This episode focuses on acts 3-5 of Romeo and Juliet. Our spotlight is on Juliet because, when you read the original play, it’s hard not to think that Juliet DESERVES more of the spotlight than most directors share with her.

Hear about many moments and lines that often don’t make it into productions of the play or feature films. What does that do to our perception of Juliet? Doesn’t it, inevitably, distort her? In Acts 3-5, Juliet lies, shows her strong acting skills, reasons out strategies, longs to have sex with Romeo for about 30 lines, makes jokes (some of them naughty) while in tears and fools her mother, demonstrates clear understanding of theological tenants, and displays masterful rhetorical skills in evading detection with her fiance, Paris. Is this the Juliet you think you’ve seen on stage and screen? If not, you’ll enjoy the inside view this episode offers into the full scope of Juliet’s talents, and you might be tempted to ask this: Is it okay to cut all or most of Juliet’s lines?

Along the way, we talk to daggers, we defend the human rights of drug dealers, and we find out that Juliet actually wakes up to discover THREE dead men around her tomb.

We are using the Yale Press version of Romeo and Juliet, editor Burton Raffel, 2004.

2014 Live Production of Romeo and Juliet starring Condala Rashad as Juliet and Orlando Bloom as Juliet.

Vanessa and Sonja are taking a break this week, but fear not -- there are more subscribers-only episodes on Patreon! Find us at patreon.com/InWalksAWoman

In this second episode in the series, Sonja and Vanessa travel through the play, keeping a sharp eye on Juliet. Is Juliet as demure as many stage performances make her seem? Romeo makes the first move at the party, but by the end of the night, is he the one in charge of the relationship? And let’s really consider what’s said in the famously “romantic” balcony scene…how much of it really fits the term “romantic”? The answers to many of these questions will likely surprise you.

Along the way, we learn about the joys of nursing--including a clever trick for weaning your baby--and we let Mercutio school us on why you hope a fairy, dashing about in an empty hazelnut-shell carriage, does not make her way into your bedroom at night.

We are using the Yale Press version of Romeo and Juliet, editor Burton Raffel, 2004.

To watch the courtly love story in action, Romeo and Juliet seems like the best place to start.

In the first of a 3-part series, Sonja and Vanessa offer helpful historical and literary foundations that help us read/understand the play. Learn about original source material, Renaissance Italian government, marriage practices, and why, in William Shakespeare’s acting company, Juliet would have been played by a young man. After explaining why all shirts that say “Shakespeare was a plagiarist” should be burned, Vanessa offers some insights on how Shakespeare made the story very much his own…so much so that it is–far and away–the most read/performed/known version of the story.

If you read the play in high school or if you have never read it, this break down of the play will remind you of what you forgot–and might even explain some things you never knew. Keep in mind that Romeo and Juliet is the Shakespeare play with the most sexual references of any of his plays…and many American high schools teach censored/abbreviated versions, so you might find out the play was a little different than you thought.

Along the way, we find out that the original Juliet has a very original way to end her life, someone is famous for having cold hands, and men have fun, pointing pointy objects around.

REFERENCES:

We are using the Yale Press version of Romeo and Juliet, editor Burton Raffel, 2004.

Vanessa is on the search for the original article she read years ago arguing that boy players were used on the English Renaissance stage not because it was illegal for women to perform, but rather because of the male guild system.

If you want to check out Luigi da Porto's 1540 version of Romeo and Juliet, this is an easy to read online copy (Italian and English parallel texts, no less).

If you are interested in learning more from world-renowned Shakespeare scholar, Stephen Greenblatt, you could start with his famed volume, Renaissance Self Fashioning that is a classic in the field of Early Modern studies both in terms of history and literary criticism. He also has a wonderfully accessible biography of Shakespeare, Will in the World: How Shakespeare Became Shakespeare.

For the story on how two of Shakespeare’s friends saved many of his plays from being lost, seven years after his death, this is a highly-readable, relatively brief story of their work to gather the quarto editions of the plays, publish the plays, and how the Folger Library in DC would not exist if not for the First Folio: The Book of William: How Shakespeare's First Folio Conquered the World by Paul Collins

What if romantic love is just a story we made up? Looking back at the origins of courtly love, it looks like we might have.

Sonja takes us back to the Middle Ages and explains how, in an attempt to control a particular problem, society might have created a story that still echoes today. This is the story that, on one hand, animates beloved romcoms, while on the other hand, forges die-hard Valentine’s Day haters. As an illustration of this story in action, Sonja takes Vanessa through a wonderful retelling of one of literature’s most influential courtly love stories: the tale of Tristan and Iseult.

