• Fighting, Commerce, and Ten-Cent Beer: Welcome to America and How to Frame Stories

  • Jun 6 2024
  • Length: 20 mins
  • Podcast

Fighting, Commerce, and Ten-Cent Beer: Welcome to America and How to Frame Stories cover art

Fighting, Commerce, and Ten-Cent Beer: Welcome to America and How to Frame Stories

  • Summary

  • On last week’s podcast and the one a few before that, and in a post, Shaun and I talked a bit about plot structures and narrative structures and how here in the U.S. we think of these usually (not always!) as pretty linear, and pretty much in a three-act framework (think beginning, middle, end) with rising stakes and drama as you go along.

    This is not the only way to write.

    I am very much a product of the U.S. culture. And I’m going to talk a tiny bit in the next couple weeks about different forms/shapes of storytelling, but again . . . I am a student of this culture’s structures. I am not an expert at other structures. I adore them though. I’m going to be providing links.

    And hopefully by quickly talking about some of them, you might go off and explore and adore, too. Maybe even get an epiphany for your own story?

    So, another kind of storytelling is Middle Eastern and it's Frame Story in our language.

    And it's so cool. Basically, as the Novelsmithy explains "many types of stories, characters, and symbols are woven together into a larger tale.

    "One Thousand And One Nights is the most famous example of this. In this story, Shahrazad tells story after story to the Sultan in order to keep him from killing her. Her stories include a variety of complex narratives, different characters, conflicts, genres, and morals. There are even frame stories within the larger frame story!

    "Characteristics of Middle Eastern Storytelling:

    • Outer 'frame story' tying multiple stories together
    • Multiple characters and narratives
    • Variety of genres, fantasy, and high action."

    It's very influenced by The Qur’an.

    Gulf News writes,

    "One of the most revered traditions of oral storytelling is the hakawati. As intricate and complex as a weaving pattern, this motif-rich narrative style darts in and out of stories, offering unending drama where the storyteller begins one tale, deftly leaves it mid-way to pick up another and then has a third story emerging from a subplot of the first and so on. All this is done using the tools of allegory, folklore, satire, music and a visual spectacle of grand sweeping gestures and facial expressions to finally create an enthralling experience for his listeners."

    There's a great piece about frame stories here.

    DOG TIP FOR LIFE

    Pogie's like "hey dude, I live my style and life in the frame story style of way. It always comes back to me. I'll always be doing something. I'll see a cat and I'll change my storyline." And that keeps happening. It's all about multiple stories in a brain.

    WRITING EXERCISE

    Do the Forrest Gump. Find a setting like a park bench and tell the stories that make a life. OR at least outline it.

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