Devin and James are back in the Den to bid a final "ciao" to the TOUR OF ITALY series with a look at the violent world of POLIZIOTTESCHI movies (or Eurocrime, for the pronunciation challenged)! Italy had a special touch with crime thrillers during their politically tumultuous "Years of Lead," and we go over some of the genre's highest points, starting with Enzo G. Castellari's HIGH CRIME (1973), starring Franco Nero. We follow that with Lucio Fulci's only crime film, the gloriously bloody CONTRABAND (1980). Then we get into the sticky details around the release of Mario Bava's underseen and underrated RABID DOGS/KIDNAPPED, and why two different cuts of this movie were finally released over 25 years after the movie was shot and abandoned in 1974. We follow that with some fun in Umbert Lenzi's THE CYNIC, THE RAT, AND THE FIST (1977), which matched up 3 of the genre's most iconic stars. Finally, we cover the influential second entry of Fernando Di Leo's "Milieu Trilogy," THE ITALIAN CONNECTION (1972), where actor Mario Adorf outshines hitmen Henry Silva and Woody Strode to give the most heart-pounding and heartbreaking pimp performance we've ever seen. We're sad to finally be leaving Italy behind (for now), but we closed out with some of our favorite movies ever committed to celluloid. Buckle in and hold on for some off-the-wall Italian mayhem.

Devin & James are back in the Den with their penultimate visit to Italy! This time we shift from focusing on one genre to examining a type of film that is not uniquely Italian, but they sure put their own style on: THE KNOCK-OFF. Low-budget films ripping off box office hits has always been a popular way for Producers to make a buck. Still, the filmmakers themselves can sometimes bring their own spin to a popular trope or trend and create works that rise above being called simply imitations. And then... there are the imitations. We make the case that there is plenty to enjoy about all the approaches, as long as you know what you're getting into. We start with the sharksploitation film that Universal Studios successfully took off the market for lifting the plot of Jaws in 1981, Enzo G. Castellari's THE LAST SHARK (with a bonus look at CRUEL JAWS). If imitation is flattery, then Bruno Mattei must be one of the most complimentary filmmakers ever to play the game, and we dive into his back-to-back sci-fi knocks-offs from 1989, ROBOWAR (Predator featuring a Robocop) and SHOCKING DARK (Aliens featuring a Terminator). We finish up with a couple of films that are inspired by the head-spinning, pea soup-spitting world of The Exorcist, but that build their unique plots and bizarre twists to create works that stand on their own, Alberto De Martino's THE ANTICHRIST, and Ovidio G Assonitis and Roberto D'Ettorre's BEYOND THE DOOR, both from 1974. Grab a can of Campbell's Pea Soup and a straw, and buckle in.

Devin & James are back in the Den, and are go for launch! As we return to our Tour of Italy, this time the action will take us right into the stratosphere with ITALIAN SCIENCE FICTION! We start with the doomed visitors to Mario Bava's PLANET OF THE VAMPIRES, a still underappreciated film that inspired a generation of Sci-Fi writers and directors. We then swing into more action with the utterly bizarre, early body horror, Antonio Margheriti's WILD, WILD PLANET (it's wild enough to deserve it twice in the title). Then we take off for a galaxy far, far away-ish with Luigi Cozzi's Star Wars wannabe, STARCRASH. Finally, we follow up with more Luigi Cozzi with the (occasionally) explosive CONTAMINATION. Strap in, folks... this is gonna be a messy ride.

Devin & James are back, and we've brought fun size candy! We're taking a short detour from our Tour of Italy to celebrate Halloween, and what better way than by running a movie marathon? We take on one of the most unique series in film history: All four of the INVASION OF THE BODY SNATCHERS films! The pod people first invade in 1956, then make an even more gruesome return in 1978, creating two undisputably beloved and influential Sci-Fi Horror classics. Then things stray from the storyline with 1993's BODY SNATCHERS, a lost classic worth another look (or a first look, for most people), and 2007's THE INVASION, which is... almost good? But fun to discuss. With both Halloween and Election Day near, it feels like we are ready for the Pods to appear on our silver screens again. They're here! You're next!!

