• A for Andromeda

  • Aug 2 2024
  • Length: 1 hr and 27 mins
  • Podcast

  • Summary

  • A for Andromeda is a BBC science fiction TV series that originally aired in 1961.

    It was the first adult BBC science fiction series since the Quatermass trilogy of the Fifties. Created by reknown (and controversial) astronomer Fred Hoyle and television writer and producer John Elliot, and directed by Michael Hayes (Replaced by John Knight for the sequel). One of the earliest mainstream British TV dramas to explore the themes of artificial intelligence and realistic alien contact.

    A for Andromeda follows a group of scientists who receive a radio signal from the Andromeda galaxy containing instructions for building a powerful computer. Once built, the computer reveals a formula for creating a new life. Meanwhile a multinational company called Intel are stealing information from the project via a mole. Shockingly, one of the team, Christine, is hypnotised and killed by the computer. Her body is then used as a blueprint for a newly grown beautiful woman who is christened Andromeda. However, as Andromeda grows more self-aware, she begins to be torn between the agenda of the alien AI and her own humanity.

    The series was a great success at a time when the BBC had been losing audiences to its new rival ITV. Unsurprisingly a sequel was commissioned.

    The Andromeda Breakthrough was originally broadcast in 1962. It picks up directly where the previous one left off, with Andromeda and Dr John Flemming, the scientist who has treated the computer with suspicion almost from the beginning, having escaped from the island where it was created. Soon they are abducted by Intel and taken to the Middle Eastern country of Azaran, where the alien computer has been recreated. Too late, the humans realise that the computer has a ruthless plan for human civilisation, and only the dying Andromeda can save them.

    Both series were groundbreaking for television in mixing scientific concepts with contemporary politics and a more cynical view of business and political institutions.

    For this episode I was delighted to be reunited with writers Nigel J Anderson and Brian M Clarke, who had been my very first guests when we covered Pathfinders in Space. We also take a few minutes to discuss the BBC4 remake in 2006. I must also mention Michael Thompson, who helped with the glossy production values on this particular podcast.

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