This week we're joined by Chicago's Joan Waters, local drag queen and John Waters super fan, and we're taking a look at Polyester, John Waters' first studio film. With his biggest budget to date, Waters paid tribute to William Castle, and Douglas Sirk, two of his favorite filmmakers. Sirk directed the Rock Hudson classic All That Heaven Allows, a clear influence on queer filmmakers like Todd Haynes and Rainer Werner Fassbinder. So we paired it with Polyester as we take a look at the similarities, differences, and Sirk's continued influence in queer cinema.

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Brian interviews filmmaker, writer and actor Vera Drew about her debut film, The People's Joker. Produced on a shoestring budget and released in secret while Warner Bros waged a legal battle, The People's Joker uses popular DC Comics characters to tell a truly unforgettable coming age of story.

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We're saying goodbye to a tumultuous 2024 by discussing one of the year's biggest, and arguably gayest, box office hits. From bookshelves, to Broadway and now to movie theaters, Wicked is a superhero tentpole movie for theatre kids, but is it any good? And how does it hold up taken next to the beloved stage play? Rob and Max join Brian to discuss all that and more!

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We’re closing out spooky season with a couple of tear-jerkers. In one of our most poignant episodes, Brian opens up about the loss of his mother and how it affected watching these two films, one an Oscar powerhouse the other something of an Oscar also-ran, each of them with passionate queer followings given their stacked casts.

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Brian and Max went to the Alamo Drafthouse to catch one of the year's most talked about films of the year, Francis Ford Coppola's Megalopolis. Developed by Coppola over a course of 3 decades, Megalopolis finally hit screens in 2024. After standing ovations at film festivals, the film released to the public with mostly a shrug, but Brian and Max wanted to see it for themselves, and then recorded at a bar after the screening.

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By now, Keanu Reeves is an accomplished action star with two multi-billion dollar franchises to his name. But this week we're taking a look at the two movies that helped get him there, Point Break and Speed. He hit it big with these two films, and represented a shift away from the buff action heroes which drove the critics of the time to only one conclusion - he must be gay. Join us as we unpack two of the biggest hits of the 1990's; the queer coded Point Break and what was then seen as feminine features for a masculine action hero.

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This week we're joined by "The Horror Dyke," Heather O. Petrocelli as we take a look at David Cronenberg and recent Palme D'Or Winner! In 1996, Cronenberg released the controversial Crash, about a man who seeks to reinvigorate his sex-life after a near-fatal automobile accident. We pair it with 2021's Titane, Julia Ducournau feminist body horror film that owes a huge debt to Croneberg's work, while remaining it's own truely unique vision.

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