Late in the narcotizing Oscars 2025 telecast, host Conan O'Brien made the oddly poignant promise that "Through trauma and joy, this seemingly absurd ritual is going to be here." It was a weird, oblique, it'll-be-okay reference to the seismic upheavals in America, after the whole nearly-four-hour show had made a point of avoiding any reference to them. Notice the absence of any outspoken left-wing celebrities who would've been inclined to rail at the current administration's punitive tear through the government? Mark Ruffalo? Susan Sarandon? Jane Fonda, who just made a barnburner of a speech at the SAG Awards--where were you? Not at the bland and careful Academy Awards ceremony, that's for sure!

Talking about I'M STILL HERE, a new political drama based on the 2015 memoir by Marcelo Rubens Paiva about the fracturing of his leftist family in the early 1970s, during the right-wing military dictatorship in Brazil. It's the latest film by Walter Salles (MOTORCYCLE DIARIES, CENTRAL STATION), who knew the Paiva family personally, and it's Brazil's biggest film hit since the Covid pandemic. It's also up for multiple Academy Awards including Best Picture, Best International Film, and Best Actress for the formidable Fernanda Torres. Co-hosts aren't in total agreement about I'M STILL HERE--Eileen loved it while acknowledging Dolores's misgivings about the lack of class-consciousness and its extended structure following what happens to the family in the forty-plus years after the harrowing events of 1971.

It's a Very Special Filmsuck episode open to the public! Co-host Eileen Jones interviews writer and cinephile Alex Deley, who wrote a fantastic piece for JACOBIN magazine about the glories of Lynch films.

We've got a rare total disagreement between co-hosts when it comes to FLOW, the highly praised Latvian animated feature that's up for Oscars for both Best Animated Film and Best International Film. Dolores found this dialogue-free tale of a housecat and several other animals trying to survive a disastrous flood moving, inspiring, and perhaps the greatest film this year. Whereas Eileen—who generally despises the whole movie history of animals being terrorized so we can be entertained and learn dubious lessons, going back to THE YEARLING and OLD YELLER—defies all critical and public opinion to declare her deathless hatred for this film.

Can't get enough of that new NOSFERATU, so co-hosts Eileen and Dolores are debating its merits and demerits while at the same time embracing the film as a cinephile must-see.

Co-hosts Eileen and Dolores take the "Glicked" challenge and watch WICKED and GLADIATOR II back-to-back. Here are hilarious our survivor's tales.

Filmsuck co-hosts Eileen and Dolores celebrate Halloween with a discussion of the witch films currently featured in the Criterion Channel series. They include such favorites as BLACK SUNDAY, SUSPIRIA, THE WITCHES, THE CRUCIBLE, and THE LOVE WITCH, but the most exciting discovery is IL DEMONIO (THE DEMON), a 1963 Italian Neo-realist film featuring a spider-walking peasant woman whose exorcism clearly inspired THE EXORCIST (1971)!

Filmsuck co-hosts Eileen and Dolores celebrate the long-awaited sequel BEETLEJUICE BEETLEJUICE, thirty-six years after Tim Burton's beloved 1988 comedy hit. Michael Keaton is back as the high-living undead title character, a "freelance bioexorcist," along with Winona Ryder as former depressed teen Lydia Deetz, now a perplexed middle-aged woman with an alienated daughter of her own played by Jenna Ortega of WEDNESDAY. Add the divine Catherine O'Hara as Lydia's mother, the daffy conceptual artist Delia Deetz, and the stage is set for fantastical fun with the living and the "recently deceased" and the highly porous border in between.