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Florida Press Podcast

By: New Books Network
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  • Summary

  • Interviews with authors of the University Press of Florida books.
    New Books Network
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Episodes
  • Christina M. García, "Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking" (U Florida Press, 2024)

    Christina M. García, "Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking" (U Florida Press, 2024)
    Jun 28 2024
    Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 7 mins
  • Pablo Alonso González, "Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation" (UP of Florida, 2018)

    Pablo Alonso González, "Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation" (UP of Florida, 2018)
    Feb 16 2024
    Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation (UP of Florida, 2018) explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso González delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states. Pablo Alonso González is a Senior Researcher at the Spanish National Research Council (IPNA-CSIC). He is the author of several books, including Cultural Parks and National Heritage Areas: Assembling Cultural Heritage, Development and Spatial Planning. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    51 mins
  • Christopher P. Barton, "The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey" (UP of Florida, 2023)

    Christopher P. Barton, "The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey" (UP of Florida, 2023)
    Oct 25 2023
    The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey (UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class. Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression. Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism. Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of Trowels in the Trenches: Archaeology as Social Activism. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    42 mins
Art World Literary History & Criticism
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