If you’ve ever wondered why society seems to put such a high value on romantic love or have sensed something dark and unsettling lurking in the storyline, then you’ll be interested to hear how it all got started. Along the way, we find out that all boats should have harps in their First Aid kids, boots are handy for storing body parts, and sometimes your ex and your wife have the same name. Because of the wildness of the Tristan and Iseult tale, this will be the first Explicit episode of In Walks a Woman, so if you are listening with kiddos in the backseat, you might wait until you drop them off at school.

REFERENCES:

The Romance of Tristan & Iseult by J. Bedier & translated by Hilaire Belloc can be purchased here.

Love in the Western World by Denis de Rougemont can be purchased here new or here used.

S2E10: Dorothy as Mother in The Wizard of Oz

Good witches and ever-loyal Kansans, Sonja and Vanessa, consider a fresh reading of the widely acknowledged “American Fairy Tale,” The Wonderful Wizard of Oz. Written in 1900 by L. Frank Baum, and later made into an internationally-influential and dearly-beloved film in 1939, we ask what message Dorothy’s story sends to female viewers/readers.

Let’s start with this interesting aspect: Dorothy is on an odyssey (as our discussions in IWAW Season 1 suggest), but she sure doesn’t want to be on it! Dorothy Gale almost instantly aches to return to bleak Kansas, her home, and entertains very little curiosity for the magical land in which she finds herself. In essence, Dorothy falls into an adventure with--noticeably--no sense of adventure. Why? She keeps saying there’s no place like home, but is that the same as saying home is a good place?

Vanessa tries valiantly to convince Sonja that we might even have a motherhood theme at work in a novel with no moms. Does she succeed? Tune in for a fresh perspective, provocative questions, and a great appreciation for this rich story that we never tire of, truly in the way of fairy tales. It’s worth noting that while J. R. Tolkien purposely created an English epic and mythology, L. Frank Baum just wanted to make a fun story for children with no moralizing purpose…and the result was a tale that has organically become THE American fairy tale.

If you’ve ever wondered how the book and movie differ, would like to know more about the man who made every convenience store in Kansas sell Oz merch, you’ll love this episode. Plus, if you’re up for looking at a classic novel and movie in a new way, thinking about stories that say things maybe they did not intend–and maybe we were not expecting–then this is a great episode for you. Like it or not, the Oz story has shaped our lives, and it’s fascinating to reflect on how it has shaped us.

REFERENCES:

In Walks a Woman podcast is proud to record at the Lawrence Public Library, in Lawrence, Kansas.

If you are interested in a beautifully-illustrated edition of The Wonderful Wizard of Oz, check out the Centennial Edition in paperback by the University of Kansas Press.

For more information on the 1893 Columbian World Fair in Chicago with the “white city” that inspired the Emerald City, check out this article with photos from the Chicago Architecture Center.

If you doubt that admiration for Baum and Oz are still alive in the 21st century, check out the International Wizard of Oz Club.

For more information on L. Frank Baum’s mother-in-law, Matilda Gage, check out this great Smithsonian article: "The Feminist Who Inspired the Witches of Oz".

Link to prints of the Land of Oz Map, as described in the show.

Check out this cool article on W.W. Denslow's Illustrations for the first edition of The Wonderful Wizard of Oz from 1900, with many sample illustrations.

Sonja and Vanessa consider TV moms who inspired American women in the 80’s and 90’s. Given the warm response to our pop culture episode in our first season (S1E10: “Madonna, Maggie, Diana, Cyndi & Sinead–Gen X Heroines”), we were excited to review some fictional moms from our youth.

Clair Huxtable of the Cosby Show, demonstrated how to raise five children, while looking fashionable and gorgeous, exuding educated elegance, wit, and feminist passion. Rosanne Conner, tutored us in unapologetic snark for Reagan era policies that left her working-class family forgotten in the dust. Rosanne raises 3 kids on part time jobs with intelligence, savvy, and resilience that lets laughter ring out defiantly in her home–every single day. Finally, the most long-lasting TV mom, Marge Simpson, in a nutshell, probably deserves sainthood. Marge is both a satire and a loving salute to pearl-wearing housewives of yesteryear. Let’s just say that June Cleaver never faced the challenges Marge does. What other TV mom can hold a candle to Marge’s 36-season (and counting) optimism, ingenuity, and long-suffering patience?

We look at all three characters as mothers whose stories partly shaped what we hoped we’d be as mothers. Why did they make an impression on us? What did their stories leave us expecting when we were expecting? And were these stories on the mark? Were any parts of the stories ultimately misleading or unhelpful? As we pursue these queries, Sonja shares a secret about bra burning, and Vanessa (tries) to sing the Enjoli commercial song.

REFERENCES:

NPR's Fresh Air Interview about the documentary We Need to Talk about Cosby

Article from Slate in 2014 about Clair Huxtable: The Other Huxtable Effect

2018 Article about Rosanne in Meanjin Online: When Capitalism Saves Us from Ourselves