This week, we join Sally at home, on a sunny autumn day. Listen for a meditation on play, weather, and our relationships with everyday objects.

The passage from David Copperfield can be found here.

More from Sally on the kaleidoscope mentioned early in the episode can be found here.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Caesar, I never stood on ceremonies, / Yet now they fright me.’

This week, we join Sally in the early morning, after a Shakespearean dream. Listen for a meditation on the boundaries between sleeping and waking, dreams and reality, and confidence and hubris.

Calpurnia’s full speech can be found here.

The wonderful piano music in the opening section is ‘Tuesday’, by Paul Sebastian.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘I hate walking, it seems so pointless to me…’

This week, Sally has been musing on the importance of mobility, reflecting on the increasing role of her blue scooter in her life. Listen for a meditation on the importance of transport, both physical and imaginative, via Thomas Bernhard, Agatha Christie, and Elizabeth Bishop.

Miss Marple of Bourne End has previously appeared in Sally’s first novel, Girl with Dove (2018). Available from all good booksellers.

The guitar music in the opening section is by Dylan Gwalia, and the piano music in the closing section is ‘Doubt’, by Paul Sebastian.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.