On the season finale of BFGE, the ladies watch "Demon" (2015): a genre-defying (horror? comedy? drama?) Polish film written and directed by Marcin Wrona, released shortly prior to his tragic and untimely death. The film unwinds a tale of a bridegroom possessed by an unquiet spirit (a "dybbuk") in the midst of his own wedding celebration.

Join us as we talk Jewish folklore, polish history, & shitty weddings, and ask our loyal listeners to choose the destination for the last wild bachelorette party we will ever attend in our mortal lives.

Interstitial audio: "The Dybbuk" (Der Dibuk), 1937 -- Clip: The Dance of Death

We love you! Have a safe and joyous holiday and new year!

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In this very goofed up episode of BFGE, the ladies get a cinematic lobotomy by watching Ralph Bakshi's legendary disaster film "Cool World." The film stars Gabriel Byrne as Jack Deebs, as ex-con cartoonist who gets released from prison only to be sucked into a parallel cartoon universe he thinks he created. There he meets Holli Would (Kim Basinger), a sultry cartoon vixen hell-bent on having sex with a human man so she too can become human, and Frank Harris (Brad Pitt), a hard-boiled detective whose only job is to enforce Cool World's oldest law: NOIDS do NOT have sex with DOODLES.

Also in this episode:

- Sarah explains the scientific reason men yearn for sex with cartoons

- Emma defends the film as a feminist masterpiece and trailblazer in American Science fiction

- The ladies talk Daenerys Targaryen chatbot mistresses, secret santa hentai magazines, Moby's self-cancellation, Cool World sex loopholes and more

Come get sucked into Cool World with us!

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In this very special episode of BFGE, Sarah celebrates Emma's return from Italy by making her watch one of her favorite Italian horror films, Cemetery Man (Italian: Dellamorte Dellamore) directed by Michele Soavi. The film stars Rupert Everett as Francesco Dellamorte, the beleaguered caretaker of Buffalora cemetery where the dead rise from their graves, whose lonely existence is suddenly upended by the arrival of a mysterious beautiful woman (Anna Falchi). Also in this episode:

• Emma gets a bottle of prosecco dumped on her head. Did she deserve it?
• Sarah discuses director Michele Soavi's interesting career trajectory and his work with Italian horror masters Argento and Fulci.
• The ladies debate the meaning of life and death and share their views on the film's ending.

Come and dig a grave with us!

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/