Lorrie: Then we get the line that an entire mammoth AO3 ship lives and dies on.

JC: Oh, yes. Yes, we do. "Harry, however, had never been less interested in Quidditch; he was rapidly becoming obsessed with Draco Malfoy." I'm pretty sure people had that tattooed on their bodies at some point.

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Between the time that this book was first written and now, I've seen consent culture become much more widespread and better understood. That's only a good thing. That's a difference I've seen in our lifetimes, a change in the popular culture.

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There's something about Harry approaching Slughorn that will give good, positive reason for Slughorn to be able to overcome his shame and release the true memory, and Dumbledore is not it.

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Everything about what Lupin has been up to is so fascinating, because he says that he has been living amongst werewolves and they don't trust him because he's obviously human-coded. This is so similar to Snape's espionage post being that he has to go back to the high school where he was bullied. This is pure trigger, right?

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If anybody is marked to be a failure, it's Crabbe and Goyle, so if almost all the teachers have given up on them, you can be in Snape's position as the one person who hasn't given up on them, knowing that there's no guarantee. It may turn out that all your colleagues are looking at you like, "I told you you were wasting your time." Yeah, that might happen, and that's not why you do it, right? You do it because everybody is worth somebody caring that you get a chance.

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It's a beautiful way to teach Ron that whole lesson of, 'Yes, it's taking place in your head, but that doesn't mean it's not real.' You can learn to do things in life without having to go through them while you are able to think yourself into knowing how to do things. So yeah, this is Harry moving into his baby Dumbledore era.

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JC: Here is finally an adult who can set a boundary that Tom can't cross, and it makes sense then that later on, people say, "Oh, Dumbledore was the only one he was ever afraid of." I was like, "Well, yeah, he imprinted on that."

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JC: It's an interesting point to think, when you're interacting with the author or the creator of any text, that you are interacting with a past version of them that hadn't yet become the person they are now…

LK: And how much can you hold the earlier, younger, more naive persona accountable for things that that person is going to have done in the future?

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