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Once again, Sales has belatedly slouched towards something everybody else watched years ago. This time - appropriately enough - it’s Slow Horses. Crabb has been galloping around the MOAD.

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Sales and Crabb have both watched "Nobody Wants This" and find they have different interpretations, especially of the series' much-discussed kissing scene. Thank goodness there's basketball and Ezra Klein to restore the peace.

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Crabb's on a deep dive into the birth of impressionism in Paris with a new book by Pulitzer Prize winner Sebastian Smee, while Sales is once again offering her insights on The Sopranos, which last we checked finished airing 17 years ago.

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Sales has been back to Hamilton with her kids for the first time, while Crabb offers to put her hands into … look we can’t go there in the show notes.

Warning: this episode contains detailed discussion of depression, mental illness and suicide.

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Crabb and Sales hit the road to Perth, and a rare illness-free streak in WA means they're brimming with energy to chat about everything from money laundering to US politics to "I Touch Myself".

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Sales has watched A Man In Full, and wonders why it hasn't been a global hit. Crabb has a theory, which she unspools at length while indulging her weakness for big-screen megaflops. Also discussed: Miranda July's lady-pleaser All Fours, and Jessie Tu's new novel The Honeyeater.

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A warning to listeners: this episode includes discussion of childhood sexual abuse.

In a welcome break from Ryan Reynolds content, Crabb and Sales have a serious discussion about some confronting revelations surrounding a couple of beloved authors.

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Listener Warning: This episode is even siller than you think it's going to be

Sales finally drags Crabb to see Deadpool v Wolverine and arrives bearing lamingtons. Crabb attempts to befriend a cinema employee with surprising results.

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