Join hosts Nathan Blackwell and Krissy Lenz as they dive into the groundbreaking 1980 workplace comedy 9 to 5, starring Jane Fonda, Lily Tomlin, and Dolly Parton in her film debut. This feminist revenge fantasy became the first female-led film to break $100 million at the box office, but does it hold up today?

The hosts explore how the film starts as a grounded workplace drama about three women dealing with their sexist boss (Dabney Coleman) before taking several unexpected turns into screwball comedy territory. After a marijuana-fueled evening of revenge fantasies, the story evolves into an outrageous caper involving suspected poisoning, stolen corpses, and an elaborate kidnapping scheme.

While the movie's pacing occasionally drags and some scenes feel theatrical, the incredible chemistry between the three leads keeps the film engaging. The hosts give particular praise to Dolly Parton and Lily Tomlin's performances, noting how naturally they take to their roles. The film's workplace reform message - including equal pay, flexible hours, and daycare - remains surprisingly relevant, even if some of the comedy feels dated.

Key Topics Discussed:

• The iconic opening credits sequence set to Dolly Parton's 9 to 5
• How the film shifts from office satire to madcap comedy
• Each character's elaborate fantasy sequence for getting revenge on their boss
• The progressive workplace changes implemented by the women
• Sterling Hayden's cameo as the Chairman of the Board
• The film's influence on workplace comedy genre
• Deep cut recommendations including Sorry to Bother You and the British version of The Office
• Discussion of Jane Fonda and Lily Tomlin's later collaboration on Grace and Frankie

Nathan and Krissy rate the film 7 out of 10 "typewriters," agreeing that while some scenes drag and the tone shifts dramatically, 9 to 5 remains an entertaining time capsule of 1980s workplace culture and feminist comedy. Whether you're revisiting this classic or discovering it for the first time, there's plenty to appreciate in this pioneering film that helped pave the way for women-led comedies.

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