Devin & James are back in the DEN OF CIN, and it's getting a little spooky in here as we continue our TOUR OF ITALY. This time we are taking on SUPERNATURAL HORROR. There were a lot of ghouls, goblins, ghosts, and witches lurking around Italy during their classic horror period, and we get things started with one of the first: Mario Bava's iconic BLACK SABBATH, starring Boris Karloff! We follow that up with the Dario Argento oddity PHENOMENA (known here in the U.S. as CREEPERS, with about 34 minutes butchered out!), before moving into lesser-seen Lucio Fulci territory with the maestro's bizarre AENIGMA. We end things on a film that defines what a forgotten cult classic can be, with Gianfranco Giagni's brain-melting SPIDER LABYRINTH. Join us to get Spooky Season started off with a BOO!

Devin & James are back in the saddle for another roundup of Italian flicks. A sampling of the cultiest of all cult genres, the SPAGHETTI WESTERNS! When Clint Eastwood rode through Spain and called it Mexico in 1964's Fistful of Dollars, it started a legit European phenomenon that would produce over 600 titles in barely over ten years! Whereas the American Westerns often whitewashed and mythologized its own westward history, the idea of the good guys always wearing white was losing steam by the 1960s, and the Italians had no sentimentality toward the Earp or James clans as historical figures. The Italian Western hero was the epitome of the anti-hero. Not so much straddling the line between good and bad, but rather stomping on it with their spurred boots. The settings may have been North American, but the politics were purely Italian. We start our discussion with the G.O.A.T., the transformative masterpiece that is Sergio Leone's ONCE UPON A TIME IN THE WEST. We then move on to the sub-sub-genre of the Zapata Westerns (set within the Mexican Revolution) with Damiano Damiani's criminally underappreciated A BULLET FOR THE GENERAL. Then we lighten the mood a bit with a couple of Westerns that border on comedies while still being bloody and wild. The master Sergio Corbucci (so much more than "The Other Sergio") takes us on a wild ride across the border and back in COMPANEROS, and we finish up with the first film in Gianfranco Parolini's super-stylized hero-in-black series, SABATA! We've wrangled all your favorite Spaghetti West heroes: Nero, Milian, Van Cleef, Bronson, Fonda, Volonte, Kinski, and so many more. But when you hear the harmonica or banjo begin playing, you better run!

Devin & James are back in the Den for more Italian scares! This time our focus is on RELIGIOUS HORROR, which has been possessing Italian horror since nearly the beginning of the genre during the sound era. We start with the immortal masterpiece, Mario Bava's BLACK SUNDAY (without which Tim Burton movies would have been very different). We then move on to our first legacy film of the series, DEMONS, the ultimate what-the-fuck popcorn demon movie by Lamberto Bava (Mario's son). Then we swing toward Michele Soavi's more artful (but still seriously gory and gross) THE CHURCH. And finally, what trip through the Gates of Hell would be complete without Lucio Fulci's classic THE BEYOND (which will burn your eyeballs out of your face, if the tarantulas don't get to them first)? Plus we get into honorable mentions for Lisa & The Devil, Demons 2, The Sect, and the other bloody entries in Fulci's GATES OF HELL trilogy. We've packed a lot into this pop culture sermon.

Devin & James are back in the Den, and this time they brought their leather vests and switchblade boots cause they're ready for the Italian POST-APOCALYPSE. The post-atomic wasteland became all the rage globally after the success of films like Mad Max 2: The Road Warrior and Escape from New York, and clever (and not-so-clever) copycats began to pop up everywhere. But, as usual, the Italian filmmakers did take the proverbial yellowcake. In this episode we focus on Enzo Castellari's 1990: THE BRONX WARRIORS, Joe D'Amato's ENDGAME, Lucio Fulci's WARRIORS OF THE YEAR 2072, and finally, Sergio Martino's HANDS OF STEEL. Don't forget your spiked wristbands!