with an executive position at a studio

• Some of his favorite deals at SONY with Steph Curry a multi-picture deal with Issa Rae

• A breakdown of the divisions at Hartbeat and his rise to President and CCO

• Their hands-on, full-service approach to projects including their show “Olympic Highlights with Kevin Hart & Kenan Thompson” on Peacock

• His 4 picture guarantee and first look deal with Netflix and his thoughts on the importance of a first look deal in the current marketplace

• How they decide what project to take on and develop?

• Some pivotal moments and decisions that impacted his career

Guest:

⁠Linkedin⁠ ⁠Hartbeat website⁠ ⁠IMDb⁠

Host:

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠

Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out Becoming... VP at Disney Television Animation of Current Series & Diversity Jay Francis

ROB DECINA - In December of 2018, Rob Decina was named VP, Casting in NY for CBS Studios. He has contributed to the casting of many shows across several broadcast, cable, and streaming platforms, including: Your Honor, The Comey Rule (SHOWTIME), Nancy Drew & The Dynasty (CW), Diary of a Future President (Disney+), Guilty Party & The Game (Paramount+) and Swagger ( Apple TV+).

At CBS, he developed two programs: a Casting Fellowship, designed to encourage diversity and inclusion in the profession of casting, and an Educational Outreach Program, where he speaks to colleges and conservatories about auditioning. Previous episodic television casting credits include, Insatiable for Netflix, Shades of Blue for NBC, as well as pilots for the CW Network. His book, The Art of Auditioning: Techniques for Television had its second edition published in April of 2022.

In this episode, we talk about:

• Directing and casting internships and first full time job was a casting assistant at Warner Bros

• How a forgotten resume at Disney led to a job at Warner Bros

• His personal favorite story of working The West Wing

• Differences between working for a network and working freelance with your own casting office and why networks focus on pilots and hire out for the rest of the season

• The projects he had turned down at Rob Decina casting

• Casting a soap opera like Guiding Light for a decade and how different it was in comparison to other projects

• Role of VP of Casting at CBS Entertainment (combination of studio and network) and how it works there

• Tips for dealing with nerves ahead of the in-person audition or callback

• Accepting an associate position later in his career

• His book: The Art of Auditioning: Techniques for Television

Guest:

IMDb LinkedIn

Host:

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠

Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out ⁠Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

With 15 wins and 76 nominations, Bernard Telsey is one of the premier Casting Directors in the industry. Casting our favorite films, television shows, and Broadway shows, Telsey Casting is well known for excellence in casting. From the original production of RENT to NBC's This Is Us to Only Murders in the Building to Wicked (both the upcoming movie and the show), their office is constantly busy.

In this episode, we talk about:

• His first job as a casting assistant and building his rolodex of actors

• Casting RENT as an off-Broadway musical and why it was a difficult year long process

• Putting an ad in the Village Voice for a rock musician for RENT

• That ideally, he would like to be part of the early development process of a project

• Giving Casting their credit and how that has evolved

• How is the office doing post-pandemic

• What he sees in actors who shine with 4 lines or for a lead role, like in the case of Annaleigh Ashford

• How actors can get on their radar and what projects Telsey is working on now

Guest:

Website Wikipedia MCC Website

Instagram for MCC Theater

Instagram for The Telsey Office

IMDb

Host:

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠

Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out Becoming... Casting Director Susanne Scheel ("Past Lives," "The Wife")